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[AUDITORY] Call For Papers: AES 153rd Convention in New York in October



[Apologies for Cross-Posting]

Hey everyone,

Reminder that the deadline for Cat. 1 (full peer-reviewed) papers for the AES Fall Convention is July 17th. We also have an Express Paper category, which requires only an extended abstract by August 1.
 
Hope to see you in New York or online this fall!
--Braxton


Join us for the 153rd convention, AES New York 2022, featuring both in-person events at the Javits Convention Center, NY on October 19 - 20 and online program October 26 - 27.

Call for Papers

Papers Co-Chairs: Areti Andreopoulou and Braxton Boren. Contact Papers Chairs

Topics

Proposals describing work in any area of audio engineering and its related arts and sciences will be considered for inclusion in convention sessions. A detailed list of proposed topics is given below. Please also take the time to review the AES Convention and Conference Author Guidelines before submitting.

Categories

Authors may submit proposals in two categories:

  1. Complete-manuscript peer-reviewed convention papers
  2. Extended-summary-reviewed Express Papers

Submitting a Proposal

Proposals are to be submitted electronically:

Category 1 by July 17, 2022

Category 2 by August 1, 2022

For the complete-manuscript peer-reviewed convention papers (Category 1), authors are asked to submit papers of 4–10 pages to the submission site by July 17, 2022. These complete-manuscript papers will be reviewed by at least two experts in the field, and authors will be notified of acceptance by August 31, 2022. Final manuscript with revisions requested by the reviewers have to be submitted before September 23, 2022. If rejected as a convention paper (Category 1), the proposal may still be submitted for Category 2.

For extended-summary-reviewed proposals (Category 2), a title and 300-750 word summary of the proposed paper must be submitted by August 1, 2022. Authors will be notified of acceptance by August 31, 2022, and the authors must submit their final manuscripts (4 to 8 pages) before September 23, 2022.

Proposed Topics

Acoustics of music rooms

  • Acoustics of smaller rooms
  • Acoustics of large performance or rehearsal spaces
  • Room acoustic solutions and materials
  • Sound isolation related to music as a source

Audio Applications and Technologies

  • Audio in education
  • Audio for mobile and handheld devices
  • Auditory display and sonification
  • Automotive audio
  • Digital broadcasting
  • Forensic audio
  • Interactive sound
  • Networked, Internet, and remote audio
  • New audio interfaces
  • Web 2.0 technologies

Audio Content Management

  • Archiving and restoration
  • Audio and music information retrieval
  • Audio formats
  • Automatic content description
  • Digital libraries

Audio Processing

  • Analysis and synthesis of sound
  • Audio coding and compression
  • Audio effects
  • Auditory scene analysis
  • High resolution audio
  • Machine listening
  • Music and speech signal processing

Audio Equipment

  • Electronic instrument design & applications
  • Instrumentation and measurement
  • Interaction of transducers and the room
  • Loudspeakers and headphones
  • Microphones, converters, and amplifiers
  • Musical instrument design
  • Protocols and data formats
  • Wireless and wearable audio

Immersive Audio

  • Audio for virtual/augmented reality environments
  • Evaluation of spatial audio
  • Game Audio
  • Impact of room acoustics on immersive audio
  • Multichannel and spatial audio
  • Sound design/acoustic simulation of immersive audio environments
  • Spatial audio applications

Perception

  • Audio perception
  • Audio quality
  • Hearing loss, protection, and enhancement
  • Listening tests and evaluation
  • Psychoacoustics
  • Room acoustics and perception
  • Speech intelligibility

Recording, Production, and Reproduction

  • Electronic dance music
  • Hip-Hop/R&B
  • Live event and stage audio
  • Mixing, remixing, and mastering
  • Sound design and reinforcement
  • Studio recording techniques