Fwd: [cec-c] NIME 2014, International Conference on New Interfaces for Musical Expression June 30 - July 3, 2014 (Kevin Austin )


Subject: Fwd: [cec-c] NIME 2014, International Conference on New Interfaces for Musical Expression June 30 - July 3, 2014
From:    Kevin Austin  <kevin.austin@xxxxxxxx>
Date:    Wed, 15 Jan 2014 06:49:22 -0500
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

--Boundary_(ID_7FbTAVMqIM/NXMrV+KPeVA) Content-type: text/plain; charset=utf-8 Content-transfer-encoding: quoted-printable Begin forwarded message: > From: richard scott <richard_scott@xxxxxxxx> > Subject: Re: [cec-c] NIME 2014, International Conference on New = Interfaces for Musical Expression June 30 - July 3, 2014 > Date: 2014 January 15 at 6:20:12 AM EST > To: cec-conference@xxxxxxxx > Reply-To: cec-conference@xxxxxxxx >=20 > A couple of inconsistencies with this call might be worth noting: >=20 > the original call date was 1st Feb but it is now 31st Jan, which being = as many of us submit in the last 24 hours may cause problems >=20 > In December I was told by the organisers that a proposal or outline of = a paper would be acceptable, this call seems to specify a "full draft = manuscript" >=20 >=20 > Richard >=20 >=20 >=20 >=20 >=20 > On 15/01/2014 11:02, Kevin Austin wrote: >>=20 >>=20 >> 14th International Conference on New Interfaces for Musical = Expression (NIME) >>=20 >> June 30 - July 3, 2014 >> Goldsmiths University of London=20 >> London, UK >>=20 >> web: www.nime2014.org >> facebook: https://www.facebook.com/NIME2014 >> twitter: #nime2014 >>=20 >> = **************************************************************************= ****************** >>=20 >>=20 >> 2nd CALL FOR PARTICIPATION >>=20 >> On behalf of the NIME 2014 Committee, we would like to invite you to = be part of the 14th international conference on New Interfaces for = Musical Expression. >>=20 >>=20 >> We invite submission of new works in the following categories: >> =E2=80=A2 Papers and Posters >> =E2=80=A2 Workshops and Tutorials >> =E2=80=A2 Demonstrations >>=20 >> Important dates >>=20 >> =E2=80=A2 Scientific programme: Papers, Posters, Workshops, Tutorials = and Demonstrations: >> Draft submission (mandatory): January 31, 2014=20 >> Final submission: February 7, 2014 >> Review notification: March 28, 2014 >> Camera-ready paper deadline: April 18, 2014 >>=20 >>=20 >> Links: >> - Paper templates and online submission system >> - Any request concerning your submissions, write to = nime2014papers@xxxxxxxx >>=20 >> Note that only papers and demos submitted to NIME 2014 must be = anonymized: authors are expected to remove author and institutional = identities from the paper. If you are submitting a Workshop or Tutorial, = proposals DO NOT need to be anonymized. >>=20 >>=20 >> N.B. Please note the new system in the scientific programme for = mandatory draft submission followed by full submission. We have = implemented this new system to address the perennial deadline = extensions. This year, we will not offer extensions. The Draft = Submission deadline corresponds to previous years=E2=80=99 submission = deadline. On this date, the author must be registered on the online = submission system and have submitted a full draft manuscript of their = paper. You will then have one week (the time of prior years=E2=80=99 = extensions) to make minor edits to your manuscript. =20 >>=20 >>=20 >> SCIENTIFIC PROGRAMME >>=20 >> CALL FOR PAPERS >>=20 >> We welcome submissions of original research on scientific and = artistic use of new interfaces for musical expression. A non-exhaustive = list of NIME related topics is found below. This list is inclusive, and = indicative. The thematic focus of this year=E2=80=99s edition is = Liveness, and is described in the introduction above. We also encourage = submissions that extend, stretch, or challenge the NIME topics and = themes.