Index for 4pMU
ASA 132nd meeting - Hawaii, December 1996
4pMU1. The perception of rhythm in musical performance and poetry recital.
4pMU2. A measure of dissimilarity for comparison of dynamics, agogics, and pedaling in several piano performances.
4pMU3. Communicating performer intent through musical performance. I. Mapping intent to perception.
4pMU4. Communicating performer intent through musical performance. II. Mapping performer intent through acoustical analyses.
4pMU5. Acoustic correlates of the emotional expression in vocal performance.
4pMU6. Acoustic correlates of emotionally expressive music.
4pMU7. Rhythmic interpretation of polonaise in piano performances.
4pMU8. The context effect on loudness in listening to music.
4pMU9. Interaction between auditory and visual processing in impressional evaluation of a piano performance.
4pMU10. Motion as music: Comparing final ritards with stopping runners.
4pMU11. Measurement of performance response differences using aluminum and brass marimba resonators.
4pMU12. Basic study of acoustic display of John Milton's Paradise Lost.
4pMU13. The touch precursor of the piano tone.
4pMU14. On the duration of pre-Helmholtz triggering in bowed violin attacks.