Mailbox index - postings/1998
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1 jan02 HARTMANN@PA.MSU.(1k) Collected rhythm responses<<Dear Auditory List, Thanks to all who replied to the
2 jan05 PETER B.L. Meije(2k) The vOICe Learning Edition<< January 5, 1998 Dear List, For those interested in
3 jan08 Kate Stevens (5k) Research Professorship in Auditory Cognition (Macarthur Auditory<<- Please Distr
4 jan09 Soeren Bech (1k) loudness as a function of angle of incidence<< Dear List members I am searching
5 jan11 Steve Greenberg (5k) NATO ASI on Computational Hearing<<An updated announcement ..... (see deadlines
6 jan15 Mari Jones (4k) Vibrotactile<<>Date: Wed, 14 Jan 1998 22:34:10 -0500 >From: Howard Connelly <hog
7 jan16 john erdreich (5k) Re: Vibrotactile<<Mari Jones wrote: > > >Date: Wed, 14 Jan 1998 22:34:10 -0500 >
8 jan17 Niall Griffith (4k) Limerick Workshop<<Please pass this on to anyone who you thing might be interest
9 jan17 MITCHELL Sommers(1k) .adf file conversions<<Dear list, Does anyone know of programs (preferably freew
10 jan17 Tom Carrell (2k) Re: .adf file conversions<<At 10:47 AM 1/17/98 +0000, you wrote: >Does anyone kn
11 jan19 Dan Ellis (2k) Stuart Rosen: Re: .adf file conversions<<Dear List - Stuart Rosen sent the enclo
12 jan22 Steve Greenberg (7k) Johns Hopkins Speech Recognition Workshop<<The Center for Language and Speech Pr
13 jan27 Kate Stevens (3k) It's About Time: Music as a Cognitive Skill: Symposium Papers<<Dear AUDITORY lis
14 jan29 Niall Griffith (3k) Phd. studentships: Connectionist Models of Musical Processes<<Please post this t
15 feb04 Alexander Galemb(1k) Pitch of a complex tone<<Dear Listers, It is classical that the pitch of a perio
16 feb04 Dr L S Smith (St(2k) Re: Pitch of a complex tone<<Dear Alexander: There are occasions when the phase
17 feb04 Bill Schottstaed(1k) Re: Pitch of a complex tone<<I think John Pierce has written a couple papers on
18 feb04 Malcolm Slaney (6k) Re: Pitch of a complex tone<<At 6:28 AM -0800 2/4/98, Alexander Galembo wrote: >
19 feb04 Peter Cariani (7k) Re: Pitch of a complex tone<<Alexander Galembo wrote: > It is classical that the
20 feb05 R. Parncutt (10k) effect of phase on pitch<<Pondering the evolutionary origins of the ear's "phase
21 feb05 PETER B.L. Meije(3k) Re: effect of phase on pitch<< February 5, 1998 Richard Parncutt wrote a very in
22 feb05 Bert Schouten (2k) Re: effect of phase on pitch<<Perceptual effects of phase on pitch or timbre cou
23 feb05 LASZLO Toth (3k) Re: effect of phase on pitch<<>From tothl Thu Feb 5 16:50:04 +0100 1998 remote f
24 feb05 Steven M. Boker (3k) Re: effect of phase on pitch<<Bert Schouten <Bert.Schouten@LET.RUU.NL> writes: >
25 feb05 Peter Cariani (17k) Re: effect of phase on pitch<<R. Parncutt wrote: > Pondering the evolutionary or
26 feb05 Michael Kubovy (3k) Re: effect of phase on pitch<<Please note the following sorely neglected article
27 feb06 SOREN Bech (3k) references on loudness as a function of angle<<Dear List members Please find bel
28 feb06 Al Bregman (5k) correlation of vision and audition (fwd)<<Dear Colleagues, A doctoral student in
29 feb09 Dan Ellis (4k) Scott Lipscomb: Re: correlation of vision and audition<<Dear List - Scott Lipsco
30 feb09 Robert Zatorre (2k) cross-modal interactions<<For some interesting behavioral as well as neurophysio
31 feb09 Alexander Galem(10k) Phases/pitch<<Dear List - I have got couple of messages asking to post the respo
32 feb11 Al Bregman (36k) Re: correlation of vision and audition<<Dear Colleagues, Thanks to those of you
33 feb12 PETER B.L. Meije(6k) Re: correlation of vision and audition<< February 12, 1998 Annabel Cohen wrote t
34 feb12 Alexander Galemb(2k) <<Dear List, I would appreciate anybody to direct me to the publications decribi
35 feb12 Scott Lipscomb (7k) audio-visual correlation<<List members: I have been reading with interest the se
36 feb13 TODD@FS4.PSY.MAN(4k) Re: audio-visual correlation<<Dear List I have also been reading with great inte
37 feb13 MITCHELL Sommers(2k) Postdoctoral Position<<The Department of Psychology at Washington University has
38 feb17 Punita Singh (2k) Brightness affecting pitch<<I have run into this phenomenon several times -- whe
39 feb18 Punita Singh (2k) Re: Brightness affecting pitch<<OOOOPS! I wanted to pitch in, but my lack of bri
40 feb19 Barbara Muller (3k) strange effect in auditory localization<<Dear List, I might first introduce myse
41 feb23 Richard M Warren(3k) Matching Visual and Auditory Cues in Films<<Greetings: I've been out-of-town, so
42 feb23 Al Bregman (1k) Re: Matching Visual and Auditory Cues in Films<<Hi, Dick, Thanks for the fascina
43 feb24 Stuart Rosen (2k) Illusions<<I was interested to read Richard Warren's recent account of speech pe
44 feb24 Richard M Warren(1k) Book query<<Hi, Al Thanks for asking -- I'm really not all that shy. The title o
45 feb25 NIGEL FRAYNE (1k) help<<Sincere apologies for the mundanity: can I suspend mail from this list? wh
46 feb25 Bruce N. Walker (2k) Wake-up levels for auditory warning?<<Does anyone know how loud a sound needs to
47 feb26 Stephen McAdams (2k) Re: Wake-up levels for auditory warning?<<>Does anyone know how loud a sound nee
48 feb26 Daniel Levitin (2k) Re: Wake-up levels for auditory warning?<<I would add to Steve McAdams' cogent r
49 feb26 Richard M Warren(2k) Examples of illusions increasing intelligibility<<Stuart Rosen wrote that: >in m
50 feb26 Sheila Williams (2k) Re: Wake-up levels for auditory warning?<<In addition to Stephen McAdams reply a
51 feb26 john erdreich (2k) Interpretation of published earphone frequency response<<This is a question that
52 feb27 R. Parncutt (2k) Tomatis<<Does anyone know of any "proper" research that addresses Alfred Tomatis
53 mar03 Steve Slade (2k) Positions<<Hi one and all For those who may be interested (or who have students
54 mar03 HARTMANN@PA.MSU.(1k) News<<Dear List, If your local newspaper is like the Lansing State Journal, it w
55 mar04 Nancy Vaughan (1k) B&K<<Does anyone have a phone number or email address for a B& K distributor in
56 mar05 Nancy Vaughan (1k) B&K<<Thanks for all the helpful hints in reaching B&K. Since so many of you have
57 mar11 Al Bregman (5k) Re: your mail<<Dear Alexander, Let me reply to your query about anomalies in pit
58 mar12 Roy Patterson (2k) Changes<< CHANGE OF POSTAL ADDRESS AND EDITING DUTIES Please note that Roy Patte
59 mar12 Preben von der L(6k) Conference in Musical Imagery-99. Call for papers<<CALL FOR PAPERS CMI-99 CONFER
60 mar15 Dan Ellis (6k) Caroline Palmer: music cognition<<Dear List - Caroline Palmer of Ohio State Univ
61 mar16 Athanassios Prot(3k) Speech signal SPL & S/N<<Forwarded message: From protopap Wed Mar 11 17:05:19 19
62 mar17 Garcia De La Fue(1k) Bibliography on background music effects<<I wonder if someone could guide me int
63 mar16 EH (2k) Re: Bibliography on background music effects<<Garcia De La Fuente wrote: > > I w
64 mar17 Torben Poulsen (2k) Re: Speech signal SPL & S/N<<Re. Speech levels: In a paper by Carl Ludvigsen you
65 mar17 mountain (2k) Re: Bibliography on background music effects<< I'd recommend as a starting point
66 mar17 gary r. kidd (2k) Re: Bibliography on background music effects<<For a thoughtful discussion of "el
67 mar17 Scott Lipscomb (2k) Re: Bibliography on background music effects<<Though not precisely what you are
68 mar18 Mike Brookes (2k) Re: Speech signal SPL & S/N<<Athanassios Protopapas wrote: > I am looking for ad
69 mar18 Athanassios Pro(14k) Re: Speech signal SPL & S/N --- Responses<<Dear colleagues: I would like to than
70 mar19 Punita Singh (1k) Development of auditory system<<Dear List, I need info on auditory function deve
71 mar21 Alexander Galem(63k) PHASES/PITCH/BRIGHTNESS discussion<< Dear List, =20 My queries related to the in
72 mar21 Alain de Cheveig(2k) Re: PHASES/PITCH/BRIGHTNESS discussion<<Here's a reference to a pitch shift (not
73 mar22 Alexander Galemb(2k) Late reply to the message by R. Parncutt.<<Richard, Returning to your thought: .