=20 >>=20 >> Acceptance criteria: The paper under consideration must propose an = original contribution to NIME research; it must cite prior related work = and should demonstrate rigorous research methodology. >>=20 >> There are three different paper submission categories: >> =E2=80=A2 Full paper (up to 6 pages in proceedings, longer oral = presentation, optional demo) >> =E2=80=A2 Short paper/poster (up to 4 pages in proceedings, shorter = oral presentation or poster, optional demo) >> =E2=80=A2 Demo paper (up to 2 pages in proceedings, demonstration) >>=20 >> Submitted papers will be subject to a peer review process by an = international expert committee. All accepted papers will be published in = the conference proceedings, under an ISSN/ISBN reference, and will be = archived online after the conference to be tracked by citation tools. A = manuscript submitted for review cannot be already under review for = publication elsewhere, or be submitted for a second review elsewhere = while under review for NIME 2014. Authors of both full and short papers = are greatly encouraged to submit a video in support of their paper. A = video is mandatory for = demonstration submission. >>=20 >> Review process detailed here = http://www.nime.org/nime2014#reviewprocesspapers >>=20 >> A best paper award will be presented to the individual(s) judged by = the scientific committee to have written the best paper appearing in the = conference proceedings. >>=20 >>=20 >> CALL FOR WORKSHOPS >>=20 >> We invite submissions for half-day (3 hours) or full-day (6 hours) = workshops and tutorials. These can be targeted towards specialist = techniques, platforms, hardware, software or pedagogical topics for the = advancement of fellow NIME-ers and people with experience related to the = topic. They can also be targeted towards visitors to the NIME community, = novices/newbies, interested student participants, people from other = fields, and members of the public getting to know the potential of NIME.=20= >>=20 >> Tutorial proposals should clearly indicate the audience and assumed = knowledge of their intended participants to help us market to the = appropriate audience. Workshops and tutorials can relate to, but are not = limited to, the topics of the conference. This is a good opportunity to = explore a specialized interest or interdisciplinary topic in depth with = greater time for discourse, debate, and collaboration. >>=20 >>=20 >> TOPICS >>=20 >> Core topics central to NIME include the following. In addition to = submissions that address specific themes of this year=E2=80=99s edition = of the conference, original contributions are encouraged in, but not = limited to, the following topics: >> - Novel controllers and interfaces for musical expression >> - Novel musical instruments >> - Augmented/hyper instruments >> - Novel controllers for collaborative performance >> - Sensor and actuator technologies >> - Haptic and force feedback devices >> - Motion, gesture and music >> - Interfaces for dance and physical expression >> - Multimodal expressive interfaces >> - Interfaces for musical expression for hearing or visually impaired = people=20 >> - Interactive game music >> - NIME intersecting with game design >> - Robotic music >> - Mobile music technology and performance paradigms >> - Biological and bio-inspired systems >> - Musical mapping strategies >> - Interactive sound and multimedia installations >> - Musical human-computer interaction >> - Interaction design and software tools >> - Interface protocols and data formats >> - Sonic interaction design >> - Perceptual and cognitive issues >> - Performance analysis >> - Performance rendering and generative algorithms >> - Machine learning in musical performance >> - Experiences with novel interfaces in live performance and = composition >> - Surveys of past work and stimulating ideas for future research >> - Historical studies in twentieth-century instrument design >> - Artistic, cultural, and social impact of NIME technology >> - Novel interfaces in music education and entertainment >> - Reports on student projects in the framework of NIME related = courses >> - Practice-based research approaches/methodologies/criticism >> - User studies/evaluations of NIME >> - Language and state in live interaction >> - Musicianship of new musical