SysMus11 - Final Call for Papers (Julia Wewers )


Subject: SysMus11 - Final Call for Papers
From:    Julia Wewers  <julia-wewers@xxxxxxxx>
Date:    Tue, 29 Mar 2011 14:01:30 +0200
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

--Apple-Mail-19-970343309 Content-Type: text/plain; charset=WINDOWS-1252; format=flowed; delsp=yes Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Dear list, your possibility for paper submission for SysMus11 ends on April 30,=20=20 2011. At this international conference in Cologne, that will be open for all=20= =20 students' contributions to music research, you get to know other young=20= =20 academics of your research field in a warm atmosphere, you present=20=20 your projects as a talk or as a poster, participate in workshops and=20=20 social activities and have the opportunity to publish your own paper! We welcome the three international renowned researchers for keynote=20=20 talks: Prof. Dr. W. Tecumseh Fitch (Department of Cognitive Biology,=20=20 University of Vienna, Austria) Dr. Jin Hyun Kim (Cluster Languages of Emotion, Free University of=20=20 Berlin, Germany) Dr. Ricarda Schubotz (Max Planck Institute for Neurological Research,=20=20 Cologne, Germany) The conference proceedings will be published online by "epOs=20=20 Music" (electronic publishing Osnabr=FCck, http://www.epos.uni-osnabrueck.d= e/music/index_e.php)=20 =2E Please view the following CFP or visit the SysMus11 website (https://sites.= google.com/site/sysmus11/=20 ) for more information. We are looking forward to your paper submission and hope to see you in=20= =20 Cologne! All the best, Julia Wewers (Organisation SysMus11, julia-wewers@xxxxxxxx) =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D SysMus11 Fourth International Conference of Students of Systematic Musicology Institute of Musicology, Cologne, Germany, October 5-7, 2011 Call for papers: SysMus11 invites PhD and advanced Master students of systematic musicology and related fields of music research to present their ongoing work and to participate in the positioning of systematic and cognitive musicology in a dynamically changing scientific context. Increasingly, music and music-related phenomena come to be considered as intrinsically connected to a broad range of processes underlying everyday human expression and social intercourse, raising anew the question of the nature of music and its relation to other human activities/traits such as language. A growing interest for musical aspects of human interaction and communication as well as their biological/evolutionary, linguistic, neuroscientific, and developmental bases (see Str=FCngmann Forum 2011: Language, Music, and the Brain: Probing a Mysterious Relationship) has been observed lately. Moreover, these aspects are investigated with respect to an evolving cultural context that is strongly influenced by recent advances in media and information technology. Research results, on the other hand, will inform areas such as artistic practice, the design of interactive technology for art, education, and entertainment, or more general social concerns including care, rehabilitation, and therapy. Thus, music research not only constitutes fundamental research aiming to understand social and cultural processes as well as related technological developments, which within musicology is traditionally covered by systematic and more recently bycognitive musicology, but it also assumes an active role which itself calls for critical reflection. To address these scientific challenges in a comprehensive manner and to contribute productively and responsibly to ongoing societal developments, research related to systematic and cognitive musicology needs to integrate highly focused disciplinary work within a perspective that transcends and even redefines traditional disciplinary boundaries at the intersection of humanities, sciences, and technology. SysMus11 offers the possibility to connect the different methodological approaches and thematic paradigms of its participants and creates in this way an internationally overall, future-oriented concept of systematic and cognitive musicology. It strives to develop a network between the generations of researchers contributing to the wide transdisciplinary field of music research. The conference atmosphere offers a complement to ongoing international summer schools such as ISSSM, the summer schools organized by the SMC network and ISMIR. Students=92 academic horizons will be broadened by keynote presentations of internationally renowned researchers, workshops and the chance to publish their own paper in the conference proceedings. Discussions will deal with the current status, the legitimation and the future directions and challenges of systematic musicology. Submissions are solicited for spoken research papers or posters related to foundational topics of music from the perspectives of humanities, sciences, and technology. All submissions will be subject to a double-blind peer-review procedure conducted entirely by international students of systematic musicology representing various research fields. Short submission papers in English (between 1 and 2 pages) have to follow formal guidelines (template can be found on the conference website). Please submit your paper until April 30, 2011 (deadline). The submission process is explained on the conference website and is already open. For more information please contact Julia Wewers (julia- wewers@xxxxxxxx), visit the SysMus11 homepage (https://sites.google.com/ site/sysmus11/) or the SysMus conference series website (https:// sites.google.com/site/sysmusconference/). Please help to spread the word about SysMus11! We will be pleased to welcome you in Cologne! The SysMus11 organizing committee= --Apple-Mail-19-970343309 Content-Type: text/html; charset=WINDOWS-1252 Content-Transfer-Encoding: quoted-printable Content-Disposition: inline <html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; -webk= it-line-break: after-white-space; ">Dear list,<br><br>your possibility for = paper submission for SysMus11 ends on April 30, 2011.