74 mar23 David Huron - Co(5k) Music Cognition Workshop<<PRELIMINARY ANNOUNCEMENT: * * * * * * * * * * * * * *
75 mar23 Al Bregman (15k) Notice of availability<<Dear Colleagues, Over the past few weeks, I have had som
76 mar24 R. Parncutt (7k) Tomatis<<Dear colleagues, For your interest, here is what I found out in respons
80 mar24 Stephen McAdams (2k) Re: Tomatis<<>>From Edward M. Burns, pwa@u.washington.edu: > >It is yet more evi
81 mar24 Jim Ballas (2k) Re: Tomatis<<I assumed that this statement was made in jest. >It is yet more evi
82 mar25 Alain de Cheveig(2k) Re: Tomatis<<>It is yet more evidence for my theory that, in France, the >real s
83 mar25 R. Parncutt (2k) Tomatis<<Dear colleagues, Please! I was just trying to be helpful! All of the re
84 mar25 Jim Stevenson Ph(1k) Re: matching speech synth?<<I have heard several rumors of research on speech sy
85 mar25 Stephen McAdams (3k) [Fwd: Well said!]<<Return-Path: <pdivenyi@marva4.ncsc.med.va.gov> Received: from
86 mar25 Charles S. Watso(4k) Re: Tomatis<<I'm afraid I have to agree with Steve on this one. We all harbor su
87 mar25 Stuart Rosen (1k) French endeavours<<As long as we don't have to start talking about French pop mu
88 mar25 Neil Todd (1k) Re: French endeavours<<....or talking Blairise!
89 mar25 Eric Mousset (2k) Re: French endeavours<<Stuart Rosen wrote: > As long as we don't have to start t
90 mar25 grant (2k) Measuring Loudness Growth Functions<<This is a multi-part message in MIME format
91 mar26 R. Parncutt (4k) Development of auditory system<<In reply to Punita Singh's enquiry: > I need inf
92 mar26 Sue Johnson (2k) speech/music characteristics<<Hi! I'm working in speech recognition, and am tryi
93 mar26 Neil Todd (4k) Re: speech/music characteristics<<Sue, One fundamental difference between some k
94 mar26 Eric Scheirer (4k) Re: speech/music characteristics<<Sue Johnson wrote: > > Hi! > I'm working in sp
95 mar27 Steve Slade (1k) Re: speech/music characteristics<<>If anyone has any ideas, or knows of any publ
96 mar28 Mickey Mouse (1k) Auditory time to contact<< I am doing some research auditory time to contact jud
97 mar28 Eliot Handelman (2k) Haunting Melody<<I've been working for a few years at a theory of the "haunting
98 mar29 Lonce LaMar Wyse(2k) Re: Auditory time to contact<< > I am doing some research auditory time to conta
99 mar29 Lonce LaMar Wyse(2k) Re: speech/music characteristics<< > I'm working in speech recognition, and am t
100 mar28 David Huron - Co(6k) Music Cognition Workshop<<ANNOUNCEMENT: * * * * * * * * * * * * * * * * * * * *
101 mar29 Sue Johnson (2k) speech/music - thanks<<Thanks to all those who replied to me about the issue of
102 mar29 Robert Port (3k) speech and music<<My students and I are working on the tendency of speech to be
103 mar29 Al Bregman (3k) Re: speech/music - thanks<<On Sun, 29 Mar 1998, Sue Johnson wrote: > Has anyone
104 mar30 John Neuhoff (3k) Re: Auditory time to contact<<Mike, Larry Rosenblum has some interesting work on
105 mar30 Dan Ellis (5k) Re: speech/music<<Sue/List - I can't say I know a good answer to the speech/musi
106 0 (2k) << BAD MSG: system operates by maintaining a collection of 'world-model' hypothe
107 mar30 Pierre Divenyi (3k) Re: speech/music - thanks<<At 08:53 PM 3/29/98 +0100, Sue Johnson wrote: >Thanks
108 mar31 Sue Johnson (3k) Re: speech/music<<Dan/List > Houtgast & Steeneken). Rather, I think a lot of our
109 mar31 BRUNO H. Repp (3k) speech/music<<Sue Johnson wrote: >I'm sure you must be able to detect the presen
110 mar31 Bob Carlyon (2k) APU R.I.P.<<As of tomorrow (1st April) the MRC Applied Psychology Unit will be r
111 mar31 Malcolm Slaney (3k) Re: speech/music<<At 1:17 AM -0800 3/31/98, Sue Johnson wrote: >I think there mu
112 mar31 Mark DeWitt (2k) Re: speech/music<<Sue Johnson writes: >I'm sure you must be able to detect the p
113 mar31 Neil Todd (6k) Re: speech/music<<Hi Bruno/Malcolm/Sue/List Repp wrote: >Sue Johnson wrote: > >>
114 mar31 RealTime (4k) Re: a layman's reply speech/music<<Okay. Now I'm just a humble composer who's do
115 mar31 RealTime (2k) Re: a layman's reply speech/music<<Shouldn't the distiguishing of song from inst
116 mar31 Jont Allen (3k) Re: speech/music<<Malcolm Slaney wrote: > > At 1:17 AM -0800 3/31/98, Sue Johnso
117 apr01 Jim Gardner (1k) subscription instructions?<<Sorry to butt in folks - a friend of mine wants to j
118 apr01 Neil Todd (5k) Re: speech/music<<Jont Allen wrote: >How do you know? I would expect they are co
119 apr01 Keith R. Kluende(4k) phonemes<<Neil Todd's thoughtful contribution was informative. I only add a brie
120 apr01 BRUNO H. Repp (3k) Speech and bottom-up processes<<Although the discussion is beginning to veer awa
121 apr01 Pierre Divenyi (6k) Re: speech/music<<At 10:22 AM 4/1/98 +0000, Neil Todd wrote: >For references on
122 apr01 Neil Todd (7k) Re: phonemes<<Keith R. Kluender wrote: > >Neil Todd's thoughtful contribution wa
123 apr01 Richard Pastore (4k) Speech and Music<<Given the broad range of discussion on speech and music, I wil
124 apr01 Neil Todd (3k) Re: speech/music<<Pierre Divenyi wrote: > >Well, reading Neil's note could make
125 apr01 Al Bregman (2k) Re: Speech and bottom-up processes<<Bruno, Regarding your experiments about the
126 apr01 grant (6k) Re: Speech and bottom-up processes<<BRUNO H. Repp wrote: > Repp, B. H., Frost, R
127 apr01 Pierre Divenyi (3k) Re: speech/music<<At 08:21 PM 4/1/98 +0000, Neil Todd wrote: > >If you read the
128 apr02 Hiroshi Riquimar(2k) Noise effect on rapacious avians<<Dear List, I have been looking for literatures
129 apr02 Franck Ramus (2k) consonant/vowel characterization<<Dear list, I'm looking for any information and
130 apr02 BRUNO H. Repp (6k) Auditory-visual comodulation<<Ken Grant wrote: >With all due respect for Bruno,
131 apr02 Dan Ellis (5k) Brian Karlsen: Re: speech/music<<Dear List - I'm forwarding this message on beha
132 apr02 Dan Ellis (2k) APERIODIC ADMIN REMINDER<<Dear List - Amidst our current flurry of activity, her
133 apr02 Robert E. Remez (4k) the digital Foley artist<<TO: Multiple recipients of list AUDITORY The nonstatio
134 apr03 LASZLO Toth (3k) Re: consonant/vowel characterization<<>From tothl Fri Apr 3 10:05:39 +0200 1998
135 apr03 grant (5k) Re: Auditory-visual comodulation<<This is a multi-part message in MIME format. -
136 apr03 Harry Erwin (2k) Test of Mail Relay<<With apologies, My university, like many ISPs and universiti
137 apr03 Dan Ellis (4k) Re: speech/music -> speech/singing<<Bruno offers three low-level features to dis
138 apr05 Ying-Fen Wang (2k) Re: speech/music -> speech/singing<<Regarding the recent thread on speech/music/
139 apr07 John Hershey (1k) Re: speech/music<<>On the issue of the McGurk effect. There are three principal
140 apr08 grant (10k) Cross-modality comodulation and the release from masking<<This is a multi-part m
141 apr08 John Hershey (2k) Re: speech/music<<thanks. From: Neil Todd <todd@hera.psy.man.ac.uk> >> >On the i
142 apr09 David Huron - Co(2k) Vibrato<<I have a graduate student who wants to carry out some experimental work
143 apr09 Neil Todd (3k) Re: Vibrato<<David You might try Eric Prame at KTH in Stockholm. I'm not sure ab
144 apr09 James W. Beaucha(3k) Re: Vibrato<<David, Here are some references on the acoustic analysis of vibrato
145 apr09 Gregory J. Sande(2k) Re: Vibrato<<David, > (speed, depth, onset-delay, etc.) Our preliminary literatu
146 apr09 Richard M Warren(2k) Vibrato<<Since questions have been raised concerning vibrato, I would like to ca
147 apr09 John Neuhoff (3k) Re: Vibrato<<At 04:58 PM 4/9/98, Richard M Warren wrote: >...wonder if anyone kn
148 apr10 Laurent Demany (3k) Re: vibrato<<Richard Warren wrote: >Since questions have been raised concerning