interfaces >>=20 >>=20 >> ORGANIZING COMMITTEE >>=20 >> General co-chairs >> Atau Tanaka (Goldsmiths) >> Rebecca Fiebrink (Goldsmiths) >>=20 >> Scientific co-chairs >> Baptiste Caramiaux (Goldsmiths) >> Koray Tahiro=C4=9Flu (Aalto University, Helsinki) >>=20 >> Artistic co-chairs >> Sarah Nicolls (Brunel University) >> Adam Parkinson (Goldsmiths) >>=20 >> Posters and demos co-chairs >> Marco Donnarumma (Goldsmiths) >> Alessandro Altavilla (Goldsmiths) >>=20 >> Special Sessions co-chairs >> Marco Gillies (Goldsmiths) >> Alex McLean (University of Leeds) >> Jean-Baptiste Thiebaut (ROLI/Music Hackspace) >>=20 >> Student Volunteer Coordinators >> Peter Mackenzie (Goldsmiths) >> Anna Weisling (Goldsmiths) >>=20 >> Conference Producer >> Stephanie Horak (Goldsmiths) >>=20 >>=20 >>=20 >> ------------------------------------- >> M.Koray Tahiro=C4=9Flu >> Department of Media, >> Aalto University =20 >> School of Arts, Design and Architecture >> http://sopi.media.taik.fi/ >> http://mlab.taik.fi/~korayt >> tel. +358 50 4088441 >>=20 >>=20 >>=20 >> --=20 >> You received this message because you are subscribed to the Google = Groups "CEC-Conference" group. >> To unsubscribe from this group and stop receiving emails from it, = send an email to cec-conference+unsubscribe@xxxxxxxx >> To post to this group, send email to cec-conference@xxxxxxxx >> Visit this group at http://groups.google.com/group/cec-conference. >> For more options, visit https://groups.google.com/groups/opt_out. >=20 >=20 > --=20 > site: www.richard-scott.net > videosite: http://vimeo.com/richardscot > AUXXX club: http://auxxx.blogspot.de/ > http://flavors.me/basicelectricity --Boundary_(ID_7FbTAVMqIM/NXMrV+KPeVA) Content-type: text/html; charset=utf-8 Content-transfer-encoding: quoted-printable <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html = charset=3Dutf-8"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; -webkit-line-break: = after-white-space;"><br><div><br><div>Begin forwarded message:</div><br = class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><div = style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = margin-left: 0px;"><span style=3D"font-family:'Helvetica'; color:rgba(0, = 0, 0, 1.0);"><b>From: </b></span><span = style=3D"font-family:'Helvetica';">richard scott &lt;<a = href=3D"mailto:richard_scott@xxxxxxxx">richard_scott@xxxxxxxx</a>&gt;<= br></span></div><div style=3D"margin-top: 0px; margin-right: 0px; = margin-bottom: 0px; margin-left: 0px;"><span = style=3D"font-family:'Helvetica'; color:rgba(0, 0, 0, 1.0);"><b>Subject: = </b></span><span style=3D"font-family:'Helvetica';"><b>Re: [cec-c] NIME = 2014, International Conference on New Interfaces for Musical Expression = June 30 - July 3, 2014</b><br></span></div><div style=3D"margin-top: = 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px;"><span = style=3D"font-family:'Helvetica'; color:rgba(0, 0, 0, 1.0);"><b>Date: = </b></span><span style=3D"font-family:'Helvetica';">2014 January 15 at = 6:20:12 AM EST<br></span></div><div style=3D"margin-top: 0px; = margin-right: 0px; margin-bottom: 0px; margin-left: 0px;"><span = style=3D"font-family:'Helvetica'; color:rgba(0, 0, 0, 1.0);"><b>To: = </b></span><span style=3D"font-family:'Helvetica';"><a = href=3D"mailto:cec-conference@xxxxxxxx">cec-conference@xxxxxxxx= s.com</a><br></span></div><div style=3D"margin-top: 0px; margin-right: = 0px; margin-bottom: 0px; margin-left: 0px;"><span = style=3D"font-family:'Helvetica'; color:rgba(0, 0, 0, = 1.0);"><b>Reply-To: </b></span><span style=3D"font-family:'Helvetica';"><a= = href=3D"mailto:cec-conference@xxxxxxxx">cec-conference@xxxxxxxx= s.com</a><br></span></div><br><div> =20 <meta content=3D"text/html; charset=3DUTF-8" = http-equiv=3D"Content-Type"> =20 <div bgcolor=3D"#FFFFFF" text=3D"#000000"> <div class=3D"moz-cite-prefix">A couple of inconsistencies with this call might be worth noting:<br> <br> the original call date was 1st Feb but it is now 31st Jan, which being as many of us submit in the last 24 hours may cause = problems<br> <br> In December I was told by the organisers that a proposal