[AUDITORY] Empirical Musicology Review (Daniel Shanahan )


Subject: [AUDITORY] Empirical Musicology Review
From:    Daniel Shanahan  <daniel.shanahan@xxxxxxxx>
Date:    Sun, 13 Oct 2013 12:20:57 -0400
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

--047d7b5d5c8287c50f04e8a1bcb1 Content-Type: text/plain; charset=ISO-8859-1 Hello All, Please see the announcement below regarding the recently updated Empirical Musicology Review. All the best, Dan Daniel Shanahan, PhD. Managing Editor, Empirical Musicology Review Visiting Assistant Professor University of Virginia Empirical Musicology Review (http://emusicology.org/) is under new editorship and has moved to a new publishing system. The current issue contains contributions on expression of sadness through melodic interval reduction, and beat synchronisation by horses. Empirical Musicology Review (EMR) aims to facilitate communication and debate between scholars engaged in systematic and observation-based music scholarship and welcomes submissions with an emphasis on systematic methods, such as hypothesis-testing, modeling, and controlled observation. A wide range of topics are considered related to music and musical behaviour investigated from different perspectives including historical, social, political, cultural, economic, perceptual, and biological. Cross-overs between disciplines are in particular welcomed. The journal pioneers a "Public Peer Review" practice that is intended to encourage scholarly dialog and reward reviewers for timely and thoughtful engagement with submissions. The journal is published four times per year by The Ohio State University Libraries and provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge. Previous editors include David Huron and Peter Keller. The current editors are Nicola Dibben and Renee Timmers. --047d7b5d5c8287c50f04e8a1bcb1 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"><div>Hello All,</div><div><br></div><div>Please see the an= nouncement below regarding the recently updated Empirical Musicology Review= .=A0</div><div><br></div><div>All the best,</div><div><br></div><div>Dan</d= iv> <div><br></div><div>Daniel Shanahan, PhD.</div><div>Managing Editor, Empiri= cal Musicology Review</div><div>Visiting Assistant Professor</div><div>Univ= ersity of Virginia</div><div><br></div><div><br></div><div>Empirical Musico= logy Review (<a href=3D"http://emusicology.org/">http://emusicology.org/</a= >) is under new editorship and has moved to a new publishing system. The cu= rrent issue contains contributions on expression of sadness through melodic= interval reduction, and beat synchronisation by horses.=A0</div> <div><br></div><div>Empirical Musicology Review (EMR) aims to facilitate co= mmunication and debate between scholars engaged in systematic and observati= on-based music scholarship and welcomes submissions with an emphasis on sys= tematic methods, such as hypothesis-testing, modeling, and controlled obser= vation. A wide range of topics are considered related to music and musical = behaviour investigated from different perspectives including historical, so= cial, political, cultural, economic, perceptual, and biological. Cross-over= s between disciplines are in particular welcomed. The journal =A0pioneers a= &quot;Public Peer Review&quot; practice that is intended to encourage scho= larly dialog and reward reviewers for timely and thoughtful engagement with= submissions. The journal is published four times per year by The Ohio Stat= e University Libraries and provides immediate open access to its content on= the principle that making research freely available to the public supports= a greater global exchange of knowledge. Previous editors include David Hur= on and Peter Keller. The current editors are Nicola Dibben and Renee Timmer= s.</div> </div> --047d7b5d5c8287c50f04e8a1bcb1--


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