149 apr10 Dan Ellis (2k) Judith Brown: Re: Vibrato<<Dear List - I'm forwarding the enclosed message on be
150 apr10 Valerie M. McCaw(5k) vmccaw@yahoo.com is my new e-dress<<Howdy everybody. Starting today, I have a ne
151 apr10 Jont Allen (3k) Re: vibrato<<Laurent Demany wrote: > > Seashore's observation has been verified
152 apr10 Valerie M. McCaw(1k) Unexplainable electronic mishap<<Please disregard the recent e-mail indicating m
153 apr14 Robert J. Zatorr(2k) sight reading<<Dear colleagues, An inquiry has reached my desk, as follows: >I'm
154 apr15 Punita Singh (2k) mental planning for performance<<Dear List, Can anyone help me find out more abo
155 apr20 Neil Todd (4k) Re: mental planning for performance<<Pun ita I'm not aware of any specific singi
156 apr22 Sid P. Bacon (1k) possible postdoc position<<I may have a postdoc position available in my laborat
157 apr24 Torben Poulsen (3k) Professor position<<The position decribed below may be of interest for the AUDIT
158 apr23 Jont Allen (3k) An idea whose time has com: NetBib<<Dear Auditory, I would like to build a publi
159 apr24 Charles S. Watso(4k) Re: An idea whose time has com: NetBib<<Jont, Sounds like a valuable public serv
160 apr24 Rebecca Mercuri (2k) Re: An idea whose time has com: NetBib<<I have an alternate suggestion....since
161 apr24 Pierre Divenyi (3k) Re: An idea whose time has com: NetBib<<At 03:32 PM 4/24/98 -0400, Rebecca Mercu
162 apr24 Steven M. Boker (2k) Re: An idea whose time has com: NetBib<<Rebecca Mercuri <mercuri@GRADIENT.CIS.UP
163 apr24 Rebecca Mercuri (2k) Re: An idea whose time has com: NetBib<<That's fine, Pierre. But I get a variety
164 apr24 Dave Mellinger (2k) Re: An idea whose time has com: NetBib<<> Date: Fri, 24 Apr 1998 14:49:27 -0500
165 apr24 Jont Allen (25k) BIBTEX format<<This is a multi-part message in MIME format. --------------B46365
166 apr25 Dan Ellis (2k) Re: BIBTEX format<<Jont / List - >> I have received MANY responses so far. Check
167 apr25 Didier A. Depire(2k) Preprint archive<< Since we are talking about using electronic resources to the
168 apr27 Mike Brookes (2k) Re: An idea whose time has com: NetBib<<Dear list, I agree with Rebecca that the
169 apr28 Jont Allen (2k) reference to A.A. Mayer on masking<<Dear auditory mailing list members, I am loo
170 apr28 Mickey Mouse (2k) Binaural Recording<<Auditory List- My lab is preparing to buy a set of binaural
171 apr28 Sheila Williams (2k) SPL meters<<Hi everyone, we're thinking of replacing our SPL meter and I wondere
172 apr29 Sheila Williams (2k) SPL meters<<Thanks for the responses so far. perhaps I should have said that we
173 apr29 Punita Singh (4k) mental planning for hitting the right note<<Dear List, -- surprisingly little in
174 apr29 Arty Samuel (2k) lyrics<<List members, A graduate student in our program asked me the question be
175 apr29 Jont Allen (3k) Re: lyrics<<Arty Samuel wrote: > > List members, > > A graduate student in our p
176 may02 Ying-fen Wang (7k) job announcement<<The following job announcement may be of interest to scholars
177 may02 Mary V Andrianop(2k) tone matching<<Julie, I seem to recall seeing an inquiry similar to yours below
178 may02 Mary V Andrianop(3k) Tomatis method<<I have heard of the Tomatis method. I also sat on a thesis commi
179 may04 MITCHELL Sommers(1k) information transmission analysis<<Would anyone have information about software
180 may05 Stuart Rosen (2k) Re: information transmission analysis<<We have a complete set of routines to do
181 may06 Fantini D (3k) Re: audio lab url<<Enclosed is information about study opportunities which may b
182 may06 Daniel J. Tollin(2k) Help: using mics as earphones<<Theoretically, I know it is possible to drive a m
183 may06 LAURA-LEE Balkwi(1k) Re: tapping device<<Dear list, I have designed an experiment which requires some
184 may06 LAURA-LEE Balkwi(1k) Re: tapping device<<re: tapping device Someone suggested using a MIDI keyboard s
185 may06 RealTime (2k) Re: tapping device<<Why don't you get a piezo trigger and something like the rol
186 may06 Patrick Flanagan(2k) Re: tapping device<<I know that my Laptop(Dell) touchpad keeps track of tap dura
187 may06 Daniel J. Leviti(3k) Re: Help: using mics as earphones<<Daniel - It is possible to use a microphone a
188 may06 Bruce N. Walker (3k) Re: tapping device<<> I have designed an experiment which requires some sort of
189 may06 LAURA-LEE Balkwi(1k) Re: tapping device responses<<Thanks to everyone who responded for my request fo
190 may07 Steve Slade (2k) Re: tapping device<<>Why don't you get a piezo trigger and something like the ro
191 may07 Bob Masta (2k) Re: Using mics as earphones<<Condenser mics have a long history of use as sound
192 may07 HARTMANN@PA.MSU.(1k) mics to speakers<<To list, A dynamic microphone (coil and magnet) can be used as
193 may07 Christophe Palli(4k) looking for a transformation to "extract" prosody from speech<<Message en plusie
194 may07 Dan Mapes-Riorda(3k) Re: Help: using mics as earphones<<Daniel, Yes, in theory reciprocal acoustical
195 may07 Sid P. Bacon (2k) Research ListServ<<I would like to draw your attention to a Research ListServ, s
196 may08 Stuart Rosen (2k) Temporary Lectureship<<---------------------------------------------------------
197 may08 Stuart Rosen (2k) Fw: ASHA Research Listserv: Beware!<<Please note that the ASHA listserv is *not*
198 may08 Sid P. Bacon (1k) ASHA list serve<<I apologize for the confusion regarding the "ASHA member only"
199 may12 Stuart Rosen (3k) UCL studentship<<EPSRC RESEARCH STUDENTSHIP: SPEECH AND LANGUAGE PROCESSING. DEP
200 may14 Gerry McKiernan (4k) The Next WAVe(sm): Auditory Browsing in Web and non-Web Databases<< _The Next WA
201 may19 Hermann Wagner (2k) <<Postdoctoral Position in Neurobiology. A postdoctoral position (BAT IIa) is im
202 may20 Christian Kaernb(1k) dB SPL to dBA<<Dear List, Is there any internet source where I could get a trans
203 may20 Torben Poulsen (2k) Re: dB SPL to dBA<<On dB SPL to dBA Here are the numbers for A, C and D-filter F
204 may20 Torben Poulsen (1k) Re: dB SPL to dBA<<A reference in relation to dBA http://www.mme.tcd.ie/~m.carle
205 may20 Patrick Susini (2k) Re: dB SPL to dBA<<An approximation can be obtained for dBA as follow function [
206 may20 Pierre Divenyi (2k) Re: dB SPL to dBA<<At 04:56 PM 5/20/98 +0200, Patrick Susini wrote: >An approxim
207 may21 rmaarts@NATLAB.R(5k) dB SPL to dBA (fwd)<<Dear list, in one of my two articles on loudness comparison
208 may23 Dan Ellis (5k) ** New host machine for AUDITORY list **<<Dear List - The McGill University netw
209 may27 Gerry McKiernan (3k) Life is But A Stream: Streaming Audio for Auditory Browsing<< Life is a But a St
210 may28 Niall Griffith (3k) Connectionist Bibliography for Music<<An extensive bibliography of connectionist
211 may28 Malcolm Slaney (3k) Correlogram Web Server<<We've put a correlogram server on the web and we think i
212 may28 W. Bradley Fain (3k) spoken digit database<<I am looking for a couple of American accent spoken digit
213 may28 Stuart Rosen (3k) Seashore tests of musical ability<<Does anyone know of the availability and deta
214 may28 Ke CHEN (3k) Re: spoken digit database<<On Thu, 28 May 1998, W. Bradley Fain wrote: > I am lo
215 may28 RealTime (3k) Re: spoken digit database<<Why not try bell atlantic... chris mandra On Thu, 28
216 may28 John Hershey (3k) Re: spoken digit database<<Javier Movellan has an audio-visual database of the f
217 may28 Dan Ellis (3k) Daniel Fain: Re: spoken digit database<<Dear List - I'm forwarding the enclosed
218 jun01 Phil Harris (4k) Re: Seashore tests of musical ability<<Stuart You might find Paul R. Lehman's "T
219 jun02 Dan Ellis (3k) ATOM BIGGS: ROCK MUSIC<<Dear List - Do any of you know of actual research releva
