Re: Ecological Acoustics Women (=?ISO-8859-1?Q?Claire_Pich=E9?= )


Subject: Re: Ecological Acoustics Women
From:    =?ISO-8859-1?Q?Claire_Pich=E9?=  <clairepiche@xxxxxxxx>
Date:    Thu, 8 Jan 2009 11:18:40 -0500
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

This is a multi-part message in MIME format. --------------090506080102000804080009 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: quoted-printable X-MIME-Autoconverted: from 8bit to quoted-printable by drizzle.cc.mcgill.ca id n08GJTFP005222 Bruno : May I ask what the goal/purpose of your review is? A women studies Revue (Universit=E9 Laval, City of Qu=E9bec) called for=20 papers on Ecology. I asked if they were interested in Acoustics Ecology women's work. They answered back: Since we know nothing about Acoustics Ecology, we=20 welcome your proposal. I will manily present the =ABambiophone approach=BB I developped in me=20 thesis and expose few other ways of dealing with Acoustic Ecology=20 object/method/probl=E9matique. I won't be able to go over many articles=20 because the dead line is too short. But at least, the article will=20 include an extended list of women's work on the field. * Articles written by soundscape artists are also welcome.* Thank to you all Claire Bruno L. Giordano a =E9crit : > Hello Claire, > > as far as perception of nonspeech/nonmusical naturalistic sounds is > concerned, Claudia Carello, Catherine Guastavino, Laurie Heller, Robert= a > Klatzky and Terri Bonebright come to my mind. You might also consider > Clara Suied, more focused on sound design and multisensory interaction. > To my knowledge, Eleanor J. Gibson did not focus on Ecological Acoustic= s > per se, but quite likely contributed to the development of the field. > > If, as some authors do (e.g., Gaver), you consider the study of the > perception of musical timbre as one of the most ecological topics in > mainstream nonspeech hearing science (along with the study of spatial > sound), you will have to consider several more authors. By memory I can > mention Carol Krumhansl, Anne Caclin, Sophie Donadieu, Caroline Traube, > {Mitsuko Aramaki/S=F8lvi Ystad} and Claudia Fritz. I am sure there are > more (and I'm sorry if I forget somebody I know). > > You might be able to find some more in the field of sound design (what'= s > more ecological to us than the sound of appliances?). > > May I ask what the goal/purpose of your review is? > > Good luck, > > Bruno > > > @xxxxxxxx{aramaki2007sqa, > title=3D{{Sound quality assessment of wood for xylophone bars}}, > author=3D{Aramaki, M. and Baill{\`e}res, H. and Brancheriau, L. and > Kronland-Martinet, R. and Ystad, S.}, > journal=3D{The Journal of the Acoustical Society of America}, > volume=3D{121}, > pages=3D{2407}, > year=3D{2007}, > publisher=3D{ASA} > } > > @xxxxxxxx{bonebright01, > author =3D {T. L. Bonebright}, > title =3D {Perceptual structure of everyday sounds: a multidimensiona= l > scaling approach}, > booktitle =3D {Proceedings of the 7th International Conference on > Auditory Display}, > year =3D {2001}, > pages =3D {73--78} > } > > @xxxxxxxx{carello03, > author =3D {C. Carello and J. B. Wagman and M. T. Turvey}, > title =3D {Acoustical specification of object properties}, > booktitle =3D {Moving image theory: Ecological considerations}, > publisher =3D {Carbondale, IL: Southern Illinois University Press}, > year =3D {2003}, > editor =3D {J. Anderson and B. Anderson} > } > > @xxxxxxxx{carello98, > author =3D {C. Carello and K. L. Anderson and A. J. Kunkler--Peck}, > title =3D {Perception of object length by sound}, > journal =3D {Psychological Science}, > year =3D {1998}, > volume =3D {9}, > pages =3D {211--214}, > number =3D {3}, > month =3D {May} > } > > @xxxxxxxx{gibson55, > author =3D {J. J. Gibson and E. J. Gibson}, > title =3D {Perceptual learning: differentiation or enrichment?