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Re: First moment of a spectrum

To: AUDITORY@xxxxxxxxxxxxxxx
Subject: Re: First moment of a spectrum
From: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?= <tothl@xxxxxxxxxxxxxxx>
Date: Tue, 13 Jun 2000 08:41:21 +0200
Comments: To: "James W. Beauchamp" <j-beauch@UX1.CSO.UIUC.EDU>
In-reply-to: <200006121541.e5CFfWa19398@staff1.cso.uiuc.edu>
Reply-to: =?X-UNKNOWN?Q?T=F3th_L=E1szl=F3?= <tothl@xxxxxxxxxxxxxxx>
Sender: AUDITORY Research in Auditory Perception <AUDITORY@xxxxxxxxxxxxxxx>

On Mon, 12 Jun 2000, James W. Beauchamp wrote:

> I have found the centroid to be a very useful parameter for sound
> synthesis, particularly for brass sounds.
> Lately it appears that some researchers are using higher-ordered moments
> for automatic instrument classification.
>
And some researchers used centroid for the approximation of speech
formants. See
Albesano et al.: A Study on the Effect of Adding New Dimensions to
Trajectories in the Acoustic Space, Proc. EuroSpeech'99, pp.1503-1506

               Laszlo Toth
        Hungarian Academy of Sciences         *   "Heavy Metal is the
  Research Group on Artificial Intelligence   *    QUINTessence of music"
     e-mail: tothl@inf.u-szeged.hu            *
     http://www.inf.u-szeged.hu/~tothl        *             /Anonymous/

References:
- Re: First moment of a spectrum
  - From: James W. Beauchamp

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