220 jun02 Brian Gygi (3k) Re: ATOM BIGGS: ROCK MUSIC<<> ------- Forwarded Message > From: "ATOM BIGGS" <fo
221 jun02 Douglas H. Keefe(4k) Re: ATOM BIGGS: ROCK MUSIC<<You might take a look at what Plato wrote in "The Re
222 jun02 Neil Todd (5k) Re: ATOM BIGGS: ROCK MUSIC<<dear list It just so happens that i've recently mark
223 jun02 Linda A. Seltzer(5k) rock music<<The first issue is to be more precise about the musical terminology
224 jun02 Charles S. Watso(3k) Re: ATOM BIGGS: ROCK MUSIC<<I am certainly no expert on the subject, but I seem
225 jun03 KEVIN AUSTIN (2k) ROCK MUSIC<<>It's being said that the syncopated beats of >rock music create phy
226 jun03 Leigh Smith (5k) Re: rock music<<The tendency to play ahead of the beat in jazz usually confines
227 jun03 repp@LENNY.HASKI(3k) rock music<<One important factor that has not yet been mentioned in this semi-se
228 jun03 Eliot Handelman (3k) Music & arousal<<> Dan Ellis: > > Dr. Al Bregman said you might be able to help
229 jun03 James Wright Mcg(5k) Re: Greeks, Ethos and Rock Music<<In response to postings re. Rock Music, Morali
230 jun03 Charles S. Watso(3k) Re: ROCK MUSIC<<Pierre wrote to say he agreed with my comment about the many for
231 jun03 Edward W. Large (2k) Re: rock music<<Hi Bruno, I enjoyed your response to the list! Ed McGill is runn
232 jun03 Douglas H. Keefe(7k) Re: Greeks, Ethos and Rock Music<<My invocation of Plato was for two reasons: [1
233 jun03 Linda A. Seltzer(3k) rock music<<I wish to disagree with the person who said that only drummers play
234 jun03 Eliot Handelman (4k) Re: Greeks, Ethos and Rock Music<<Douglas H. Keefe wrote: > Plato framed questio
235 jun09 Jont Allen (16k) bp, a Perl Bibliography Package<<This is a multi-part message in MIME format. --
236 jun12 Julius O. Smith (3k) Re: Critical bands<<Does anyone know the experimental standard deviation of a cr
237 jun16 Roy Patterson (5k) Correlations, but ...<<Chuck Watson wrote - "I would be curious to know ... whet
238 jun17 Bob Carlyon (6k) headphones<<Some time ago a posted a query to the list about possible replacemen
239 jun23 Dan Ellis (9k) International Foundation for Music Research / CogPrints<<Dear List - Enclosed ar
240 jun24 Zacharov Nick N(11k) Call for papers - AES 16th International<<Our apologies if you received duplicat
241 jun26 Robert J. Zatorr(3k) delay-and-add noise<<Dear colleagues, Am I correct in my understanding that the
242 jun29 Torben Poulsen (9k) Positions available<<At The Technical University of Denmark (DTU): Associate/ass
243 jun29 Dirk Meister (3k) Hearing loss simulation ?<<I'm working on a noise-reduction system for hearing a
244 jul06 meijer@NATLAB.RE(3k) Profile analysis: David Green?<< July 6, 1998 Dear All, Could someone tell me if
245 jul06 meijer@NATLAB.RE(3k) Re: Profile analysis: David Green?<< July 6, 1998 Thanks to those who helped me
246 jul07 Linda A. Seltzer(3k) Sound of tube amplifiers<<Recently I found myself in an "argument" with someone
247 jul07 Ewan A. Macphers(3k) Re: Sound of tube amplifiers<<Linda Seltzer wrote: > Recently I found myself in
248 jul08 =?iso-8859-1?Q?S(3k) Re: Sound of tube amplifiers<<Dear Linda, Although I am not an expert on this to
249 0 (3k) << BAD MSG: somewhat different. Guitar players are rarely seeking for a "true" r
250 jul08 Bob Carlyon (3k) sennheiser hd250 linear 2 headphones: additional info<<There is a further point
251 jul08 DeLiang Wang (4k) Tech report on speech segregation<<The following technical report is available v
252 jul09 =?iso-8859-1?Q?B(4k) Re: Sound of tube amplifiers<<Dear Linda + list, One likely physical explanation
253 jul09 msommers@ARTSCI.(3k) Klatt synthesis<<We are looking to synthesize some CV continua using the Klatt s
254 jul10 meijer@NATLAB.RE(3k) Profile analysis and intra-CB beats<< July 10, 1998 Dear All,
255 0 (3k) << BAD MSG: whom I've not yet been in touch), it seems that profile nalysis has
256 0 (1k) << BAD MSG: is 64) seems like a reasonable compromise, but from the erspective o
257 jul16 =?iso-8859-1?Q?S(3k) Digital compression<<Dear List members, I have been looking for literature on st
258 jul17 Zacharov Nick NR(7k) Call for papers - AES 16th International<<Our apologies if you received duplicat
259 jul21 Christian Kaernb(3k) dB HL to dB SPL<<Dear Listers, could someone point me to an internet source of a
260 jul21 James W. Beaucha(3k) Iowa Musical Instrument Samples (fwd)<<From: Larry Fritts <lawrence-fritts@uiowa
261 jul24 Christophe Palli(4k) looking for stimuli to build a www demo of categorical speech<<Dear list, I have
262 jul24 Pierre Divenyi (4k) Tucker and Davis AP2 board<<Dear Tucker and Davis Customer Members of the List,
263 jul26 Tom Maglione (2k) Post retry again repeated.<<Return-Path: owner-auditory@LISTS.MCGILL.CA Received
264 0 (0k) << BAD MSG: tried to get out several times. Sorry about the lateness/timeliness
265 jul07 Tom Maglione (2k) Re: Sound of tube amplifiers<<This is a pretty old argument, vacuum tube vs. so
266 jul28 Ranil Sonnadara (3k) Midi rendering programmes<<Does anybody know a decent PC Dos based MIDI renderin
267 jul28 tothl@INF.U-SZEG(3k) Re: Midi rendering programmes<<>From tothl Tue Jul 28 18:00:16 +0200 1998 remote
268 jul29 William A. Ahroo(4k) Job Posting<<Research Scientist Anticipated Opening: Through the Research Founda
269 jul29 Pascal BELIN (3k) time and frequency spacing in direction of pitch change judgement<<hi list, is a
270 jul30 McAnally, Ken (4k) speech synthesis<<Dear List, I wondow if any one could point me in the direction
271 aug03 Sue McCabe (4k) Research studentship advert<<Centre for Neural and Adaptive Systems School of Co
272 aug05 Luke Windsor (8k) Postdoctoral Researchers in Music Cognition<<Dear All, The following job announc
273 aug05 Tom Maglione (3k) IEEE Spectrum vacuum tubes.<<After a brief discussion some weeks ago, I was surp
274 aug05 John K. Bates (3k) Inverted phase at each ear<<Dear List, An acquaintance of mine has done an exper
275 aug06 Fred Wightman (3k) Upside down noise<<Dear List: I would like to make a plea to list posters to thi
276 aug06 Rebecca Mercuri (3k) Re: Inverted phase at each ear<<This is not unique and has been written up in th
277 aug06 Pierre Divenyi (4k) Re: Upside down noise<<Personally, I don't find John Bates's question "noisy." A
278 aug06 Al Bregman (3k) Re: Upside down noise<<Re: > I would like to make a plea to list posters to thin
279 aug06 Al Bregman (3k) Re: Upside down noise<<On Thu, 6 Aug 1998, Pierre Divenyi wrote: > > I have a di
280 aug06 Pierre Divenyi (3k) Tucker and Davis AP2<<To all those valiant list members who have responded to ou
281 aug06 Charles S. Watso(5k) Re: Upside down noise<<Even a monaural person like moi can come up with an answe
282 aug06 Eric Mousset (5k) Re: Upside down noise<<Dear Pierre, Dear List, Pierre Divenyi wrote: > I have a
283 aug07 Dan Ellis (4k) Postdoc opening at Plattsburgh<<Dear List - I'm posting the enclosed announcemen
284 aug11 Dan Ellis (4k) Roy Patterson: email change<<Dear List - I'm forwarding the enclosed email addre
285 aug11 Roy Patterson (3k) email addresses again<<Correction regarding the email addresses of members of th
286 aug11 Ron Benson (7k) Speech Recognition Scientist needed in San Francisco.<<This is a multi-part mess
287 aug12 Bob Carlyon (3k) even more email addresses<<Following Roy's announcement of the change of email a
288 aug12 joachim.ostwald@(4k) job opening in Tuebingen, Germany<<Dear members of the auditory list, the follow
289 aug14 Zacharov Nick NR(7k) EXTENDED call for papers - AES 16th Inte<<**************************************
290 aug14 Dan Ellis (4k) Postdoc announcement<<Dear List - Here's another announcement concerning a postd