or outline of a paper would be acceptable, this call seems to specify a "full draft manuscript"<br> <br> <br> Richard<br> <br> <br> <br> <br> <br> On 15/01/2014 11:02, Kevin Austin wrote:<br> </div> <blockquote = cite=3D"mid:2970607C-C001-44EA-8B4A-A9653F2C24D7@xxxxxxxx" = type=3D"cite"> <meta http-equiv=3D"Context-Type" content=3D"text/html; = charset=3DUTF-8"> <br> <div> <div> <div> <div><span class=3D"Apple-style-span"><span = class=3D"Apple-style-span"> <div><span class=3D"Apple-style-span"> <div><span class=3D"Apple-style-span"> <div><span class=3D"Apple-style-span"> <div><span class=3D"Apple-style-span"> <div> <div> <div><br> </div> <div>14th International Conference on New Interfaces for Musical Expression (NIME)<br> <br> June 30 - July 3, 2014<br> Goldsmiths University of = London&nbsp;<br> London, UK<br> <br> </div> <div>web:&nbsp;<span = class=3D"Apple-tab-span"> </span><a moz-do-not-send=3D"true" = href=3D"http://www.nime2014.org/">www.nime2014.org</a><br> facebook:&nbsp;<span = class=3D"Apple-tab-span"> </span><a moz-do-not-send=3D"true" = href=3D"https://www.facebook.com/NIME2014">https://www.facebook.com/NIME20= 14</a></div> <div>twitter:&nbsp;<span = class=3D"Apple-tab-span"> </span><a moz-do-not-send=3D"true" = href=3D"https://twitter.com/search?q=3D#nime2014">#nime2014</a></div> <div><br> </div> = <div>*********************************************************************= ***********************<br> <br> </div> <div><br> </div> <div><b>2nd CALL FOR = PARTICIPATION</b></div> <div><b><br> </b>On behalf of the NIME 2014 Committee, we would like to invite you to be part of the 14th international conference on New Interfaces for Musical Expression.<br> <br> </div> <div><br> </div> <div>We invite submission of new works in the following categories:<br> <div><span = class=3D"Apple-tab-span"> </span>=E2=80=A2 Papers and Posters</div> <div><span = class=3D"Apple-tab-span"> </span>=E2=80=A2 Workshops and Tutorials<br> </div> <div><span = class=3D"Apple-tab-span"> </span>=E2=80=A2 Demonstrations<br> </div> <br> <b>Important dates</b></div> <div><b><br> </b> <div>=E2=80=A2 Scientific = programme: Papers, Posters, Workshops, Tutorials and = Demonstrations:<br> </div> &nbsp; &nbsp; Draft submission (mandatory):&nbsp;<b>January 31, 2014&nbsp;</b></div> <div>&nbsp; &nbsp; Final = submission:&nbsp;<b>February 7, 2014</b><br> &nbsp; &nbsp; Review = notification:&nbsp;<b>March 28, 2014</b><br> &nbsp; &nbsp; Camera-ready paper deadline:&nbsp;<b>April 18, = 2014</b><br> <br> </div> <div><br> </div> <div>Links:</div> <div><span class=3D"Apple-tab-span">= </span>-&nbsp;<a = moz-do-not-send=3D"true" href=3D"http://www.nime2014.org/authors/">Paper templates and online submission system</a></div> <div><span class=3D"Apple-tab-span">= </span>-&nbsp;Any request = concerning your submissions, write = to&nbsp;<a moz-do-not-send=3D"true" = href=3D"mailto:nime2014papers@xxxxxxxx">nime2014papers@xxxxxxxx= ithsdigital.com</a></div> <div><br> </div> <div>Note that only papers and demos submitted to NIME 2014 must be&nbsp;anonymized: authors = are expected to&nbsp;remove author = and institutional identities from the paper. If you are submitting a&nbsp;Workshop or Tutorial, proposals DO NOT need to be anonymized.</div> <div><br> </div> <div><br> <b>N.B.&nbsp;Please note the new system in the scientific programme for mandatory draft submission followed by full submission.</b> We have implemented this new system to address the perennial deadline extensions. This year, we will not offer extensions. The Draft Submission deadline corresponds to previous years=E2=80=99 = submission deadline. On this date, the author must be registered on the online submission system and have submitted a full draft manuscript of their paper. You will then have one week (the time of prior years=E2=80=99 = extensions) to make minor edits to your manuscript. &nbsp;<br> <br> </div> <div><br> <b>SCIENTIFIC = PROGRAMME</b></div> <div><b><br> </b>CALL FOR PAPERS</div> <div><i><br> </i>We welcome submissions of original research on scientific and artistic use of new interfaces for musical expression. A non-exhaustive list of NIME related topics is found below. This list is inclusive, and indicative. The thematic focus of this year=E2=80=99= s edition is Liveness, and is described in the introduction above. We also encourage submissions that extend, stretch, or challenge the NIME topics and themes.