absolute pitch (Annemarie Seither-Preisler )


Subject: absolute pitch
From:    Annemarie Seither-Preisler  <preisler(at)UNI-MUENSTER.DE>
Date:    Thu, 29 Apr 2004 09:09:20 +0200

This is a multi-part message in MIME format. ------=_NextPart_000_001F_01C42DC9.A801E770 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable If absolute pitch were a phenomenon exclusively due to learned verbal categories, how would one explain the finding that several investigated animal species have absolute pitch?=20 =20 (a) songbirds Hulse, S. H. & Cynx, J. Relative pitch perception is constrained by absolute pitch in songbirds (Mimus, Molothrus, and Sturnus). J Comp Psychol 99, 176-196 (1985). (b) monkeys and rats D'Amato, M. R. A search for tonal pattern perception in cebus monkeys: Why monkeys can=92t hum a tune. Music Perception 4, 453-480 (1988). (c) echolocating bats Schmidt, S., Preisler, A. & Sedlmeier, H. in Advances in Hear Res (eds. Manley, G. A., Klump, G., K=F6ppl, C., Fastl, H. & Oeckinghaus, H.) 374-382 (World Scientific Publishers, Singapore, 1994). Preisler, A. & Schmidt, S. in 23rd G=F6ttingen Neurobiology Conference (eds. Elsner, N. & Menzel, R.) 309 (Georg Thieme Verlag, Stuttgart, 1995). =20 The findings by Saffran appear to be very revealing in this respect, showing that young infants at the age of 8 months, unlike adults, primarily rely on absolute pitch cues. =20 Saffran, J. R. & Griepentrog, G. J. Absolute pitch in infant auditory learning: evidence for developmental reorganization. Dev Psychol 37, 74-85 (2001). Saffran, J. R. Musical Learning and Language Development. Ann NY Acad Sci 999, 397-401 (2003). =20 In summary, these results suggest that absolute pitch is a primary perceptual mode that is heavily superseded by relative pitch (probably in the course of language acquisition). Early musical training or learning a tonal language like Thai or Japanese may help to prevent this edging out-process, with the consequence that certain subjects retain the ability to perceive absolute pitch throughout life. Verbal categorizations of notes may be helpful in this respect, but it would be misleading to take them for the main underlying cause.=20 =20 Annemarie Seither-Preisler =20 =20 Dr. Annemarie Seither-Preisler=20 =20 Universit=E4tsklinikum M=FCnster=20 Abteilung f=FCr Experimentelle Audiologie=20 Klinik und Poliklinik f=FCr Hals-, Nasen- und Ohrenheilkunde=20 Kardinal von Galen Ring 10=20 D-48149 M=FCnster=20 =20 Tel.: 0049 / 251 / 83 / 56817=20 Fax: 0049 / 251 / 83 / 56882=20 Email: preisler(at)uni-muenster.de =20 ------=_NextPart_000_001F_01C42DC9.A801E770 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <html> <head> <META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; = charset=3Diso-8859-1"> <meta name=3DGenerator content=3D"Microsoft Word 10 (filtered)"> <style> <!-- /* Font Definitions */ (at)font-face {font-family:Helvetica; panose-1:2 11 6 4 2 2 2 2 2 4;} (at)font-face {font-family:Times; panose-1:2 2 6 3 5 4 5 2 3 4;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {margin:0cm; margin-bottom:.0001pt; font-size:12.0pt; font-family:"Times New Roman";} h1 {margin-top:12.0pt; margin-right:0cm; margin-bottom:3.0pt; margin-left:0cm; page-break-after:avoid; font-size:16.0pt; font-family:Arial;} a:link, span.MsoHyperlink {color:blue; text-decoration:underline;} a:visited, span.MsoHyperlinkFollowed {color:purple; text-decoration:underline;} p.berschrift3neu, li.berschrift3neu, div.berschrift3neu {margin-top:12.0pt; margin-right:0cm; margin-bottom:0cm; margin-left:0cm; margin-bottom:.0001pt; font-size:12.0pt; font-family:Times; font-weight:bold; font-style:italic;} p.berschrift1neu, li.berschrift1neu, div.berschrift1neu {margin-top:12.0pt; margin-right:0cm; margin-bottom:3.0pt; margin-left:0cm; line-height:200%; page-break-after:avoid; font-size:16.0pt; font-family:Helvetica; font-weight:bold;} span.EmailFormatvorlage19 {font-family:Arial; color:windowtext;} (at)page Section1 {size:595.3pt 841.9pt; margin:70.85pt 70.85pt 2.0cm 70.85pt;} div.Section1 {page:Section1;} --> </style> </head> <body lang=3DDE link=3Dblue vlink=3Dpurple> <div class=3DSection1> <p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DEN-GB = style=3D'font-size: 10.0pt;font-family:Arial'>If absolute pitch were a phenomenon = exclusively due to learned verbal categories, how would one explain the finding that = several investigated animal species have absolute pitch? </span></font></p> <p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DEN-GB = style=3D'font-size: 10.0pt;font-family:Arial'>&nbsp;</span></font></p> <p class=3DMsoNormal = style=3D'margin-left:36.0pt;text-indent:-36.0pt'><font size=3D2 face=3D"Courier New"><span lang=3DEN-GB = style=3D'font-size:10.0pt;font-family:"Courier New"'>(a) songbirds</span></font></p> <p class=3DMsoNormal = style=3D'margin-left:36.0pt;text-indent:-36.0pt'><font size=3D2 face=3D"Courier New"><span lang=3DEN-GB = style=3D'font-size:10.0pt;font-family:"Courier New"'>Hulse, S. H. &amp; Cynx, J. Relative pitch perception is constrained by = absolute pitch in songbirds (Mimus, Molothrus, and Sturnus). <i><span = style=3D'font-style:italic'>J Comp Psychol</span></i> <b><span = style=3D'font-weight:bold'>99</span></b>, 176-196 (1985).</span></font></p> <p class=3DMsoNormal = style=3D'margin-left:36.0pt;text-indent:-36.0pt'><font size=3D2 face=3D"Courier New"><span lang=3DEN-GB = style=3D'font-size:10.0pt;font-family:"Courier New"'>(b) monkeys and rats</span></font></p> <p class=3DMsoNormal = style=3D'margin-left:36.0pt;text-indent:-36.0pt'><font size=3D2 face=3D"Courier New"><span lang=3DEN-GB = style=3D'font-size:10.0pt;font-family:"Courier New"'>D'Amato, M. R. A search for tonal pattern perception in cebus monkeys: Why = monkeys can&#8217;t hum a tune. <i><span style=3D'font-style:italic'>Music = Perception</span></i> <b><span style=3D'font-weight:bold'>4</span></b>, 453-480 = (1988).</span></font></p> <p class=3DMsoNormal = style=3D'margin-left:36.0pt;text-indent:-36.0pt'><font size=3D2 face=3D"Courier New"><span lang=3DEN-GB = style=3D'font-size:10.0pt;font-family:"Courier New"'>(c) echolocating bats</span></font></p> <p class=3DMsoNormal = style=3D'margin-left:36.0pt;text-indent:-36.0pt'><font size=3D2 face=3D"Courier New"><span lang=3DEN-GB = style=3D'font-size:10.0pt;font-family:"Courier New"'>Schmidt, S., Preisler, A. &amp; Sedlmeier, H. in <i><span = style=3D'font-style:italic'>Advances in Hear Res</span></i> (eds. Manley, G. A., Klump, G., K=F6ppl, C., = Fastl, H. &amp; Oeckinghaus, H.) 374-382 (World Scientific Publishers, Singapore, = 1994).</span></font></p> <p class=3DMsoNormal = style=3D'margin-left:36.0pt;text-indent:-36.0pt'><font size=3D2 face=3D"Courier New"><span = style=3D'font-size:10.0pt;font-family:"Courier New"'>Preisler, A. &amp; Schmidt, S. in <i><span style=3D'font-style:italic'>23rd = G=F6ttingen Neurobiology Conference</span></i> (eds. Elsner, N. &amp; Menzel, R.) 309 (Georg = Thieme Verlag, Stuttgart, 1995).</span></font></p> <p class=3DMsoNormal><font size=3D2 face=3DArial><span = style=3D'font-size:10.0pt; font-family:Arial'>&nbsp;</span></font></p> <p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DEN-GB = style=3D'font-size: 10.0pt;font-family:Arial'>The findings by Saffran appear to be very = revealing in this respect, showing that young infants at the age of 8 months, = unlike adults, primarily rely on absolute pitch cues.</span></font></p> <p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DEN-GB = style=3D'font-size: 10.0pt;font-family:Arial'>&nbsp;</span></font></p> <p class=3DMsoNormal = style=3D'margin-left:36.0pt;text-indent:-36.0pt'><font size=3D2 face=3D"Courier New"><span lang=3DEN-GB = style=3D'font-size:10.0pt;font-family:"Courier New"'>Saffran, J. R. &amp; Griepentrog, G. J. Absolute pitch in infant auditory = learning: evidence for developmental reorganization. <i><span = style=3D'font-style:italic'>Dev Psychol</span></i> <b><span style=3D'font-weight:bold'>37</span></b>, 74-85 = (2001).