291 aug17 Christian Kaernb(3k) digital output (SP/DIF) under DOS<<Dear List, We would very much appreciate any
292 aug17 James W. Beaucha(3k) spectral analysis program<<Armadillo, a program for real-time or non-real-time t
293 aug17 Julian Vriesland(3k) Re: spectral analysis program (WARNING : file may contain a virus)<<On 8/17/98 6
294 aug17 James W. Beaucha(3k) Re: spectral analysis program (WARNING : file may contain a virus)<<You wrote: >
295 aug18 Bob Masta (5k) Data acquisition system for PCs<<DAQARTA (Data AcQuisition And Real-Time Analysi
296 aug18 Pascal BELIN (2k) Vocal sounds?<<Hi List, is anybody aware of places or web sites where there is a
297 aug18 James W. Beaucha(3k) Re: spectral analysis program (WARNING : file may contain a virus)<<Julian, On M
298 aug19 Julian Vriesland(3k) Re: spectral analysis program (WARNING : file may contain a virus)<<On 8/18/98 1
299 aug19 Dan Ellis (3k) IFMR Accepting Research Pre-Proposals<<Dear List - Here's a follow-up message fr
300 aug25 James W. Beaucha(3k) high pressure microphone<<Dear auditories, I need an accurate high pressure micr
301 aug25 RealTime (3k) Re: high pressure microphone<<What about the electro voice re-20? It seems quite
302 aug26 Torben Poulsen (3k) Re: High pressure microphone<<High pressure mic: What about Sennheiser KE4-211-9
303 aug26 Pawel Kusmierek (4k) Why is high high?<<Dear list-members, In several Indo-European languages (e.g. E
304 aug26 Sheila Flanagan (5k) Re: Why is high high?<<Dear Pawel, I have heard of many theories to do with this
305 aug26 Harry Erwin (4k) Re: Why is high high?<<At 11:10 AM 8/26/1998, Pawel Kusmierek wrote: >Dear list-
306 aug26 Robert Bolia (6k) Re: Why is high high?<<Pawel, I suspect that the use of the words "high" and "lo
307 aug26 Jim Stevenson (2k) Re: Why is high high?<<And why do high freqencies produce far more pain than low
308 aug26 Brian Gygi (3k) Re: Why is high high?<<Wasn't there quite a lengthy discussion of this very issu
309 aug27 Patrick Flanagan(3k) Re: Why is high high?<<On sheet music , the "high" notes are at the top of the p
310 aug26 Dan Ellis (9k) JOHANNES ZANKER: Neuroscience graduate program<<Dear List - I was sent the enclo
311 aug27 Daniel Salomons (5k) Re: Why is high high?<<My teacher in high school told once, that in ancient Gree
312 aug27 Johannes Nix (3k) Re: Why is high high?<<I made recently recordings from various elevations with w
313 aug27 Sheila Flanagan (4k) Re: Why is high high?<<There is some interesting research into the ears frequenc
314 aug27 Steven M. Boker (4k) Re: Why is high high?<<I'm not sure if this is relevant to vertical spatial rela
315 aug27 HARTMANN@PA.MSU.(2k) pitch<<Dear List, Here is a technical note on the description of pitch. The disc
316 aug27 James W. Beaucha(3k) Re: Why is high high?<<We not only think of high pitches as being higher, but in
317 aug27 Harry Erwin (3k) Re: Why is high high?<<The human and bat literature discuss elevation estimation
318 aug27 Charles S. Watso(4k) up and down-ness<<OK, I can't resist. The up or down-ness of various frequencies
319 aug27 Eliot Handelman (3k) Re: Why is high high?<<James W. Beauchamp wrote: > Can you imagine a situation w
320 aug27 Eliot Handelman (3k) Re: Why is high high?<<Jim Stevenson wrote: > > And why do high freqencies produ
321 aug28 Andrew Vermiglio(3k) Re: Why is high high?<<Jim Stevenson wrote:> > And why do high freqencies produc
322 aug28 Eliot Handelman (3k) Selective numbing (was: Re: Why is high high?)<<Andrew Vermiglio wrote: > Eliot,
323 aug28 Regis Rossi A. F(4k) Re: Selective numbing<<Eliot Handelman wrote: > > Andy, during and after exposur
324 aug28 Andrew Vermiglio(4k) Re: Selective numbing (was: Re: Why is high high?)<<Eliot Handelman wrote: Andy,
325 aug28 Al Bregman (5k) Re: pitch<<On Thu, 27 Aug 1998 HARTMANN@PA.MSU.EDU wrote: > The discussion to da
326 aug28 Dan Mapes-Riorda(3k) Re: pitch<<Al Bregmen wrote: > >This issue also comes up in talking about timbre
327 aug28 Charles S. Watso(7k) Re: pitch<<Al and Bill and list, The methathetic/prothetic way of thinking about
328 aug29 Al Bregman (3k) Re: pitch<<Dear Chuck and List, Is it introspection when a person says, "That to
329 aug29 Eliot Handelman (3k) Re: Selective numbing (was: Re: Why is high high?)<<Andrew Vermiglio wrote: > >
330 aug29 Al Bregman (4k) Postdoc position wanted<<A former student sent me this message. If anybody has a
331 aug31 Stephen Barrass (5k) perceptual variables and data variables<<Al Bregman says > A dimension of > expe
332 aug31 Alain de Cheveig(5k) Re: Selective numbing<<>Although I don't have knowledge of formal studies on thi
333 aug31 Robert Bolia (2k) Why is high high?<<Regarding the question of whether or not the use of the words
334 aug31 Pawel Kusmierek (4k) Re: Why is high high?<<Date sent: Mon, 31 Aug 1998 07:18:14 -0400 Send reply to:
335 aug31 Robert Bolia (4k) Pawel,<<Pawel, Thanks for the interesting question (which has prompted a great d
336 aug31 Pawel Kusmierek (5k) Re: (why is high high)<<From: tothl@inf.u-szeged.hu Date sent: Mon, 31 Aug 98 15
337 aug31 Michael Kubovy (4k) Re: Why is high high?<<Dear Audionomes, Pawel Kusmierek wrote: > tell > us how a
338 aug31 Brian Gygi (3k) Flangers<<On Mon, 31 Aug 1998, Alain de Cheveigne' wrote: > I'm not sure what is
339 aug31 tothl@INF.U-SZEG(3k) Re: low - high<<>From tothl Mon Aug 31 17:00:10 +0200 1998 remote from inf.u-sze
340 aug31 tothl@INF.U-SZEG(4k) Re: (why is high high)<<>From tothl Mon Aug 31 17:23:57 +0200 1998 remote from i
341 aug31 Neil Todd (3k) high and low, fast and slow<<Dear List Biophysical arguments for the origin of h
342 aug31 Charles S. Watso(6k) Re: pitch<<Dear Al and List... You are certainly right that I, along with every
343 aug31 Edward M. Burns (3k) Re: (why is high high)<<see Burns and Sampat (1980) " A note on possible culture
344 aug31 Al Bregman (3k) Re: (why is high high)<<Ed, All you have to do is hit your delete key and let th
345 aug31 Robert Bolia (3k) Re: (why is high high)<<Regarding Ed Burns' posting: I think this is a little ha
346 sep01 Alain de Cheveig(3k) Flangers (was: Selective numbing)<<I got two email followups that I can't resist
347 sep01 Jim Stevenson (2k) Re: (why is high high)<<There has been an incredably high volume of quoting way
348 sep01 Biao Tian PhD (4k) Re: (why is high high)<<Dear Pawel and list, I was following the discussion on t
349 sep02 Sandra E. Trehub(2k) high and low pitch<<The terms "high" and "low" are used to mark pitch in Japanes
350 sep02 Arnt =?iso-8859-(3k) The McGurk-effect on web<<Dear list, In case anyone might be interested in 'sein
351 sep02 Dan Levitin (3k) Re: Flangers<<On Mon, 31 Aug 1998, Brian Gygi wrote: > On Mon, 31 Aug 1998, Alai
352 sep02 msommers@ARTSCI.(2k) noise generators<<Can anyone point me to programs that can be used to add differ
353 sep02 Francky goes to (3k) Re: noise generators<< Cool Edit 96. Look on the WEB. | Can anyone point me to p
354 sep02 Linda A. Seltzer(3k) Re: (why is high high)<<When I studied Western classical singing I was taught to
355 sep03 Richard M Warren(7k) pitch<<Dear List, I can't help jumping in on the discussion of pitch that develo
356 sep04 Jont Allen (9k) Re: pitch<<Richard, Are you saying then that the Prothetic/Metathetic distinctio
357 sep04 Punita Singh (5k) Sound Therapy: Fact vs. Hear say<<Dear List Are there any decent scientific stu
358 sep04 Richard M Warren(3k) Re: Metathetic vs. Prothetic & Sensory Scales<<Jont, You are right: I do believe
359 sep05 B Suresh Krishna(4k) Re: (Why is high high)<<I posted the essentials of the pitch-frequency question
360 sep10 meijer@NATLAB.RE(5k) Re: What's a compelling example of sonification?<<David Jameson wrote: > Suppose