}, > journal =3D {Psychological Review}, > year =3D {1955}, > volume =3D {62}, > pages =3D {32--41}, > number =3D {1} > } > > @xxxxxxxx{gibsonej00, > title =3D {An ecological approach to perceptual learning and=20 > development}, > publisher =3D {Oxford University Press}, > year =3D {2000}, > author =3D {E. J. Gibson and A. D. Pick}, > address =3D {New York, NY} > } > > @xxxxxxxx{guastavino2007ces, > title=3D{{Categorization of environmental sounds}}, > author=3D{GUASTAVINO, C.}, > journal=3D{Canadian journal of experimental psychology}, > volume=3D{61}, > number=3D{1}, > pages=3D{54--63}, > year=3D{2007}, > publisher=3D{Canadian Psychological Association} > } > > @xxxxxxxx{guastavino2006ius, > title=3D{{The Ideal Urban Soundscape: Investigating the Sound Quality > of French Cities}}, > author=3D{Guastavino, C.}, > journal=3D{Acta Acustica united with Acustica}, > volume=3D{92}, > number=3D{6}, > pages=3D{945--951}, > year=3D{2006}, > publisher=3D{Hirzel Verlag} > } > > Laurie Heller: http://titan.cog.brown.edu:8080/AuditoryLab/ > > @xxxxxxxx{heller2002seb, > title=3D{{When sound effects are better than the real thing}}, > author=3D{Heller, L.M. and Wolf, L.}, > journal=3D{The Journal of the Acoustical Society of America}, > volume=3D{111}, > pages=3D{2339}, > year=3D{2002}, > publisher=3D{ASA} > } > > @xxxxxxxx{ecker2005avi, > title=3D{{Auditory-visual interactions in the perception of a ball's > path}}, > author=3D{Ecker, A.J. and Heller, L.M.}, > journal=3D{Perception}, > volume=3D{34}, > number=3D{1}, > pages=3D{59--75}, > year=3D{2005} > } > > > @xxxxxxxx{michaels81, > title =3D {Direct perception}, > publisher =3D {Prentice--Hall}, > year =3D {1981}, > author =3D {C. F. Michaels and C. Carello}, > address =3D {Englewood Cliffs, New Jersey} > } > > @xxxxxxxx{klatzky00, > author =3D {R. L. Klatzky and D. K. Pai and E. P. Krotkov}, > title =3D {Perception of Material from Contact Sounds}, > journal =3D {Presence: Teleoperators and Virtual Environment}, > year =3D {2000}, > volume =3D {9}, > pages =3D {399--410}, > number =3D {4} > } > > > C Suied and I Viaud-Delmon (2008), The role of object categories in > auditory-visual object recognition, 9th > International Multisensory Research Forum, Hamburg, Germany, > http://imrf.mcmaster.ca/IMRF/ocs/index.php/meetings/2008/paper/view/417 > > @xxxxxxxx{suied2005tsd, > title=3D{{Toward a Sound Design Methodology: Application to Electroni= c > Automotive Sounds}}, > author=3D{Suied, C. and Susini, P. and Misdariis, N. and Langlois, S. > and Smith, B.K. and McAdams, S.}, > booktitle=3D{Proceedings of ICAD}, > volume=3D{5}, > year=3D{2005} > } > > > > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > Bruno L. Giordano, PhD > Music Perception and Cognition Laboratory > CIRMMT http://www.cirmmt.mcgill.ca/ > Schulich School of Music, McGill University > 555 Sherbrooke Street West > Montr=E9al, QC H3A 1E3 > Canada > Office: +1 514 398 4535 ext. 00900 > http://www.music.mcgill.ca/~bruno/ > > > > Claire Pich=E9 wrote: >> Hi, >> >> I'm looking for articles, research reports, essay, etc. about=20 >> Ecological acoustics written by women. Papers written in french are=20 >> also welcome. >> >> I know the work of Nancy J. Vanderveer >> >> Thanks >> Claire Pich=E9, Ph. D. >> =C9tudes et pratiques des arts. >> >> >> __________ NOD32 3745 (20090107) Information __________ >> >> This message was checked by NOD32 antivirus system. >> http://www.eset.com >> >> >> > --------------090506080102000804080009 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> <html> <head> <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type"> <title></title> </head> <body bgcolor="#ffffff" text="#000000"> Bruno : May I ask what the goal/purpose of your review is? <br> <br> A women studies Revue (Universit&eacute; Laval, City of Qu&eacute;bec) called for papers on Ecology.<br> I asked if they were interested in Acoustics Ecology women's work.<br> They answered back: Since we know nothing about Acoustics Ecology, we welcome your proposal.