Re: Phd copy request (Weintraub 1985) (Bill Woods )


Subject: Re: Phd copy request (Weintraub 1985)
From:    Bill Woods  <Bill_Woods@xxxxxxxx>
Date:    Tue, 11 Nov 2008 10:55:48 -0600
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

--_000_D0340F82AB98CD4D8AF22F6DAC9EB8E92706A07056STARKEYMAILms_ Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Hello All, I'm unsure how it compares to Weintraub's method, but Volker Hohmann also p= roduced some work regarding synthesis at the output of a gamma-tone filter = bank. The citation and abstract are below. Cheers, Bill Woods Principal Research Scientist Starkey Hearing Research Center Berkeley, CA V. Hohmann Frequency analysis and synthesis using a Gammatone filterbank ACTA ACUSTICA UNITED WITH ACUSTICA Vol. 88 (2002) 433 - 442 This paper describes an efficient implementation of the 4th-order linear Ga= mmatone filter [1, 2] based on an impulse-invariant, all-pole design. A linear auditory filterbank is constru= cted from these filters, which has been used in several applications involv= ing computational auditory peripheral filtering [3, 4, 5, 6, 7, 8, 9]. Addi= tionally, a novel approach to the recombination of the Gammatone filterbank= output is introduced that allows for the resynthesis of the signal with a = total time delay of 4ms. The signal reconstruction is nearly perfect, i.e.,= the difference between input and reconstructed output is barely audible. A= detailed technical description of the analysis-synthesis system is given a= nd an implementation using the Matlab programming environment is introduced= , which is available online. A possible application of the analysis/synthes= is system introduced here is speech processing for hearing aids. > -----Original Message----- > From: AUDITORY - Research in Auditory Perception > [mailto:AUDITORY@xxxxxxxx On Behalf Of Guy Brown > Sent: Tuesday, November 11, 2008 2:17 AM > To: AUDITORY@xxxxxxxx > Subject: Re: Phd copy request (Weintraub 1985) > > Dear Marc, > > I had a 1994 paper with Martin Cooke that explains the resynthesis > method (as you note, this was originally due to Weintraub). You can > download the paper here: > > http://www.dcs.shef.ac.uk/~guy/pdf/csl.pdf > > Let me know if you have further questions. > > Best wishes > > Guy Brown > > =3D=3D=3D > > On 31 Oct 2008, at 10:27, Marc wrote: > > > Dear all, > > > > I am looking for a copy of the following PhD: > > Weintraub, M., 1985, A theory and computational model of auditory > > monaural sound separation, Ph.D. > > Dissertation, Stanford University Department of Electrical > > Engineering. > > > > To see the details of the resynthesis method used by Guy J. Brown > > and Martin Cooke 1994 in > > "Computational auditory scene analysis" (apparently inverting the > > output of the gammatone filters). > > > > I can't have access to it through the net and the libraries of my > > town... > > Does anybody know where this phd might be accessible? > > > > Thanks in advance, > > > > Marc --_000_D0340F82AB98CD4D8AF22F6DAC9EB8E92706A07056STARKEYMAILms_ Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable <html> <head> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dus-ascii"= > <meta name=3D"Generator" content=3D"Microsoft Exchange Server"> <!-- converted from rtf --> <style><!-- .EmailQuote { margin-left: 1pt; padding-left: 4pt; border-left:= #800000 2px solid; } --></style> </head> <body> <font face=3D"Consolas, monospace" size=3D"2"> <div>Hello All,</div> <div>&nbsp;</div> <div>I'm unsure how it compares to Weintraub's method, but Volker Hohmann a= lso produced some work regarding synthesis at the output of a gamma-tone fi= lter bank.&nbsp; The citation and abstract are below.