361 sep10 John Lazzaro (3k) Re: What's a compelling example of sonification?<<> What would you tell them? Wh
362 sep15 Zacharov Nick NR(7k) Gentle reminder - Abstract submissions -<<Hello This is a gentle reminder that t
363 sep17 Dan Ellis (3k) Barbara Muller: Question on soundproof rooms<<Dear List - I'm forwarding this re
364 sep20 Richard J. Fabbr(3k) The central stereo image<<Dear list, Speech recognition is based on our sense of
365 sep21 Brian C.J. Moore(4k) New book<<Dear Colleagues, At the risk of incurring the wrath of Ed Burns, I wou
366 sep21 Aniruddh Patel (2k) pitch shift with age<<Dear auditory list, Can anyone give me a reference to a pe
367 sep21 Daniel J. Leviti(4k) Re: pitch shift with age<<>Dear auditory list, > >Can anyone give me a reference
368 sep21 Pierre Divenyi (5k) Re: pitch shift with age<<--=====================_-2055569843==_.ALT Content-Typ
369 sep21 Jont Allen (7k) [Fwd: pitch shift with age]<<This is a multi-part message in MIME format. ------
370 sep22 Elito Handelman (3k) Re: [Fwd: pitch shift with age]<<Jont Allen wrote: > Daniel J. Levitin wrote: >
371 sep22 Richard J. Fabbr(6k) The Central Stereo Image<<Dear List, WHY is there is a Central Stereo Image ? An
372 sep23 repp@LENNY.HASKI(3k) Ear training for musicians<<As book review editor of MUSIC PERCEPTION, I am look
373 sep24 Peter Cariani (4k) Re: pitch shift with age<<Pierre Divenyi wrote: > > The fact that pitch shift oc
374 sep25 Stuart Rosen (5k) Progress report from Phonetics & Linguistics, UCL<<Please feel free to re-distri
375 sep28 Tim Cox (3k) applications<<Hello list - my first time participating in list reply so bear wit
376 sep28 meijer@NATLAB.RE(4k) Re: applications<<Tim Cox wrote: > No one has mentioned this effect - surely the
377 sep29 Tim Cox (5k) Re: applications<<Thank you Peter for your comments. I have not come across any
378 sep28 Al Bregman (4k) Re: applications<<Dear Tim, I think that one cause of the situation you describe
379 sep28 Pierre Divenyi (4k) Re: applications<<At 10:46 PM 9/28/98 +0800, Tim Cox wrote: >Hello list - my fir
380 sep29 Tim Cox (3k) Re: applications<<At 11:52 29/09/98 +1000, you wrote: The term localisation I re
381 sep29 Christian Kaernb(3k) Re: applications<<My personal solution to this problem is to misplace the headph
382 oct01 Jont Allen (3k) comodulation release of masking (CMR)<<Dear List, Has anybody done a computer si
383 oct01 david eddins (3k) Re: comodulation release of masking (CMR)<<Re: Models of CMR One model that has
384 oct02 Neil Todd (5k) Re: comodulation release of masking (CMR)<<Jont You may like to take a look at t
385 oct02 par@IPO.TUE.NL (5k) Re: comodulation release of masking (CMR)<<> > Re: Models of CMR > > One model t
386 oct02 Neil Todd (4k) Re: comodulation release of masking (CMR)<<Dear Steven Date: Fri, 2 Oct 1998 15:
387 oct04 Jont Allen (3k) Ariel DSP 16<<Dear List, If anybody has an ARIEL DSP 16 that they no longer want
388 oct05 par@IPO.TUE.NL (6k) Re: comodulation release of masking (CMR)<<Dear Neil, > >I think there is no con
389 oct05 Neil Todd (6k) Re: comodulation release of masking (CMR)<<Dear Steven > >> >I think there is no
390 oct09 meijer@NATLAB.RE(3k) Granular synthesis and auditory segregation<<Dear All, Has anyone systematically
391 oct09 James W. Beaucha(4k) identification test procedure<<Folks, A colleague of mine is using a particular
392 oct09 Timothy C. Justu(3k) Re: identification test procedure<<Hello - In response to James Beauchamp's mess
393 oct09 Pierre Divenyi (10k) Re: identification test procedure<<--=====================_332608125==_.ALT Cont
394 oct11 William L Marten(6k) Re: identification test procedure<<To Jim Beauchamp: I do that kind of experimen
395 oct11 Pierre Divenyi (3k) Re: identification test procedure<<Bill Martens's insightful note suggests an ex
396 oct12 William L Marten(4k) Re: identification test procedure<<I am happy to admit that the process underlyi
397 oct11 M Clackler (2k) Unsubscribe<< McGill is running a new version of LISTSERV (1.8d on Windows NT).
398 oct12 KEVIN AUSTIN (5k) Discrimination / Identification<<Having no scientific training, I was caught by
399 oct12 Dan Tollin (3k) <<Pierre Divenyi wrote: >I would venture pointing out that (as they have shown)
400 oct12 Richard Parncutt(4k) change of addressDear colleagues<< Please note my new address. (Please forgive t
401 oct12 Al Bregman (5k) Re: your mail<<Dear List, I don't agree that discrimination implies underlying s
402 oct12 Charles S. Watso(7k) Re: your mail<<Al: Well, here is another way to look at it, that is mechanism in
403 oct12 Al Bregman (7k) Re: your mail<<Dear Stew and List, This is an example of where a shortage of nam
404 oct12 Al Bregman (3k) Re: your mail<<Dear Chuck, Your first sentence tells the story: "if you want to
405 oct12 Al Bregman (3k) Re: Granular synthesis and auditory segregation<<Dear List, I don't know of anyb
406 oct12 Jim Stevenson (2k) Re: your mail<<I suggest that this subject line is a bad label for this list. Em
407 oct12 Edward M. Burns (3k) your mail<<I agree! How about: AUDITORY, NOT WHEELS, REINVENTING DIALOGUE,INTERM
408 oct13 KEVIN AUSTIN (4k) Identity ...<<>Pierre Divenyi wrote: >>I would venture pointing out that (as the
409 oct13 Dan Mapes-Riorda(3k) detection and identification<<Pierre Divenyi wrote: >>I would venture pointing o
410 oct13 Charles S. Watso(4k) Re: your mail<<Al, Yes, I guess those are our version of C.P.Snow's dichotomy. A
411 oct13 Richard J. Fabbr(3k) Re: detection and identification<<Dan, >detection showed no decrement in perform
412 oct13 lseltzer@PHOENIX(4k) detection/identification<<I'm not a psychologist, but I would like to offer some
413 oct13 Paul Iverson (3k) Position available<<Advanced Research Associate: The Spoken Language Processes L
414 oct13 Andrew L. Kaye (3k) A piano is a piano is... [Re: detection/identification]<<lseltzer@PHOENIX.PRINCE
415 oct14 Steve Slade (4k) Re. A piano is a piano is...<<Dear Andrew >> It seems to me that the issue is no
416 oct14 John K. Bates (5k) Re: Granular synthesis and auditory segmentation<<Dear List, The topic of granul
417 oct14 Richard J. Fabbr(4k) Re: Granular synthesis and auditory segmentation<<Dear List, John K. Bates has i
418 oct14 Didier A Depireu(4k) Re: Granular synthesis and auditory segmentation<<On Wed, 14 Oct 1998, Richard J
419 oct14 lseltzer@PHOENIX(3k) A piano is a piano is...<<If one is going to challenge, from an ethnomusicologic
420 oct14 meijer@NATLAB.RE(5k) Re: Granular synthesis and auditory segmentation<<Richard Fabbri wrote: > Does t
421 oct14 Pierre Divenyi (6k) Re: Granular synthesis and auditory segmentation<<--=====================_752705
422 oct14 Andrew L. Kaye (5k) Re: A piano is a piano is...<<lseltzer@PHOENIX.PRINCETON.EDU wrote: > If one is
423 oct15 Richard J. Fabbr(7k) Re: Granular synthesis and auditory segmentation<<Peter, Thank you for pasting t
424 oct15 Robert Bolia (6k) Re: Granular synthesis and auditory segmentation<<Richard, I'm not sure that I s
425 oct15 Richard J. Fabbr(4k) Re: Granular synthesis and auditory segmentation<<Bob, > I'm not sure that I see
426 oct15 Brian Gygi (3k) MAA and stream separation<<On Thu, 15 Oct 1998, Richard J. Fabbri wrote: > ... M
427 oct15 Julius O. Smith (5k) Re: A piano is a piano is...<< > > If one is going to challenge, from an ethnomu
428 oct15 Richard J. Fabbr(4k) Re: MAA and stream separation<<Brian, >> ... Maybe an absurd example would help
429 oct15 Peter Cariani (10k) Re: Granular synthesis and auditory segmentation<<While I agree with much of wha
430 oct15 Richard J. Fabbr(4k) Re: Granular synthesis and auditory segmentation<<Peter, >[I say "roughly reflec
431 oct15 Peter Cariani (4k) Re: Granular synthesis and auditory segmentation<<Richard J. Fabbri wrote: > ...