<br><br>At this intern= ational conference in Cologne, that will be open for all students' contribu= tions to music research, you get to know other young academics of your rese= arch field in a warm atmosphere, you present your projects as a talk or as = a poster, participate in workshops and social activities and have the oppor= tunity to publish your own paper!<br><br>We welcome the three international= renowned researchers for keynote talks:<br><br>Prof. Dr. W. Tecumseh Fitch= (Department of Cognitive Biology, University of Vienna, Austria)<br>Dr. Ji= n Hyun Kim (Cluster Languages of Emotion, Free University of Berlin, German= y)<br>Dr. Ricarda Schubotz (Max Planck Institute for Neurological Research,= Cologne, Germany)<br><br>The conference proceedings will be published onli= ne by "epOs Music" (electronic publishing Osnabr=FCck,&nbsp;<a href=3D"http= ://www.epos.uni-osnabrueck.de/music/index_e.php)">http://www.epos.uni-osnab= rueck.de/music/index_e.php)</a>.<br><br>Please view the following CFP or vi= sit the SysMus11 website (<a href=3D"https://sites.google.com/site/sysmus11= /">https://sites.google.com/site/sysmus11/</a>) for more information.<br><b= r>We are looking forward to your paper submission and hope to see you in Co= logne!<br><br>All the best,<br>Julia Wewers<br>(Organisation SysMus11,&nbsp= ;<a href=3D"mailto:julia-wewers@xxxxxxxx">julia-wewers@xxxxxxxx</a>)<br><br>=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br><br>SysMus11<br>Fourth International C= onference of Students of Systematic Musicology<br><br>Institute of Musicolo= gy, Cologne, Germany, October 5-7, 2011<br><br>Call for papers:<br><br>SysM= us11 invites PhD and advanced Master students of systematic<br>musicology a= nd related fields of music research to present their<br>ongoing work and to= participate in the positioning of systematic and<br>cognitive musicology i= n a dynamically changing scientific context.<br>Increasingly, music and mus= ic-related phenomena come to be considered<br>as intrinsically connected to= a broad range of processes underlying<br>everyday human expression and soc= ial intercourse, raising anew the<br>question of the nature of music and it= s relation to other human<br>activities/traits such as language.<br><br>A g= rowing interest for musical aspects of human interaction and<br>communicati= on as well as their biological/evolutionary, linguistic,<br>neuroscientific= , and developmental bases (see Str=FCngmann Forum 2011:<br>Language, Music,= and the Brain: Probing a Mysterious Relationship) has<br>been observed lat= ely. Moreover, these aspects are investigated with<br>respect to an evolvin= g cultural context that is strongly influenced by<br>recent advances in med= ia and information technology. Research results,<br>on the other hand, will= inform areas such as artistic practice, the<br>design of interactive techn= ology for art, education, and<br>entertainment, or more general social conc= erns including care,<br>rehabilitation, and therapy.<br><br>Thus, music res= earch not only constitutes fundamental research aiming<br>to understand soc= ial and cultural processes as well as related<br>technological developments= , which within musicology is traditionally<br>covered by systematic and mor= e recently bycognitive musicology, but it<br>also assumes an active role wh= ich itself calls for critical<br>reflection. To address these scientific ch= allenges in a comprehensive<br>manner and to contribute productively and re= sponsibly to ongoing<br>societal developments, research related to systemat= ic and cognitive<br>musicology needs to integrate highly focused disciplina= ry work within<br>a perspective that transcends and even redefines traditio= nal<br>disciplinary boundaries at the intersection of humanities, sciences,= <br>and technology.<br><br>SysMus11 offers the possibility to connect the d= ifferent<br>methodological approaches and thematic paradigms of its partici= pants<br>and creates in this way an internationally overall, future-oriente= d<br>concept of systematic and cognitive musicology. It strives to develop<= br>a network between the generations of researchers contributing to the<br>= wide transdisciplinary field of music research. The conference<br>atmospher= e offers a complement to ongoing international summer schools<br>such as IS= SSM, the summer schools organized by the SMC network and<br>ISMIR. Students= =92 academic horizons will be broadened by keynote<br>presentations of inte= rnationally renowned researchers, workshops and<br>the chance to publish th= eir own paper in the conference proceedings.<br>Discussions will deal with = the current status, the legitimation and<br>the future directions and chall= enges of systematic musicology.<br><br>Submissions are solicited for spoken= research papers or posters<br>related to foundational topics of music from= the perspectives of<br>humanities, sciences, and technology. All submissio= ns will be subject<br>to a double-blind peer-review procedure conducted ent= irely by<br>international students of systematic musicology representing va= rious<br>research fields. Short submission papers in English (between 1 and= 2<br>pages) have to follow formal guidelines (template can be found on the= <br>conference website).<br><br>Please submit your paper until April 30, 20= 11 (deadline). The<br>submission process is explained on the conference web= site and is already<br>open.<br><br>For more information please contact Jul= ia Wewers (julia-<br><a href=3D"mailto:wewers@xxxxxxxx">wewers@xxxxxxxx</a>), v= isit the SysMus11 homepage (<a href=3D"https://sites.google.com/">https://s= ites.google.com/</a><br>site/sysmus11/) &nbsp;or the SysMus conference seri= es website (<!-- <a href=3D"https:/"> -->https://<!-- </a> --><br>sites.goo= gle.com/site/sysmusconference/).<br><br>Please help to spread the word abou= t SysMus11!<br><br>We will be pleased to welcome you in Cologne!<br><br>The= SysMus11 organizing committee</body></html>= --Apple-Mail-19-970343309--


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