Re: music pitch tracking (Stefanie Stadler Elmer )


Subject: Re: music pitch tracking
From:    Stefanie Stadler Elmer  <stefanie.stadler@xxxxxxxx>
Date:    Sun, 29 Mar 2009 21:36:05 +0200
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

This is a multi-part message in MIME format. --------------000503030307040005050408 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit Hi Jim Beauchamp, dear list members the extraction of pitch in musical (or speech) signals has in fact a long history. We have been exploring this problem since the mid 1980th. One of the inspiring sources was: Hess, W. (1983). Pitch determination of speech signals: Algorithms and devices. New York: Springer. Have a look at our pitch analyzer (free download) providing two different algorithms: http://mmatools.sourceforge.net/ Regards, Stefanie Stadler Elmer University of Zuerich, Switzerland James W. Beauchamp wrote: > Dear List, > > While we're on the subject of musical pitch tuning and tracking, since > this is a subject I've been interested in for a long time, I would like > to put in my 2 cents (maybe more). > > Musical pitch tracking is an old subject. Seashore published some in > 1932 and Obata and Kobayashi in 1937 and 1938. Tove et al. described > a system consisting of transistor electronics and a fast chart > recorder in 1966. The idea is to plot melodies graphically to see > what kinds of pitch and rhythmic changes occur over a substantial > duration. As Tove et al. said, > > "The need for objective notation of time variations of frequency and > amplitude in theoretical studies of musical phenomena is obvious and > should have many applications in investigations of style, rythm (sic), > and variations and deviations of key, in the study of conventional, > modern, and folk music, as well as in basic studies of musical > perception and creation." > > InterOcean Systems developed and marketed a real-time music analyzer > called the Melograph in the 1970s, based on research by Charles > Seeger at UCLA. It was contained in a compact rack-mounted package > with an internal chart recorder and sold for about $8000. > Unfortunately I couldn't afford to buy one. > > Since the advent of the computer, a plethora of pitch detectors/ trackers > have been developed, and there's been too many to mention all of them. > In 1989 at our lab at Univ. of Illinois at Urbana-Champaign, Rob Maher > developed a nice one for music based on the short-time Fourier transform > and a method called the "two-way mismatch (TWM) method", as part of his > PhD thesis on musical sound source separation. This non-real-time program > is contained in the SNDAN suite of programs that is available for free > download and compilation on Unix systems (e.g., Linux or Mac OS X). A > Windows/DOS version is also available. (See > http://ems.music.uiuc.edu/beaucham/software/sndan/ ) This method also > generates a chart-recorder-like image of musical pitch vs. time. > > Recently Ugar Guney developed a real-time version of the TWM method, > which again is a free download and is platform independent if you > have Java installed, called "freqazoid". This is definitely in beta form, > but, again, it's free. > > I've also used the autocorrelation pitch detector in Praat and, after > converting the frequency output to log form and graphing, have gotten > similar results. This is also a free download. > > What is needed is a system that is accurate to a few cents but can also > cover a wide range of pitch, at least 3 octaves, but 7 would be great. > It should be able to handle a wide variety of waveforms, drop outs, a > fair amount of noise and inharmonicity, and it should be able to handle > very fast changes in pitch, i.e., it should be able to accurately > transcribe virtuosic passages (64th notes, etc.), as well as glides, > vibrato, and portamento. > > Besides displaying the data on a log(f0) vs. time chart, the system > should also be able to generate the data to a file for subsequent > post-processing research. Conversion to MIDI and musical notation are > nice features, but these are already available in programs once the > log(f) data is provided. > > I see that G-tune, which has now merged with Peterson Electro-Musical > Products, has morphed into StroboSoft 2.0. This contains a vast number > of tuning features, but the feature that I'm most interested in is > its "pitch graph", which is only provided in the deluxe version ($100). > Unfortunately, they don't spec the accuracy, range, and speed of this > graphing tool. > > I would also like to mention that our group is also interested in > polyphonic pitch detection, i.e., simultaneous pitch transcription of > more than one voice at a time. Some progress in this field has been > made during the last few years. Recently Anssi Klapuri and Tuomas > Virtanen have made a good summary of these efforts (see below). > > Jim Beauchamp > Univ. of Illinois at Urbana-Champaign > > References > > Seashore, C. E., "The Vibrato", in Studies in the Pschology of Music, > Vol. 1, U. of Iowa (1932). > > Obata, J. and R. Kobayashi, "A Direct Reading Pitch Recorder and its > Applications to Music and Speech", J.A.S.A. Vol 9 (1937). > > Obata, J. and R. Kobayahsi, "An Apparatus for Direct Recording the > Pitch and Intensity of Sound", J.A.S.A. Vol 10 (1938). > > Seeger, J., "Toward a universal music sound-writing for musicology", > Int. Folk Music Council, Vol. 9 (1957). > > Tove., P. A., B. Norman, L. Isaksson, and J. Czekajewski, "Direct- > Recording Frequency and Amplitude Meter for Analyzing of Musical and > Other Sonic Waveforms", J. A. S. A. Vol. 39 (1966). > > Boersma, P., "Accurate short-term analysis of the fundamental frequency > and the harmonics-to-noise ratio of a sampled sounds", Proc. Inst. > Phonetic Sciences, Vol 17, Amsterdam (1993). > > Maher, R. C. and J. W. Beauchamp, "Fundamental frequency estimation of > musical signals using a Two-Way Mismatch procedures", J. A. S. A., > Vol. 95 (1994). > > Klapuri, A. and T. Virtanen, "Automatic Music Transcription", Handbook > of Signal Processing in Acoustics, Vol. 1, Springer (2008). > > --------------000503030307040005050408 Content-Type: text/x-vcard; charset=utf-8; name="stefanie_stadler.vcf" Content-Transfer-Encoding: 7bit Content-Disposition: attachment; filename="stefanie_stadler.vcf" begin:vcard fn:Stefanie Stadler Elmer n:Stadler Elmer;Stefanie adr:;;Dachsweg 8 b;Liestal;;CH - 4410;Switzerland email;internet:stefanie.stadler@xxxxxxxx tel;home:061 923 10 55 version:2.1 end:vcard --------------000503030307040005050408--


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