<br> <br> I will manily present the &laquo;ambiophone approach&raquo; I developped in me thesis and expose few other ways of dealing with Acoustic Ecology object/method/probl&eacute;matique. I won't be able to go over many articles because the dead line is too short. But at least, the article will include an extended list of women's work on the field.<br> <b><br> Articles written by soundscape artists are also welcome.</b><br> <br> Thank to you all<br> Claire<br> <br> <br> <br> Bruno L. Giordano a &eacute;crit&nbsp;: <blockquote cite="mid:20090107225119.51ADFA302@xxxxxxxx" type="cite">Hello Claire, <br> <br> as far as perception of nonspeech/nonmusical naturalistic sounds is <br> concerned, Claudia Carello, Catherine Guastavino, Laurie Heller, Roberta <br> Klatzky and Terri Bonebright come to my mind. You might also consider <br> Clara Suied, more focused on sound design and multisensory interaction. <br> To my knowledge, Eleanor J. Gibson did not focus on Ecological Acoustics <br> per se, but quite likely contributed to the development of the field. <br> <br> If, as some authors do (e.g., Gaver), you consider the study of the <br> perception of musical timbre as one of the most ecological topics in <br> mainstream nonspeech hearing science (along with the study of spatial <br> sound), you will have to consider several more authors. By memory I can <br> mention Carol Krumhansl, Anne Caclin, Sophie Donadieu, Caroline Traube, <br> {Mitsuko Aramaki/S&oslash;lvi Ystad} and Claudia Fritz. I am sure there are <br> more (and I'm sorry if I forget somebody I know). <br> <br> You might be able to find some more in the field of sound design (what's <br> more ecological to us than the sound of appliances?). <br> <br> May I ask what the goal/purpose of your review is? <br> <br> Good luck, <br> <br> &nbsp;&nbsp;&nbsp; Bruno <br> <br> <br> @xxxxxxxx{aramaki2007sqa, <br> &nbsp; title={{Sound quality assessment of wood for xylophone bars}}, <br> &nbsp; author={Aramaki, M. and Baill{\`e}res, H. and Brancheriau, L. and <br> Kronland-Martinet, R. and Ystad, S.}, <br> &nbsp; journal={The Journal of the Acoustical Society of America}, <br> &nbsp; volume={121}, <br> &nbsp; pages={2407}, <br> &nbsp; year={2007}, <br> &nbsp; publisher={ASA} <br> } <br> <br> @xxxxxxxx{bonebright01, <br> &nbsp; author = {T. L. Bonebright}, <br> &nbsp; title = {Perceptual structure of everyday sounds: a multidimensional <br> scaling approach}, <br> &nbsp; booktitle = {Proceedings of the 7th International Conference on <br> Auditory Display}, <br> &nbsp; year = {2001}, <br> &nbsp; pages = {73--78} <br> } <br> <br> @xxxxxxxx{carello03, <br> &nbsp; author = {C. Carello and J. B. Wagman and M. T. Turvey}, <br> &nbsp; title = {Acoustical specification of object properties}, <br> &nbsp; booktitle = {Moving image theory: Ecological considerations}, <br> &nbsp; publisher = {Carbondale, IL: Southern Illinois University Press}, <br> &nbsp; year = {2003}, <br> &nbsp; editor = {J. Anderson and B. Anderson} <br> } <br> <br> @xxxxxxxx{carello98, <br> &nbsp; author = {C. Carello and K. L. Anderson and A. J. Kunkler--Peck}, <br> &nbsp; title = {Perception of object length by sound}, <br> &nbsp; journal = {Psychological Science}, <br> &nbsp; year = {1998}, <br> &nbsp; volume = {9}, <br> &nbsp; pages = {211--214}, <br> &nbsp; number = {3}, <br> &nbsp; month = {May} <br> } <br> <br> @xxxxxxxx{gibson55, <br> &nbsp; author = {J. J. Gibson and E. J. Gibson}, <br> &nbsp; title = {Perceptual learning: differentiation or enrichment?}, <br> &nbsp; journal = {Psychological Review}, <br> &nbsp; year = {1955}, <br> &nbsp; volume = {62}, <br> &nbsp; pages = {32--41}, <br> &nbsp; number = {1} <br> } <br> <br> @xxxxxxxx{gibsonej00, <br> &nbsp; title = {An ecological approach to perceptual learning and development}, <br> &nbsp; publisher = {Oxford University Press}, <br> &nbsp; year = {2000}, <br> &nbsp; author = {E. J. Gibson and A. D. Pick}, <br> &nbsp; address = {New York, NY} <br> } <br> <br> @xxxxxxxx{guastavino2007ces, <br> &nbsp; title={{Categorization of environmental sounds}}, <br> &nbsp; author={GUASTAVINO, C.