Subject: [AUDITORY] Deadline extended: November 15, Special Issue on Musical Rhythm, JNMR From: Juan Bello <jpbello@xxxxxxxx> Date: Thu, 3 Oct 2013 15:54:57 -0400 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--Apple-Mail=_B65BF8F0-28EE-458B-8C77-E118BAA46FE7 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=windows-1252 (Apologies for any cross-posting. Please forward to anyone that may be = interested) Dear all, The submission deadline for JNMR's special issue on musical rhythm has = been extended. The new deadline is November 15, 2013. Prospective = authors are encouraged to state their interest and/or send any questions = to Juan Pablo Bello at: jpbello@xxxxxxxx Please see the modified call for papers below. ----------------------------- CALL FOR PAPERS Journal of New Music Research Special Issue -- Musical Rhythm: Cross-disciplinary and Multi-cultural = Perspectives ----------------------------- Short Description: =20 Variously defined as =93organized duration=94 (Kolinski, 1973), =93the = many different ways in which time is organized in music=94 (Bamberger, = 2000) and the =93language of time=94 (Lewis, 2005), the attribute of = rhythm is of central concern to all music studies. Nevertheless, it is = only in recent decades that the subject has received the attention it = deserves, producing rhythmic theories on a par with those for pitch = structure; musicological studies providing a more nuanced understanding = of the historical and cultural context that informs the creation and = reception of rhythm; rhythm-based computational models that are = applicable to music search, computational musicology, and interactive = music systems; as well as new science allowing us to understand the = biological mechanisms behind music and rhythm processing, and the = effects of rhythm information on human perception and cognition. Yet, = most of this research is confined within the bounds of single = disciplines, and limited to specific music traditions, mostly western = popular music. =20 This special issue aims to group novel, high-quality research on musical = rhythm. The emphasis is on interactions between scholars from various = disciplines -- including music theory, cognitive psychology, = neuroscience, musicology, music information retrieval, performance and = composition -- and on an increased awareness of music outside the = Western canon. By focusing on the presentation and discussion of = interdisciplinary cross-cultural research on musical rhythm, this volume = seeks to expand the horizons of traditional music scholarship in = unprecedented ways. The issue follows the workshop of the same name that = was held in Abu Dhabi, between March 18-21, 2013: https://sites.google.com/site/nyurhythmworkshop/ =20 We invite contributions including, but not limited, to the following = topics: =20 =B7 Rhythm well-formedness, complexity and syncopation =B7 Pulse, beat and meter analysis =B7 Meter-less rhythms =B7 Polyrhythms =B7 Groove, swing and micro-timing =B7 Rhythmic performance analysis =B7 Computational models of rhythm =B7 Rhythm-based similarity, classification and search =B7 Automatic rhythm generation =B7 Rhythm perception and cognition =B7 Neural processing of rhythm, rhythms of the brain =B7 Connection between musical and speech/language rhythms =B7 The role of timbre, melody and other musical attributes on = rhythm structure =B7 Culture-specific and cross-cultural rhythm studies =20 ----------------------------- Important Dates: Manuscript Submission Due: November 15, 2013 First Notification: April 1, 2014 Final Version of Manuscripts: October, 2014 Tentative Publication Date: early 2015 (print, possibly earlier online) =20 ----------------------------- Guest Editors: Juan Pablo Bello, Associate Professor of Music Technology, New York = University Carlos Guedes, Associate Music Professor, NYU Abu Dhabi Robert Rowe, Professor of Music Composition and Technology, New York = University Godfried Toussaint, Research Professor of Computer Science, NYU Abu = Dhabi --------------------------------------------------- Juan Pablo Bello Associate Professor, Music Technology New York University jpbello@xxxxxxxx https://files.nyu.edu/jb2843/public/ http://marl.smusic.nyu.edu/ --Apple-Mail=_B65BF8F0-28EE-458B-8C77-E118BAA46FE7 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=windows-1252 <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html = charset=3Dwindows-1252"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; = "><div>(Apologies for any cross-posting. Please forward to anyone that = may be interested)</div><div><br></div><div>Dear = all,</div><div><br></div><div>The submission deadline for JNMR's = special issue on musical rhythm has been extended. <b>The new deadline = is November 15, 2013</b>. Prospective authors are encouraged to state = their interest and/or send any questions to Juan Pablo Bello at: <a = href=3D"mailto:jpbello@xxxxxxxx">jpbello@xxxxxxxx</a>.</div><div><br></div><= div>Please see the modified call for papers = below.