</span></font></p> <p class=3DMsoNormal = style=3D'margin-left:36.0pt;text-indent:-36.0pt'><font size=3D2 face=3D"Courier New"><span lang=3DEN-GB = style=3D'font-size:10.0pt;font-family:"Courier New"'>Saffran, J. R. Musical Learning and Language Development. <i><span = style=3D'font-style: italic'>Ann NY Acad Sci</span></i> <b><span = style=3D'font-weight:bold'>999</span></b>, 397-401 (2003).</span></font></p> <p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DEN-GB = style=3D'font-size: 10.0pt;font-family:Arial'>&nbsp;</span></font></p> <p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DEN-GB = style=3D'font-size: 10.0pt;font-family:Arial'>In summary, these results suggest that = absolute pitch is a primary perceptual mode that is heavily superseded by relative = pitch (probably in the course of language acquisition). =A0Early musical training or = learning a tonal language like Thai or Japanese may help to prevent this edging = out-process, with the consequence that certain subjects retain the ability to = perceive absolute pitch throughout life. Verbal categorizations of notes may be = helpful in this respect, but it would be misleading to take them for the main = underlying cause. </span></font></p> <p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DEN-GB = style=3D'font-size: 10.0pt;font-family:Arial'>&nbsp;</span></font></p> <p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DEN-GB = style=3D'font-size: 10.0pt;font-family:Arial'>Annemarie Seither-Preisler</span></font></p> <p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DEN-GB = style=3D'font-size: 10.0pt;font-family:Arial'>&nbsp;</span></font></p> <p class=3DMsoNormal><font size=3D2 face=3DArial><span lang=3DEN-GB = style=3D'font-size: 10.0pt;font-family:Arial'>&nbsp;</span></font></p> <p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span = style=3D'font-size:10.0pt; font-family:"Courier New"'>Dr. Annemarie Seither-Preisler</span></font> = </p> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span = style=3D'font-size: 12.0pt'>&nbsp;</span></font></p> <p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span = style=3D'font-size:10.0pt; font-family:"Courier New"'>Universit=E4tsklinikum = M=FCnster</span></font> </p> <p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span = style=3D'font-size:10.0pt; font-family:"Courier New"'>Abteilung f=FCr Experimentelle = Audiologie</span></font> </p> <p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span = style=3D'font-size:10.0pt; font-family:"Courier New"'>Klinik und Poliklinik f=FCr Hals-, Nasen- und Ohrenheilkunde </span></font></p> <p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span = style=3D'font-size:10.0pt; font-family:"Courier New"'>Kardinal von Galen Ring 10</span></font> </p> <p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span = style=3D'font-size:10.0pt; font-family:"Courier New"'>D-48149 M=FCnster</span></font> </p> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span = style=3D'font-size: 12.0pt'>&nbsp;</span></font></p> <p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span = lang=3DEN-GB style=3D'font-size:10.0pt;font-family:"Courier New"'>Tel.: 0049 / 251 / = 83 / 56817</span></font><span lang=3DEN-GB> </span></p> <p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span = lang=3DEN-GB style=3D'font-size:10.0pt;font-family:"Courier New"'>Fax: 0049 / 251 / = 83 / 56882</span></font><span lang=3DEN-GB> </span></p> <p class=3DMsoNormal><font size=3D2 face=3D"Courier New"><span = lang=3DEN-GB style=3D'font-size:10.0pt;font-family:"Courier New"'>Email: = </span></font><st1:PersonName><font size=3D2 face=3D"Courier New"><span lang=3DEN-GB = style=3D'font-size:10.0pt;font-family: "Courier = New"'>preisler(at)uni-muenster.de</span></font></st1:PersonName></p> <p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span = lang=3DEN-GB style=3D'font-size:12.0pt'>&nbsp;</span></font></p> </div> </body> </html> ------=_NextPart_000_001F_01C42DC9.A801E770--


This message came from the mail archive
http://www.auditory.org/postings/2004/
maintained by:
DAn Ellis <dpwe@ee.columbia.edu>
Electrical Engineering Dept., Columbia University