&nbsp;</div> <div><br> Acceptance criteria: The paper under consideration must propose an original contribution to NIME research; it must cite prior related work and should demonstrate rigorous research methodology.<br> <br> There are three different paper submission categories:<br> <div><span = class=3D"Apple-tab-span"> </span>=E2=80=A2 Full paper (up to 6 pages in proceedings, longer oral presentation, optional = demo)<br> </div> <div><span = class=3D"Apple-tab-span"> </span>=E2=80=A2 Short paper/poster (up to 4 pages in proceedings, shorter oral presentation or poster, optional demo)<br> </div> <div><span = class=3D"Apple-tab-span"> </span>=E2=80=A2 Demo paper (up to 2 pages in proceedings, = demonstration)<br> </div> <br> Submitted papers will be subject to a peer review process by an international expert committee. All accepted papers will be published in the conference proceedings, under an ISSN/ISBN reference, and will be archived online after the conference to be tracked by citation tools. A manuscript submitted for review cannot be already under review for publication elsewhere, or be submitted for a second review elsewhere while under review for NIME 2014. Authors of both full and short papers are greatly encouraged to submit a video in support of their paper. A video is mandatory for demonstration submission.<br> <br> Review process detailed = here&nbsp;<a moz-do-not-send=3D"true" = href=3D"http://www.nime.org/nime2014#reviewprocesspapers">http://www.nime.= org/nime2014#reviewprocesspapers</a><br> <br> A best paper award will be presented to the individual(s) judged by the scientific committee to have written the best paper appearing in the conference proceedings.<br> <br> <br> </div> <div>CALL FOR WORKSHOPS</div> <div><br> We invite submissions for half-day (3 hours) or full-day (6 hours) workshops and tutorials. These can be targeted towards specialist techniques, platforms, hardware, software or pedagogical topics for the advancement of fellow NIME-ers and people with experience related to the topic. They can also be targeted towards visitors to the NIME community, novices/newbies, interested student participants, people from other fields, and members of the public getting to know the potential of NIME.&nbsp;<br> <br> Tutorial proposals should clearly indicate the audience and assumed knowledge of their intended participants to help us market to the appropriate audience. Workshops and tutorials can relate to, but are not limited to, the topics of the conference. This is a good opportunity to explore a specialized interest or interdisciplinary topic in depth with greater time for discourse, debate, and collaboration.<br> <br> </div> <div><br> <b>TOPICS</b></div> <div><b><br> </b>Core topics central to NIME include the following. In addition to submissions that address specific themes of this year=E2=80=99s edition of the conference, original contributions are encouraged in, but not limited to, the following topics:<br> - Novel controllers and interfaces for musical expression<br> - Novel musical instruments<br> - Augmented/hyper = instruments<br> - Novel controllers for collaborative performance<br> - Sensor and actuator technologies<br> - Haptic and force feedback devices<br> - Motion, gesture and music<br> - Interfaces for dance and physical expression<br> - Multimodal expressive interfaces<br> - Interfaces for musical expression for hearing or visually impaired = people&nbsp;<br> - Interactive game music<br> - NIME intersecting with game design<br> - Robotic music<br> - Mobile music technology and performance paradigms<br> - Biological and bio-inspired systems<br> - Musical mapping strategies<br> - Interactive sound and multimedia installations<br> - Musical human-computer interaction<br> - Interaction design