</div><div><br></div><div>-----------------------------</div><div><b= r></div><div>CALL FOR PAPERS</div><div><div>Journal of New Music = Research</div><div><b>Special Issue -- Musical Rhythm: = Cross-disciplinary and Multi-cultural = Perspectives<br></b><br></div><div>-----------------------------</div><div= >Short Description:</div><div> <br>Variously defined as =93organized = duration=94 (Kolinski, 1973), =93the many different ways in which time = is organized in music=94 (Bamberger, 2000) and the =93language of time=94 = (Lewis, 2005), the attribute of rhythm is of central concern to all = music studies. Nevertheless, it is only in recent decades that the = subject has received the attention it deserves, producing rhythmic = theories on a par with those for pitch structure; musicological studies = providing a more nuanced understanding of the historical and cultural = context that informs the creation and reception of rhythm; rhythm-based = computational models that are applicable to music search, computational = musicology, and interactive music systems; as well as new science = allowing us to understand the biological mechanisms behind music and = rhythm processing, and the effects of rhythm information on human = perception and cognition. Yet, most of this research is confined within = the bounds of single disciplines, and limited to specific music = traditions, mostly western popular music.<br> <br>This special = issue aims to group novel, high-quality research on musical rhythm. The = emphasis is on interactions between scholars from various disciplines -- = including music theory, cognitive psychology, neuroscience, musicology, = music information retrieval, performance and composition -- and on an = increased awareness of music outside the Western canon. By focusing on = the presentation and discussion of interdisciplinary cross-cultural = research on musical rhythm, this volume seeks to expand the horizons of = traditional music scholarship in unprecedented ways. The issue follows = the workshop of the same name that was held in Abu Dhabi, between March = 18-21, 2013:<br><br><a = href=3D"https://sites.google.com/site/nyurhythmworkshop/">https://sites.go= ogle.com/site/nyurhythmworkshop/</a><br> <br>We invite = contributions including, but not limited, to the following = topics:<br> <br>=B7 Rhythm = well-formedness, complexity and syncopation<br>=B7 = Pulse, beat and meter analysis<br>=B7 = Meter-less rhythms<br>=B7 = Polyrhythms<br>=B7 Groove, swing and = micro-timing<br>=B7 Rhythmic performance = analysis<br>=B7 Computational models of = rhythm<br>=B7 Rhythm-based similarity, = classification and search<br>=B7 Automatic = rhythm generation<br>=B7 Rhythm perception and = cognition<br>=B7 Neural processing of rhythm, = rhythms of the brain<br>=B7 Connection between = musical and speech/language rhythms<br>=B7 The = role of timbre, melody and other musical attributes on rhythm = structure<br>=B7 Culture-specific and = cross-cultural rhythm = studies<br> <br><div>-----------------------------</div><div>Importan= t Dates:</div><div><br></div>Manuscript Submission Due: November 15, = 2013<br>First Notification: April 1, 2014<br>Final Version of = Manuscripts: October, 2014<br>Tentative Publication Date: early 2015 = (print, possibly earlier = online)<br> </div><div><div>-----------------------------</div><div>G= uest Editors:</div><div><br></div>Juan Pablo Bello, Associate Professor = of Music Technology, New York University<br>Carlos Guedes, Associate = Music Professor, NYU Abu Dhabi<br>Robert Rowe, Professor of Music = Composition and Technology, New York University<br>Godfried Toussaint, = Research Professor of Computer Science, NYU Abu = Dhabi</div></div><div><br></div><div apple-content-edited=3D"true"><span = class=3D"Apple-style-span" style=3D"border-collapse: separate; = border-spacing: 0px; "><div style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span = class=3D"Apple-style-span" style=3D"border-collapse: separate; = border-spacing: 0px; "><div style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span = class=3D"Apple-style-span" style=3D"border-collapse: separate; = border-spacing: 0px; "><div style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div = style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; = -webkit-line-break: after-white-space; "><div style=3D"border-collapse: = separate; border-spacing: 0px; = ">---------------------------------------------------</div><div = style=3D"border-collapse: separate; border-spacing: 0px; ">Juan Pablo = Bello</div><div style=3D"border-collapse: separate; border-spacing: 0px; = ">Associate Professor, Music Technology</div><div>New York = University</div><div style=3D"border-collapse: separate; border-spacing: = 0px; "><a href=3D"mailto:jpbello@xxxxxxxx">jpbello@xxxxxxxx</a></div><div = style=3D"border-collapse: separate; border-spacing: 0px; "><a = href=3D"https://files.nyu.edu/jb2843/public/">https://files.nyu.edu/jb2843= /public/</a></div><div style=3D"border-collapse: separate; = border-spacing: 0px; "><a = href=3D"http://marl.smusic.nyu.edu/">http://marl.smusic.nyu.edu/</a></div>= <div style=3D"border-collapse: separate; border-spacing: 0px; = "><br></div></div></div></span></div></span></div></span></div></body></ht= ml>= --Apple-Mail=_B65BF8F0-28EE-458B-8C77-E118BAA46FE7--