Subject: Re: Criteria for sound design in web applications From: Hempel Thomas <thomas.hempel(at)SIEMENS.COM> Date: Thu, 4 Dec 2003 14:28:11 +0100There will be a chapter by Hempel/Altinsoy on this in: The Handbook of Human Factors in Web Design (R.W. Proctor & K.L. Lu, eds.) Lawrence Erlbaum, NJ, USA The book is in the process of being published. Regards, Thomas -------------------------------------- Dr. Thomas Hempel User Interface Design Siemens AG CT IC 7 Otto-Hahn-Ring 6 D-81739 Munich Germany Tel.: +49 (0)89 636 48962 Fax : +49 (0)89 636 49428 e-Mail: thomas.hempel(at)siemens.com Intranet: http://uid.ct.siemens.de -------------------------------------- > -----Ursprüngliche Nachricht----- > Von: Philipp C. Jugert [mailto:philipp.jugert(at)DAIMLERCHRYSLER.COM] > Gesendet am: Donnerstag, 20. November 2003 16:06 > An: AUDITORY(at)LISTS.MCGILL.CA > Betreff: Criteria for sound design in web applications > > Hello, > > I am looking for research on audiovisual integration in web > applications. > We are trying to develop a general framework for designing > sound and music > for websites. I suppose this is different from the topic of auditory > display (auditory icons, earcons, sonification) which has already been > covered in great detail. We are looking for an optimal > congruence between > visual and auditory cues. There're also more fundamental > questions in terms > of cognitive processing. How is a feeling of congruence > established in a > subject's mind? What is the emotional impact of internet > sound? What is the > use, what are the goals of using sound in web applications? > What are the > personal and situational determinants for the use and acceptance of > internet sound? These are some questions to begin with. (I am > NOT looking > for technical device on programing, etc.) > > Any contribution to the matter would be highly appreciated. > > Regards, > Philipp >