}, <br> &nbsp; journal={Canadian journal of experimental psychology}, <br> &nbsp; volume={61}, <br> &nbsp; number={1}, <br> &nbsp; pages={54--63}, <br> &nbsp; year={2007}, <br> &nbsp; publisher={Canadian Psychological Association} <br> } <br> <br> @xxxxxxxx{guastavino2006ius, <br> &nbsp; title={{The Ideal Urban Soundscape: Investigating the Sound Quality <br> of French Cities}}, <br> &nbsp; author={Guastavino, C.}, <br> &nbsp; journal={Acta Acustica united with Acustica}, <br> &nbsp; volume={92}, <br> &nbsp; number={6}, <br> &nbsp; pages={945--951}, <br> &nbsp; year={2006}, <br> &nbsp; publisher={Hirzel Verlag} <br> } <br> <br> Laurie Heller: <a class="moz-txt-link-freetext" href="http://titan.cog.brown.edu:8080/AuditoryLab/">http://titan.cog.brown.edu:8080/AuditoryLab/</a> <br> <br> @xxxxxxxx{heller2002seb, <br> &nbsp; title={{When sound effects are better than the real thing}}, <br> &nbsp; author={Heller, L.M. and Wolf, L.}, <br> &nbsp; journal={The Journal of the Acoustical Society of America}, <br> &nbsp; volume={111}, <br> &nbsp; pages={2339}, <br> &nbsp; year={2002}, <br> &nbsp; publisher={ASA} <br> } <br> <br> @xxxxxxxx{ecker2005avi, <br> &nbsp; title={{Auditory-visual interactions in the perception of a ball's <br> path}}, <br> &nbsp; author={Ecker, A.J. and Heller, L.M.}, <br> &nbsp; journal={Perception}, <br> &nbsp; volume={34}, <br> &nbsp; number={1}, <br> &nbsp; pages={59--75}, <br> &nbsp; year={2005} <br> } <br> <br> <br> @xxxxxxxx{michaels81, <br> &nbsp; title = {Direct perception}, <br> &nbsp; publisher = {Prentice--Hall}, <br> &nbsp; year = {1981}, <br> &nbsp; author = {C. F. Michaels and C. Carello}, <br> &nbsp; address = {Englewood Cliffs, New Jersey} <br> } <br> <br> @xxxxxxxx{klatzky00, <br> &nbsp; author = {R. L. Klatzky and D. K. Pai and E. P. Krotkov}, <br> &nbsp; title = {Perception of Material from Contact Sounds}, <br> &nbsp; journal = {Presence: Teleoperators and Virtual Environment}, <br> &nbsp; year = {2000}, <br> &nbsp; volume = {9}, <br> &nbsp; pages = {399--410}, <br> &nbsp; number = {4} <br> } <br> <br> <br> C Suied and I Viaud-Delmon (2008), The role of object categories in <br> auditory-visual object recognition, 9th <br> International Multisensory Research Forum, Hamburg, Germany, <br> <a class="moz-txt-link-freetext" href="http://imrf.mcmaster.ca/IMRF/ocs/index.php/meetings/2008/paper/view/417">http://imrf.mcmaster.ca/IMRF/ocs/index.php/meetings/2008/paper/view/417</a> <br> <br> @xxxxxxxx{suied2005tsd, <br> &nbsp; title={{Toward a Sound Design Methodology: Application to Electronic <br> Automotive Sounds}}, <br> &nbsp; author={Suied, C. and Susini, P. and Misdariis, N. and Langlois, S. <br> and Smith, B.K. and McAdams, S.}, <br> &nbsp; booktitle={Proceedings of ICAD}, <br> &nbsp; volume={5}, <br> &nbsp; year={2005} <br> } <br> <br> <br> <br> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ <br> Bruno L. Giordano, PhD <br> Music Perception and Cognition Laboratory <br> CIRMMT <a class="moz-txt-link-freetext" href="http://www.cirmmt.mcgill.ca/">http://www.cirmmt.mcgill.ca/</a> <br> Schulich School of Music, McGill University <br> 555 Sherbrooke Street West <br> Montr&eacute;al, QC H3A 1E3 <br> Canada <br> Office: +1 514 398 4535 ext. 00900 <br> <a class="moz-txt-link-freetext" href="http://www.music.mcgill.ca/~bruno/">http://www.music.mcgill.ca/~bruno/</a> <br> <br> <br> <br> Claire Pich&eacute; wrote: <br> <blockquote type="cite">Hi, <br> <br> I'm looking for articles, research reports, essay, etc. about Ecological acoustics written by women. Papers written in french are also welcome. <br> <br> I know the work of Nancy J. Vanderveer <br> <br> Thanks <br> Claire Pich&eacute;, Ph. D. <br> &Eacute;tudes et pratiques des arts. <br> <br> <br> __________ NOD32 3745 (20090107) Information __________ <br> <br> This message was checked by NOD32 antivirus system. <br> <a class="moz-txt-link-freetext" href="http://www.eset.com">http://www.eset.com</a> <br> <br> <br> <br> </blockquote> <br> </blockquote> </body> </html> --------------090506080102000804080009--


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