[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]
pitch, attack, steady-state
I'm seeking evidence for or against the claim that, when listening
to musical instruments, pitch perception relies primarily on the
sustained or steady-state portion of the tone, rather than the
My own search has turned up papers on similar topics (Robinson &
Patterson, 1995; Campbell & Heller, 1979; Gordon, 1987), but nothing
that addresses my question in particular.
Many thanks for any references.
Paul von Hippel
School of Music
Ohio State University
1866 College Road
Columbus, OH 43210
(You can also reach me by simply replying to this message.
All my mail is forwarded to the same final destination.)