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mental planning for performance
Can anyone help me find out more about the neuropsychological processes
active in the moments before a performer sings, whistles or plays a
melody on an instrument with no pitch demarcations (e.g. frets /keys).
Without the aid of such pitch markers, how does the performer plan motor
processes to exactly hit the right note ?
Should I be looking into auditory memory and imagery literature?
Anything out there in the neuroscience or singing research world?
Thanks in advance for pitching in with anything noteworthy !
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