Re: [AUDITORY] Perceptual basis of evolving western musical styles (=?iso-8859-1?Q?fr=E9d=E9ric_maintenant?= )


Subject: Re: [AUDITORY] Perceptual basis of evolving western musical styles
From:    =?iso-8859-1?Q?fr=E9d=E9ric_maintenant?=  <fmaintenant@xxxxxxxx>
Date:    Thu, 30 May 2013 09:50:15 +0100
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

--313692494-922049824-1369903815=:74199 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable This is a very intersting subject, and the abstract makes me want to read m= ore.. but there is a massive draw back, how can you mention in your title w= estern musical style and not mention anything about popular music, jazz and= contemporary music? I can read that in fact you are just interested by mel= ody. That's all right, but not mentioned in your title. Do you know that Hu= gues Dufourt, Costin Miereanu, Salvatore Sciarrinoare specifically working = on the transformation of western melody particularly using jazz standard. B= eside, Kaija Saariaho has developped a very specific approach to melody. An= d I am not mentioning obviously the work of Wayne Shorter who has to my opi= nion push the idea of popular melody very far etc etc =0AIt is time not to = work on Commercial period of classical music. I remember this beautiful art= icle on Density 21.5 by Marc Leman... this was to my opinion where research= should have gone... unfortunatly like for many others money business has o= riented his research... to help Google !!=0ABut anyway, nice to see that mu= sic is not forgotten on the Auditory List.=0A=0ABest,=0A=0AFr=E9d=E9ric Mai= ntenant=0ACNRS/Panth=E9on-Sorbonne=0A=0A=0A=0A=0A__________________________= ______=0A De=A0: Pablo Hern=E1n Rodriguez Zivic <elsonidoq@xxxxxxxx>=0A=C0= =A0: AUDITORY@xxxxxxxx =0AEnvoy=E9 le : Jeudi 30 mai 2013 1h01=0AObj= et=A0: Perceptual basis of evolving western musical styles=0A =0A=0A=0ADear= List,=0A=0A=A0 =A0I hereby announce my first "Open Access" paper "Perceptu= al basis of evolving western musical styles" which appears in the Proceedin= gs of the National Academy of Sciences=0A=0Ahttp://www.pnas.org/content/ear= ly/2013/05/22/1222336110=0A=0AThanks for your attention.=A0=0A=0APablo=0A--= =0Ahttp://pablozivic.com.ar/ --313692494-922049824-1369903815=:74199 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: quoted-printable <html><body><div style=3D"color:#000; background-color:#fff; font-family:Co= urier New, courier, monaco, monospace, sans-serif;font-size:12pt">This is a= very intersting subject, and the abstract makes me want to read more.. but= there is a massive draw back, how can you mention in your title western mu= sical style and not mention anything about popular music, jazz and contempo= rary music? I can read that in fact you are just interested by melody. That= 's all right, but not mentioned in your title. Do you know that Hugues Dufo= urt, Costin Miereanu, Salvatore Sciarrino<span style=3D"font-style: italic;= "> </span><span>are specifically working on the transformation of western m= elody particularly using jazz standard. Beside, Kaija Saariaho has developp= ed a very specific approach to melody. And I am not mentioning obviously th= e work of Wayne Shorter who has to my opinion push the idea of popular melo= dy very far etc etc <br>It is time not to work on Commercial period of classical music. I remember this beautiful article on Density 21.5 by Marc= Leman... this was to my opinion where research should have gone... unfortu= natly like for many others money business has oriented his research... to h= elp Google !!<br>But anyway, nice to see that music is not forgotten on the= Auditory List.<br><br>Best,<br><br>Fr=E9d=E9ric Maintenant<br>CNRS/Panth= =E9on-Sorbonne<br></span><div><span><br></span></div><div><br></div> <div = style=3D"font-family: Courier New, courier, monaco, monospace, sans-serif; = font-size: 12pt;"> <div style=3D"font-family: times new roman, new york, ti= mes, serif; font-size: 12pt;"> <div dir=3D"ltr"> <hr size=3D"1"> <font fac= e=3D"Arial" size=3D"2"> <b><span style=3D"font-weight:bold;">De&nbsp;:</spa= n></b> Pablo Hern=E1n Rodriguez Zivic &lt;elsonidoq@xxxxxxxx&gt;<br> <b><s= pan style=3D"font-weight: bold;">=C0&nbsp;:</span></b> AUDITORY@xxxxxxxx= L.CA <br> <b><span style=3D"font-weight: bold;">Envoy=E9 le :</span></b> Je= udi 30 mai 2013 1h01<br> <b><span style=3D"font-weight: bold;">Objet&nbsp;:</span></b> Per= ceptual basis of evolving western musical styles<br> </font> </div> <div cl= ass=3D"y_msg_container"><br><div id=3D"yiv7497010569"><div dir=3D"ltr">Dear= List,<div><br></div><div>&nbsp; &nbsp;I hereby announce my first "Open Acc= ess" paper "Perceptual basis of evolving western musical styles" which appe= ars in the <i>Proceedings of the National Academy of Sciences</i></div>=0A= =0A<div><i><br></i></div><div><a rel=3D"nofollow" target=3D"_blank" href=3D= "http://www.pnas.org/content/early/2013/05/22/1222336110">http://www.pnas.o= rg/content/early/2013/05/22/1222336110</a></div><div><br></div><div>Thanks = for your attention.&nbsp;</div><div><br>=0A</div>=0A<div>Pablo<br>-- <br><a= rel=3D"nofollow" target=3D"_blank" href=3D"http://pablozivic.com.ar/">http= ://pablozivic.com.ar/</a>=0A</div></div></div><br><br></div> </div> </div> = </div></body></html> --313692494-922049824-1369903815=:74199--


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