[AUDITORY] Call for Papers: Special Issue on Musical Rhythm, Journal of New Music Research (Juan Bello )


Subject: [AUDITORY] Call for Papers: Special Issue on Musical Rhythm, Journal of New Music Research
From:    Juan Bello  <jpbello@xxxxxxxx>
Date:    Mon, 20 May 2013 11:55:07 -0400
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

--Apple-Mail=_B7EC9AC7-4BBC-4CE6-A41B-122E8E02EB3A Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=windows-1252 Apologies for any cross-posting. Please forward to anyone that may be = interested ----------------------------- CALL FOR PAPERS Journal of New Music Research Special Issue -- Musical Rhythm: Cross-disciplinary and Multi-cultural = Perspectives ----------------------------- Short Description: =20 Variously defined as =93organized duration=94 (Kolinski, 1973), =93the = many different ways in which time is organized in music=94 (Bamberger, = 2000) and the =93language of time=94 (Lewis, 2005), the attribute of = rhythm is of central concern to all music studies. Nevertheless, it is = only in recent decades that the subject has received the attention it = deserves, producing rhythmic theories on a par with those for pitch = structure; musicological studies providing a more nuanced understanding = of the historical and cultural context that informs the creation and = reception of rhythm; rhythm-based computational models that are = applicable to music search, computational musicology, and interactive = music systems; as well as new science allowing us to understand the = biological mechanisms behind music and rhythm processing, and the = effects of rhythm information on human perception and cognition. Yet, = most of this research is confined within the bounds of single = disciplines, and limited to specific music traditions, mostly western = popular music. =20 This special issue aims to group novel, high-quality research on musical = rhythm. The emphasis is on interactions between scholars from various = disciplines -- including music theory, cognitive psychology, = neuroscience, musicology, music information retrieval, performance and = composition -- and on an increased awareness of music outside the = Western canon. By focusing on the presentation and discussion of = interdisciplinary cross-cultural research on musical rhythm, this volume = seeks to expand the horizons of traditional music scholarship in = unprecedented ways. The issue follows the workshop of the same name that = was held in Abu Dhabi, between March 18-21, 2013: https://sites.google.com/site/nyurhythmworkshop/ =20 We invite contributions including, but not limited, to the following = topics: =20 =B7 Rhythm well-formedness, complexity and syncopation =B7 Pulse, beat and meter analysis =B7 Meter-less rhythms =B7 Polyrhythms =B7 Groove, swing and micro-timing =B7 Rhythmic performance analysis =B7 Computational models of rhythm =B7 Rhythm-based similarity, classification and search =B7 Automatic rhythm generation =B7 Rhythm perception and cognition =B7 Neural processing of rhythm, rhythms of the brain =B7 Connection between musical and speech/language rhythms =B7 The role of timbre, melody and other musical attributes on = rhythm structure =B7 Culture-specific and cross-cultural rhythm studies =20 ----------------------------- Important Dates: Manuscript Submission Due: October 15, 2013 First Notification: March 1, 2014 Final Version of Manuscripts: September 1, 2014 Tentative Publication Date: Late 2014 or early 2015 =20 ----------------------------- Guest Editors: Juan Pablo Bello, Associate Professor of Music Technology, New York = University Carlos Guedes, Associate Music Professor, NYU Abu Dhabi Robert Rowe, Professor of Music Composition and Technology, New York = University Godfried Toussaint, Research Professor of Computer Science, NYU Abu = Dhabi --------------------------------------------------- Juan Pablo Bello Associate Professor, Music Technology Co-director of Doctoral Studies, MPAP New York University jpbello@xxxxxxxx https://files.nyu.edu/jb2843/public/ http://marl.smusic.nyu.edu/ --Apple-Mail=_B7EC9AC7-4BBC-4CE6-A41B-122E8E02EB3A Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=windows-1252 <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html = charset=3Dwindows-1252"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; = ">Apologies for any cross-posting. Please forward to anyone that may be = interested<div><div>-----------------------------</div><div><br></div><div= >CALL FOR PAPERS</div><div><div>Journal of New Music = Research</div><div><b>Special Issue -- Musical Rhythm: = Cross-disciplinary and Multi-cultural = Perspectives<br></b><br></div><div>-----------------------------</div><div= >Short Description:</div><div>&nbsp;<br>Variously defined as =93organized = duration=94 (Kolinski, 1973), =93the many different ways in which time = is organized in music=94 (Bamberger, 2000) and the =93language of time=94 = (Lewis, 2005), the attribute of rhythm is of central concern to all = music studies. Nevertheless, it is only in recent decades that the = subject has received the attention it deserves, producing rhythmic = theories on a par with those for pitch structure; musicological studies = providing a more nuanced understanding of the historical and cultural = context that informs the creation and reception of rhythm; rhythm-based = computational models that are applicable to music search, computational = musicology, and interactive music systems; as well as new science = allowing us to understand the biological mechanisms behind music and = rhythm processing, and the effects of rhythm information on human = perception and cognition. Yet, most of this research is confined within = the bounds of single disciplines, and limited to specific music = traditions, mostly western popular music.<br>&nbsp;<br>This special = issue aims to group novel, high-quality research on musical rhythm. The = emphasis is on interactions between scholars from various disciplines -- = including music theory, cognitive psychology, neuroscience, musicology, = music information retrieval, performance and composition -- and on an = increased awareness of music outside the Western canon. By focusing on = the presentation and discussion of interdisciplinary cross-cultural = research on musical rhythm, this volume seeks to expand the horizons of = traditional music scholarship in unprecedented ways. The issue follows = the workshop of the same name that was held in Abu Dhabi, between March = 18-21, 2013:<br><br><a = href=3D"https://sites.google.com/site/nyurhythmworkshop/">https://sites.go= ogle.com/site/nyurhythmworkshop/</a><br>&nbsp;<br>We invite = contributions including, but not limited, to the following = topics:<br>&nbsp;<br>=B7&nbsp; &nbsp; &nbsp; &nbsp;Rhythm = well-formedness, complexity and syncopation<br>=B7&nbsp; &nbsp; &nbsp; = &nbsp;Pulse, beat and meter analysis<br>=B7&nbsp; &nbsp; &nbsp; = &nbsp;Meter-less rhythms<br>=B7&nbsp; &nbsp; &nbsp; = &nbsp;Polyrhythms<br>=B7&nbsp; &nbsp; &nbsp; &nbsp;Groove, swing and = micro-timing<br>=B7&nbsp; &nbsp; &nbsp; &nbsp;Rhythmic performance = analysis<br>=B7&nbsp; &nbsp; &nbsp; &nbsp;Computational models of = rhythm<br>=B7&nbsp; &nbsp; &nbsp; &nbsp;Rhythm-based similarity, = classification and search<br>=B7&nbsp; &nbsp; &nbsp; &nbsp;Automatic = rhythm generation<br>=B7&nbsp; &nbsp; &nbsp; &nbsp;Rhythm perception and = cognition<br>=B7&nbsp; &nbsp; &nbsp; &nbsp;Neural processing of rhythm, = rhythms of the brain<br>=B7&nbsp; &nbsp; &nbsp; &nbsp;Connection between = musical and speech/language rhythms<br>=B7&nbsp; &nbsp; &nbsp; &nbsp;The = role of timbre, melody and other musical attributes on rhythm = structure<br>=B7&nbsp; &nbsp; &nbsp; &nbsp;Culture-specific and = cross-cultural rhythm = studies<br>&nbsp;<br><div>-----------------------------</div><div>Importan= t Dates:</div><div><br></div>Manuscript Submission Due: October 15, = 2013<br>First Notification: March 1, 2014<br>Final Version of = Manuscripts: September 1, 2014<br>Tentative Publication Date: Late 2014 = or early = 2015<br>&nbsp;</div><div><div>-----------------------------</div><div>Gues= t Editors:</div><div><br></div>Juan Pablo Bello, Associate Professor of = Music Technology, New York University<br>Carlos Guedes, Associate Music = Professor, NYU Abu Dhabi<br>Robert Rowe, Professor of Music Composition = and Technology, New York University<br>Godfried Toussaint, Research = Professor of Computer Science, NYU Abu Dhabi<br><br><div = apple-content-edited=3D"true"> <span class=3D"Apple-style-span" style=3D"border-collapse: separate; = border-spacing: 0px; "><span class=3D"Apple-style-span" = style=3D"border-collapse: separate; orphans: 2; text-align: = -webkit-auto; text-indent: 0px; widows: 2; border-spacing: 0px; "><div = style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; = -webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" = style=3D"border-collapse: separate; orphans: 2; text-align: = -webkit-auto; text-indent: 0px; widows: 2; border-spacing: 0px; "><div = style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; = -webkit-line-break: after-white-space; "><span class=3D"Apple-style-span" = style=3D"orphans: 2; text-indent: 0px; widows: 2; "><div = style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; = -webkit-line-break: after-white-space; "><div><div><div = style=3D"border-collapse: separate; color: rgb(0, 0, 0); font-family: = Helvetica; font-style: normal; font-variant: normal; font-weight: = normal; letter-spacing: normal; line-height: normal; text-transform: = none; white-space: normal; word-spacing: 0px; = -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: = 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; = font-size: medium; = ">---------------------------------------------------</div><div = style=3D"color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; = font-style: normal; font-variant: normal; font-weight: normal; = letter-spacing: normal; line-height: normal; text-transform: none; = white-space: normal; word-spacing: 0px; = -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: = auto; -webkit-text-stroke-width: 0px; border-collapse: separate; = border-spacing: 0px; ">Juan Pablo Bello</div><div style=3D"color: rgb(0, = 0, 0); font-family: Helvetica; font-size: medium; font-style: normal; = font-variant: normal; font-weight: normal; letter-spacing: normal; = line-height: normal; text-transform: none; white-space: normal; = word-spacing: 0px; -webkit-text-decorations-in-effect: none; = -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; = border-collapse: separate; border-spacing: 0px; ">Associate Professor, = Music Technology</div><div style=3D"color: rgb(0, 0, 0); font-family: = Helvetica; font-size: medium; font-style: normal; font-variant: normal; = font-weight: normal; letter-spacing: normal; line-height: normal; = text-transform: none; white-space: normal; word-spacing: 0px; = -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: = auto; -webkit-text-stroke-width: 0px; ">Co-director of Doctoral Studies, = MPAP</div><div style=3D"color: rgb(0, 0, 0); font-family: Helvetica; = font-size: medium; font-style: normal; font-variant: normal; = font-weight: normal; letter-spacing: normal; line-height: normal; = text-transform: none; white-space: normal; word-spacing: 0px; = -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: = auto; -webkit-text-stroke-width: 0px; border-collapse: separate; = border-spacing: 0px; ">New York University</div><div style=3D"color: = rgb(0, 0, 0); font-family: Helvetica; font-size: medium; font-style: = normal; font-variant: normal; font-weight: normal; letter-spacing: = normal; line-height: normal; text-transform: none; white-space: normal; = word-spacing: 0px; -webkit-text-decorations-in-effect: none; = -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; = border-collapse: separate; border-spacing: 0px; "><a = href=3D"mailto:jpbello@xxxxxxxx">jpbello@xxxxxxxx</a></div><div = style=3D"color: rgb(0, 0, 0); font-family: Helvetica; font-size: medium; = font-style: normal; font-variant: normal; font-weight: normal; = letter-spacing: normal; line-height: normal; text-transform: none; = white-space: normal; word-spacing: 0px; = -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: = auto; -webkit-text-stroke-width: 0px; border-collapse: separate; = border-spacing: 0px; "><a = href=3D"https://files.nyu.edu/jb2843/public/">https://files.nyu.edu/jb2843= /public/</a></div><div style=3D"color: rgb(0, 0, 0); font-family: = Helvetica; font-size: medium; font-style: normal; font-variant: normal; = font-weight: normal; letter-spacing: normal; line-height: normal; = text-transform: none; white-space: normal; word-spacing: 0px; = -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: = auto; -webkit-text-stroke-width: 0px; border-collapse: separate; = border-spacing: 0px; "><a = href=3D"http://marl.smusic.nyu.edu/">http://marl.smusic.nyu.edu/</a></div>= <div style=3D"color: rgb(0, 0, 0); font-family: Helvetica; font-size: = medium; font-style: normal; font-variant: normal; font-weight: normal; = letter-spacing: normal; line-height: normal; text-transform: none; = white-space: normal; word-spacing: 0px; = -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: = auto; -webkit-text-stroke-width: 0px; border-collapse: separate; = border-spacing: 0px; = "><br></div><br></div><br></div><br></div></span><br = class=3D"Apple-interchange-newline"></div></span><br = class=3D"Apple-interchange-newline"></div></span><br = class=3D"Apple-interchange-newline"></span><br = class=3D"Apple-interchange-newline"> </div> <br></div></div></div></body></html>= --Apple-Mail=_B7EC9AC7-4BBC-4CE6-A41B-122E8E02EB3A--


This message came from the mail archive
/var/www/postings/2013/
maintained by:
DAn Ellis <dpwe@ee.columbia.edu>
Electrical Engineering Dept., Columbia University