432 oct15 Dan Ellis (5k) Ann: RESPITE: Positions in speech recognition & scene analysis<<Dear List - I'd
433 oct16 Torben Poulsen (3k) MAA<<Bob Bolia wrote... ..... Has anyone ever done any cocktail party experiment
434 oct16 Chris Darwin (9k) ITDs, grouping and auditory attention<<On Fri, 16 Oct 1998 11:05:01 +0200 tp@DAT
435 oct16 John K. Bates (5k) granular synthesis and auditory segmentation<<Dear List, From my previous postin
436 oct16 Peter Cariani (9k) Re: granular synthesis and auditory segmentation<<John K. Bates wrote: > What I
437 oct19 meijer@NATLAB.RE(6k) Re: granular synthesis and auditory segmentation<<I'd like to thank you all for
438 oct19 Richard J. Fabbr(3k) Re: granular synthesis and auditory segmentation<<Peter, >I'd love to hear about
439 oct19 Richard J. Fabb(10k) UNmixing Sources, i.e., The Cocktail Party Effect<<Dear List, Several LISTeners
440 oct19 James W. Beaucha(3k) Re: UNmixing Sources, i.e., The Cocktail Party Effect<<Richard J. Fabrri writes
441 oct19 Pierre Divenyi (5k) Re: granular synthesis and auditory segmentation<<--=====================_339189
442 oct19 William Treurnie(4k) Re: UNmixing Sources, i.e., The Cocktail Party Effect<<I found the description o
443 oct19 by way of Pierre(6k) Re: Dr. Schick's (Oldenburg, Germany) vacation announcements<<--================
444 oct19 Peter Cariani (4k) Re: granular synthesis and auditory segmentation<<R. Fabbri wrote: > >I'd love t
446 oct20 Richard J. Fabbr(5k) Re: UNmixing Sources, i.e., The Cocktail Party Effect<<Jim, >>Several LISTeners
447 oct20 Richard J. Fabbr(4k) Re: granular synthesis and auditory segmentation<<Pierre, >I agree with Jim Beau
448 oct20 Pierre Divenyi (8k) Re: granular synthesis and auditory segmentation<<--=====================_740400
449 oct20 Al Bregman (4k) Style of interchanges<<Hi all, Some recent interchanges on the list have suggest
450 oct21 Jont Allen (5k) [Fwd: granular synthesis and auditory segmentation]<<This is a multi-part messag
451 oct21 Richard J. Fabbr(4k) Purpose<<Dear List, Why do you exist? What is your purpose? Does that purpose en
452 oct21 Richard J. Fabbr(5k) Basilar-Tectorial Membrane - Harmonic Analysis?<<Dear List, As stated in an earl
453 oct21 meijer@NATLAB.R(11k) Re: Granular synthesis and auditory segmentation<<[BTW, for clarity of discussio
454 oct21 Richard J. Fabbr(3k) Re: Granular synthesis and auditory segmentation<<Peter, >I wrote (i.e., Peter M
455 oct21 Jim Stevenson (2k) Re: Style of interchanges<<Excellent post. May I add that quoting should be limi
456 oct21 meijer@NATLAB.RE(4k) Re: Granular synthesis and auditory segmentation<<Rich Fabbri wrote > ... Have y
457 oct21 Charles S. Watso(3k) Re: Style of interchanges<<Al is right on target. Sometimes the word "comity" is
458 oct21 Richard J. Fabbr(6k) Re: Granular synthesis and auditory segmentation<<Peter, >No, I haven't tried th
459 oct22 Jont Allen (8k) Re: Granular synthesis and auditory segmentation<<meijer@NATLAB.RESEARCH.PHILIPS
460 oct22 Christian Kaernb(3k) spectrogram/sonogram aspect ratio<<Dear Listers, May be this is a silly question
461 oct22 Grabsch Hans-Pet(4k) Re: spectrogram/sonogram aspect ratio<<Dear Christian, dear list Christian wrote
462 oct22 James W. Beaucha(6k) Back to the piano ...<<Folks, I want to thank everyone who responded to my origi
463 oct23 meijer@NATLAB.RE(7k) Re: Granular synthesis and auditory segmentation<<Jont Allen asked > Are two ton
464 oct23 dr. R.M. Aarts (3k) 'pressure at the ears' visiting an anechoic chamber<<Dear readers, When visitors
465 oct23 Timothy C. Justu(5k) Re: Back to the piano ...<<The essential parts of Jim Beauchamp's message are qu
466 oct23 Jont Allen (4k) Re: Granular synthesis and auditory segmentation<<meijer@NATLAB.RESEARCH.PHILIPS
467 oct23 Al Bregman (4k) Re: 'pressure at the ears' visiting an anechoic chamber<<Dear Ronald and list, M
468 oct23 Malcolm Slaney (3k) Re: 'pressure at the ears' visiting an anechoic chamber<<>> When visitors enter
469 oct23 Richard J. Fabbr(4k) Re: 'pressure at the ears' visiting an anechoic chamber<<Malcolm, >>> When visit
470 oct24 Alain de Cheveig(5k) Re: granular synthesis and auditory segmentation<<Peter Cariani writes: >In the
471 oct25 Eliot Handelman (3k) Cage & Anechoic Chambers -- a few questions<<On the subject of anechoic chambers
472 oct26 KEVIN AUSTIN (5k) Perfect Pitch Problem<<I've always considered ear-training for people with perfe
473 oct26 mountain (6k) Cage & Anechoic Chambers<<--------------4109E69DCEA9EE454561310E Content-Type: t
474 oct26 Jim Stevenson (2k) Re: ear training programs?<<Does anyone know of computer code that will do any e
475 oct26 Christian Kaernb(4k) Re: Cage & Anechoic Chambers<<I was told this is related to the cutoff frequency
476 oct26 Didier A Depireu(3k) Re: Cage & Anechoic Chambers -- a few questions<<On Sun, 25 Oct 1998, Eliot Hand
477 oct26 Richard J. Fabbr(3k) Re: Cage & Anechoic Chambers -- a few questions<<Dear Didier, >... I know that w
478 oct26 Didier A Depireu(3k) Re: Cage & Anechoic Chambers -- a few questions<<On Mon, 26 Oct 1998, Richard J.
479 oct26 Daniel J. Leviti(3k) Re: Perfect Pitch Problem<<Kevin, Your observation about color and pitch naming
480 oct26 Aniruddh Patel (3k) spectrally rotated speech<<Dear Auditory List, Does anyone have a sound demo of
481 oct27 KEVIN AUSTIN (4k) Ear training<<Jim asked about 'ear-training'. >Does anyone know of computer code
482 oct27 Nancy Vaughan (4k) Re: 'pressure at the ears' visiting an anechoic chamber<<I wonder if this sensat
483 oct28 Jont Allen (5k) Re: 'pressure at the ears' visiting an anechoic chamber<<Dear List, I have been
484 oct28 Jen Tufts (4k) Re: 'pressure at the ears' visiting an anechoic chamber<<Dear List, If Jont/Cyri
485 oct28 Dan Tollin (3k) 'pressure at the ears' visiting an anechoic chamber<< Last night, Wisconsin Publ
486 oct28 Tom Maglione (2k) Re: Perfect pitch problem.<<Return-Path: owner-auditory@LISTS.MCGILL.CA Received
487 oct26 Tom Maglione (2k) Re: Perfect Pitch Problem<<I want to throw in my two cents on this issue and pr
488 oct28 Tom Maglione (2k) Re: Cage & anechoic chambers.<<Return-Path: owner-auditory@LISTS.MCGILL.CA Recei
489 oct26 Tom Maglione (1k) Re: Cage & Anechoic Chambers -- a few questions<<I have been in 2 or 3 anechoic
490 oct28 Sanja Dupor (4k) AC & static pressure feeling<<Dear list, I agree with Jont that a feeling in AC
491 oct28 Pierre Divenyi (8k) Re: 'pressure at the ears' visiting an anechoic chamber<<--=====================
492 oct29 SKoT McDonald (3k) Re: Perfect pitch problem.<<Re the resonant teeth idea for perfect pitch detecti
493 oct29 Sanja Dupor (2k) Re: AC & static pressure feeling<<Andrew Bwll wrote: I would like to follow up t
494 oct29 Robert J. Zatorr(3k) pulling teeth<<Gentlemen/ladies Let's nip this one in the bud before it takes on
495 oct29 Alain de Cheveig(3k) limits of phase locking<<A while back there was a discussion on the limits of ph
496 oct29 Julius O. Smith (2k) Re: pulling teeth<<I've been told that everyone should have their teeth tuned at
497 oct29 HARTMANN@PA.MSU.(2k) absolute pitch<<Dear list, Fine pitch discrimination is obviously in the teeth.
