Re: Auditory wheel (David John SMith )


Subject: Re: Auditory wheel
From:    David John SMith  <smithd@xxxxxxxx>
Date:    Fri, 19 Mar 2010 00:22:58 -0400
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

----------MB_8CC9532FD456A1D_10F4_9FF4_web-mmc-m10.sysops.aol.com Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset="us-ascii" Hi, Your cyclical fade construct looks to be versatile and closely analogous= to the color wheel. After all, the color wheel is an artificail construct having more to do wi= th application (use) than perception of color. That said: The most common (to western musicians anyway) auditory circular function= would be "the circle of fifths".=20 Though this is a set of relationships rather than a quality inherent to "a= sound", it is generally=20 perceptible and is closely related to consonance and dissonance.?=20 There are, historically speaking, many ways to present the circle of fifth= s. eg.? You could generate wide band (c1 c2 c3 c4 c5 c6...) "notes" for each= pitch class? (a b c d e f...) and divide the circle of fifths various ways.=20 - close and simple, by fifths? (c g d a e...) - distant and complex, by tritones ( c fs c fs c fs...) Perhaps you could look at some ways the color wheel is used to determine= color schemes and=20 imagine using the circle of fifths in a like manner.? Pitch being analogou= s perhaps to brightness, and pitch class being analogous to "color". Dave www.roughlight.com ----------MB_8CC9532FD456A1D_10F4_9FF4_web-mmc-m10.sysops.aol.com Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset="us-ascii" Hi,<br> Your cyclical fade construct looks to be versatile and closely analogous= to the color wheel.<br> After all, the color wheel is an artificail construct having more to do wi= th application (use) than perception of color.<br> <br> That said:<br> The most common (to western musicians anyway) auditory circular function= would be "the circle of fifths". <br> Though this is a set of relationships rather than a quality inherent to "a= sound", it is generally <br> perceptible and is closely related to consonance and dissonance.&nbsp; <br= > <br> There are, historically speaking, many ways to present the circle of fifth= s.<br> eg.&nbsp; You could generate wide band (c1 c2 c3 c4 c5 c6...) "notes" for= each pitch class&nbsp; (a b c d e f...)<br> and divide the circle of fifths various ways. <br> - close and simple, by fifths&nbsp; (c g d a e...)<br> - distant and complex, by tritones ( c fs c fs c fs...)<br> <br> Perhaps you could look at some ways the color wheel is used to determine= color schemes and <br> imagine using the circle of fifths in a like manner.&nbsp; Pitch being ana= logous perhaps to brightness,<br> and pitch class being analogous to "color".<br> <br> Dave<br> www.roughlight.com<br> <br> ----------MB_8CC9532FD456A1D_10F4_9FF4_web-mmc-m10.sysops.aol.com--


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