</div> <div>&nbsp;</div> <div>Cheers,</div> <div>Bill Woods</div> <div>Principal Research Scientist</div> <div>Starkey Hearing Research Center</div> <div>Berkeley, CA</div> <div>&nbsp;</div> <div style=3D"padding-left: 36pt; ">V. Hohmann</div> <div style=3D"padding-left: 36pt; ">Frequency analysis and synthesis using = a Gammatone filterbank</div> <div style=3D"padding-left: 36pt; ">ACTA ACUSTICA UNITED WITH ACUSTICA&nbsp= ; Vol. 88 (2002) 433 &#8211; 442</div> <div style=3D"padding-left: 36pt; ">&nbsp;</div> <div style=3D"padding-left: 36pt; ">This paper describes an efficient imple= mentation of the 4th-order linear Gammatone filter [1, 2] based on an</div> <div style=3D"padding-left: 36pt; ">impulse-invariant, all-pole design. A l= inear auditory filterbank is constructed from these filters, which has been= used in several applications involving computational auditory peripheral f= iltering [3, 4, 5, 6, 7, 8, 9]. Additionally, a novel approach to the recombination of the Gammatone filterbank output is= introduced that allows for the resynthesis of the signal with a total time= delay of 4ms. The signal reconstruction is nearly perfect, i.e., the diffe= rence between input and reconstructed output is barely audible. A detailed technical description of the analysis-= synthesis system is given and an implementation using the Matlab programmin= g environment is introduced, which is available online. A possible applicat= ion of the analysis/synthesis system introduced here is speech processing for hearing aids. </div> <div>&nbsp;</div> <div>&nbsp;</div> <div>&nbsp;</div> <div>&nbsp;</div> <div>&gt; -----Original Message-----</div> <div>&gt; From: AUDITORY - Research in Auditory Perception</div> <div>&gt; [<a href=3D"mailto:AUDITORY@xxxxxxxx">mailto:AUDITORY@xxxxxxxx= S.MCGILL.CA</a>] On Behalf Of Guy Brown</div> <div>&gt; Sent: Tuesday, November 11, 2008 2:17 AM</div> <div>&gt; To: AUDITORY@xxxxxxxx</div> <div>&gt; Subject: Re: Phd copy request (Weintraub 1985)</div> <div>&gt; </div> <div>&gt; Dear Marc,</div> <div>&gt; </div> <div>&gt; I had a 1994 paper with Martin Cooke that explains the resynthesi= s</div> <div>&gt; method (as you note, this was originally due to Weintraub). You c= an</div> <div>&gt; download the paper here:</div> <div>&gt; </div> <div>&gt; <a href=3D"http://www.dcs.shef.ac.uk/~guy/pdf/csl.pdf">http://www= .dcs.shef.ac.uk/~guy/pdf/csl.pdf</a></div> <div>&gt; </div> <div>&gt; Let me know if you have further questions.</div> <div>&gt; </div> <div>&gt; Best wishes</div> <div>&gt; </div> <div>&gt; Guy Brown</div> <div>&gt; </div> <div>&gt; =3D=3D=3D</div> <div>&gt; </div> <div>&gt; On 31 Oct 2008, at 10:27, Marc wrote:</div> <div>&gt; </div> <div>&gt; &gt; Dear all,</div> <div>&gt; &gt;</div> <div>&gt; &gt; I am looking for a copy of the following PhD:</div> <div>&gt; &gt; Weintraub, M., 1985, A theory and computational model of aud= itory</div> <div>&gt; &gt; monaural sound separation, Ph.D.</div> <div>&gt; &gt; Dissertation, Stanford University Department of Electrical</= div> <div>&gt; &gt; Engineering.</div> <div>&gt; &gt;</div> <div>&gt; &gt; To see the details of the resynthesis method used by Guy J. = Brown</div> <div>&gt; &gt; and Martin Cooke 1994 in</div> <div>&gt; &gt; &quot;Computational auditory scene analysis&quot; (apparentl= y inverting the</div> <div>&gt; &gt; output of the gammatone filters).</div> <div>&gt; &gt;</div> <div>&gt; &gt; I can't have access to it through the net and the libraries = of my</div> <div>&gt; &gt; town...</div> <div>&gt; &gt; Does anybody know where this phd might be accessible?</div> <div>&gt; &gt;</div> <div>&gt; &gt; Thanks in advance,</div> <div>&gt; &gt;</div> <div>&gt; &gt; Marc <div>&nbsp;</div> </font> </body> </html> --_000_D0340F82AB98CD4D8AF22F6DAC9EB8E92706A07056STARKEYMAILms_--


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