498 oct29 Tom Maglione (2k) Re: absolute pitch<<Whoa out there list readers! I never meant to imply that tee
499 oct29 Pierre Divenyi (2k) Re: absolute pitch<<At 01:16 PM 10/29/98 -0500, HARTMANN@PA.MSU.EDU wrote: >Dear
500 oct29 Peter Marvit (3k) More on resonant teeth and absolute pitch<<[[ I'm sorry, but I can resist no lon
501 oct29 Peter Cariani (3k) Teeth, dentistry, pain, and audio analgesia (but not pitch)<<There is a differen
502 oct29 HARTMANN@PA.MSU.(2k) sensation of pressure<<Dear List, Another data point: I agree that people experi
503 oct29 Jont Allen (5k) Re: limits of phase locking<<I was in the lab at columbia when they did this wor
504 oct29 Brian Gygi (3k) Re: More on resonant teeth and absolute pitch<<OK, just to REALLY beat a dead ho
505 oct29 Richard J. Fabbr(2k) Re: pulling teeth<<jos, Wanted: Hygienist-PianoTuner. ++++++++++++++++++++++++++
506 oct29 John K. Bates (5k) Re: granular synthesis and auditory segmentation<<Dear List, On Oct. 16, respond
507 oct29 Daniel J. Leviti(3k) Re: More on resonant teeth and absolute pitch<<> >Do canines exhibit AP? Possibl
508 oct30 Antonio Pena Gim(4k) filling = AM receiver?<<> BTW, though over the years I have heard folk stories o
509 oct30 Jim Stevenson (2k) Re: tuning teeth<<Under N2O only at concentrations above 60% I can easily hear m
510 oct30 Sanja Dupor (2k) Re: filling = AM receiver?<<See: Wm.R.Bennett, Jr:"Radio frequency hearing:Elect
511 oct30 Jim Stevenson (2k) Re: filling = AM receiver?<<See Ron Siegal's excellent book Whispered Voices, Pa
512 oct30 Richard Parncutt(4k) pitch interval distribution of speech<<Vos & Troost (1989) showed that, in melod
513 oct30 Dan Ellis (5k) Some administrative notes<<Some of you have commented on the sudden volume of po
514 oct30 Robert J. Zatorr(5k) AP in wolf's clothing<<Dan Do you really think this is the same thing as AP in h
515 oct30 Dan Ellis (3k) Option "DIGEST" not yet available<<Dear List - Further to my previous message, t
516 nov05 Katia Lebart (3k) About speech and reverberation<<Dear List, I am currently in the last year of a
517 nov05 tothl@INF.U-SZEG(4k) voiced/unvoiced detection<<>From tothl Thu Nov 5 12:16:39 +0100 1998 remote from
518 nov05 Alain de Cheveig(6k) voiced/unvoiced<<>In speech processing the voiced/unvoiced decision is usually c
519 nov05 Keith D. Martin (5k) Re: voiced/unvoiced detection<<Dear Laszlo, >In this case I'd guess I should mea
520 nov05 Dan Ellis (3k) DIGEST option now available<<Last week I sent out a note describing the listserv
521 nov09 Adam Taro Lindsa(5k) MPEG-7 Information<<Hi, all. I'd like to bring to your attention a technology de
522 nov09 Al Bregman (3k) Re: your mail<<Dear Laszlo and List, If detection and classiofication of voiced
523 nov09 tothl@INF.U-SZEG(4k) Re: your mail<<>From tothl Mon Nov 9 18:29:16 +0100 1998 remote from inf.u-szege
524 nov09 Richard Pastore (6k) Laszlo Toth & the Robust Voicing Cue<<At 06:29 PM 11/9/98 MET, Laszlo Toth wrote
525 nov10 William Yost (6k) From Parmly Hearing Institute<<Postdoctoral and Graduate Education Opportunities
526 nov10 Punita Singh (3k) Perfect-ly happy to pitch in<<OK Pierre, Bill, and other listless listers, you a
527 nov10 Pierre Divenyi (5k) Re: voiced/unvoiced detection<<At 10:11 AM 11/5/98 -0500, Keith D. Martin wrote:
528 nov10 Good, Michael (M(3k) Pitch/Loudness Discrimination for alerting schemes<<> Hello all, I have a quick
529 nov11 Patrick Flanagan(4k) Re: Pitch/Loudness Discrimination for alerting schemes<<Hi, I don't have an answ
530 nov11 Alain de Cheveig(4k) Re: voiced/unvoiced detection<<Pierre Divenyi <pdivenyi@MARVA4.NCSC.MED.VA.GOV>
531 nov11 Beerends, J.G. (7k) Re: voiced/unvoiced detection<<In comment of the discussion below the following.
532 nov11 Bernhard Laback (6k) From Parmly Hearing Institute<<Postdoctoral and Graduate Education Opportunities
533 nov11 Jont Allen (6k) Re: voiced/unvoiced detection<<Alain de Cheveigne' wrote: > > For whispered spee
534 nov13 Alain de Chevei(10k) Re: voiced/unvoiced detection<<Jont Allen <jba@research.att.com> wrote: >>To the
535 nov13 Massimo Grassi (4k) Echoic memory and answers reliability<<Dear list, I have a question to ask: I'm
536 nov13 John K. Bates (6k) voiced/unvoiced detection<<Dear List, Pierre Divenyi's posting that cited de Boe
537 nov13 Jim Stevenson (2k) Re: Echoic memory and answers reliability<<Such judgments should include confide
538 nov16 SKoT McDonald (3k) Q: Shifts in perceived time with spectral changes?<<Hello, Was wondering if anyo
539 nov16 Pierre Divenyi (6k) Re: Q: Shifts in perceived time with spectral changes?<<--=====================_
540 nov16 Jont Allen (3k) Re: Q: Shifts in perceived time with spectral changes?<<Pierre Divenyi wrote: >
541 nov20 Good, Michael (M(4k) Auditory Display Technology<< Hello All, I am a human factors scientist with Hon
542 nov25 Manuel S. Malmie(9k) Universal Declaration of Human Rights<<>From: "Schjelderup Olsholt" <olsholt@onl
543 nov26 Niall Griffith (5k) phd opportunities in media and sound<<Please pass this on to anyone who you thin
544 nov27 Rebecca Mercuri (3k) Re: Universal Declaration of Human Rights<<Computer Email petitions are consider
545 nov27 Preben von der L(4k) Conference on Musical Imagery (CMI-99). Reminder<<Reminder - Deadline for submis
546 nov30 Georg Klump (3k) NT<<Dear Colleagues, we are having problems communicating with a TDT SystemII ra
547 dec02 Al Bregman (4k) Re: about graduate program<<Dear Mr. Hideki Tasako, Concerning your request for
548 dec04 vsummers (3k) thinkquest contest and soundery web page<<Dear List, An interesting webpage resu
549 dec08 Bob Carlyon (4k) URGENT: error in programme and web page<<Dear organisers, The scientific program
550 dec08 Bob Carlyon (3k) apology<<even though ed burns is no longer a member of the list I must apologise
551 dec08 Pierre Divenyi (3k) Re: apology<<At 04:39 PM 12/8/98 +0000, Bob Carlyon wrote: >even though ed burns
552 dec10 Zacharov Nick NR(7k) NEWS: AES 16th International conference<<***************************************
553 dec11 Richard J. Baker(4k) holiday conundrum<<A holiday conundrum courtesy of Sennheiser The following pass
554 dec14 Al Bregman (4k) Position in Cognitive Psychology<<Dear Colleagues, Here is a notice for an acade
555 dec16 John Hershey (3k) cocktail party invitation<<I am undertaking modeling work in computational audit
556 dec17 Rene van Egmond (5k) SMPC99 Conference<<Announcement and Call for Participation Society for Music Per
557 dec17 Dan (3k) Univeral Delcaration of Human Rights<<To celebrate the 50th Anniversary of the U
558 dec17 enm@CS.YORK.AC.U(2k) <<I am away from the 21st till the 29th of December, but your message has been f
559 dec18 Richard M Warren(3k) Book<<Dear List: For those interested, my book Auditory Perception: A New Analys
560 dec18 Jesteadt, Walt (5k) Postdoc Positions at Boys Town<<Postdoctoral Fellowship Positions NIH Institutio
561 dec19 Hiroshi Gitchang(8k) [CFP] 3rd IJCAI Workshop on CASA (CASA'99)<<Please distribute. -----------------
562 dec22 Richard Parncutt(4k) salience of pitch-time patterns<<Dear cocktail party guests, As the festive seas
563 dec22 Jont Allen (3k) NPR news of interest<<Check out http://www.npr.org/programs/morning/archives/199
DAn Ellis <dpwe@ee.columbia.edu>
Dept. of Elec. Eng., Columbia