and software tools<br> - Interface protocols and data formats<br> - Sonic interaction design<br> - Perceptual and cognitive issues<br> - Performance analysis<br> - Performance rendering and generative algorithms<br> - Machine learning in musical performance<br> - Experiences with novel interfaces in live performance and composition<br> - Surveys of past work and stimulating ideas for future research<br> - Historical studies in twentieth-century instrument design<br> - Artistic, cultural, and social impact of NIME technology<br> - Novel interfaces in music education and entertainment<br> - Reports on student projects in the framework of NIME related courses<br> - Practice-based research = approaches/methodologies/criticism<br> - User studies/evaluations of NIME<br> - Language and state in live interaction<br> - Musicianship of new musical interfaces<br> <br> </div> <div><br> <b>ORGANIZING = COMMITTEE</b></div> <div><b><br> </b>General co-chairs<br> <span class=3D"Apple-tab-span"> = </span><b>Atau = Tanaka</b>&nbsp;(Goldsmiths)<br> <span class=3D"Apple-tab-span"> = </span><b>Rebecca = Fiebrink</b>&nbsp;(Goldsmiths)</div> <div><br> Scientific co-chairs<br> <span class=3D"Apple-tab-span"> = </span><b>Baptiste = Caramiaux</b>&nbsp;(Goldsmiths)<br> <span class=3D"Apple-tab-span"> = </span><b>Koray Tahiro=C4=9Flu</b>&nbsp;(Aalto University, Helsinki)</div> <div><br> Artistic co-chairs<br> <span class=3D"Apple-tab-span"> = </span><b>Sarah Nicolls</b>&nbsp;(Brunel University)<br> <span class=3D"Apple-tab-span"> = </span><b>Adam = Parkinson</b>&nbsp;(Goldsmiths)</div> <div><br> Posters and demos co-chairs<br> <span class=3D"Apple-tab-span"> = </span><b>Marco = Donnarumma</b>&nbsp;(Goldsmiths)<br> <span class=3D"Apple-tab-span"> = </span><b>Alessandro = Altavilla</b>&nbsp;(Goldsmiths)</div> <div><br> Special Sessions co-chairs<br> <span class=3D"Apple-tab-span"> = </span><b>Marco = Gillies</b>&nbsp;(Goldsmiths)<br> <span class=3D"Apple-tab-span"> = </span><b>Alex McLean</b>&nbsp;(University of Leeds)<br> <span class=3D"Apple-tab-span"> = </span><b>Jean-Baptiste Thiebaut</b>&nbsp;(ROLI/Music Hackspace)</div> <div><br> Student Volunteer = Coordinators<br> <span class=3D"Apple-tab-span"> = </span><b>Peter = Mackenzie</b>&nbsp;(Goldsmiths)<br> <span class=3D"Apple-tab-span"> = </span><b>Anna = Weisling</b>&nbsp;(Goldsmiths)</div> <div><br> Conference Producer<br> <span class=3D"Apple-tab-span"> = </span><b>Stephanie = Horak</b>&nbsp;(Goldsmiths)</div> <br> </div> <div><br> </div> <div><br> </div> = <div>-------------------------------------</div> <div>M.Koray Tahiro=C4=9Flu</div> <div>Department of Media,</div> </div> </span></div> </span></div> </span></div> </span>Aalto University&nbsp;&nbsp; <div><span class=3D"Apple-style-span">School of = Arts, Design and Architecture <div><span class=3D"Apple-style-span"> <div><span class=3D"Apple-style-span"> <div><span class=3D"Apple-style-span"> <div><span class=3D"Apple-style-span">= <div><a moz-do-not-send=3D"true" = href=3D"http://sopi.media.taik.fi/">http://sopi.media.taik.fi/</a></div> <div><a moz-do-not-send=3D"true" = href=3D"http://mlab.taik.fi/%7Ekorayt">http://mlab.taik.fi/~korayt</a></di= v> <div>tel. +358 50 4088441</div> <br> </span></div> </span></div> </span></div> </span></div></span></div></div></span><br = class=3D"Apple-interchange-newline"></span></div><div><span = class=3D"Apple-style-span"> </span></div> </div> </div> </div> <br> -- <br> You received this message because you are subscribed to the Google Groups "CEC-Conference" group.<br> To unsubscribe from this group and stop receiving emails from it, send an email to <a class=3D"moz-txt-link-abbreviated" = href=3D"mailto:cec-conference+unsubscribe@xxxxxxxx">cec-conference= +unsubscribe@xxxxxxxx</a>.<br> To post to this group, send email to <a class=3D"moz-txt-link-abbreviated" = href=3D"mailto:cec-conference@xxxxxxxx">cec-conference@xxxxxxxx= s.com</a>.<br> Visit this group at <a moz-do-not-send=3D"true" = href=3D"http://groups.google.com/group/cec-conference">http://groups.googl= e.com/group/cec-conference</a>.<br> For more options, visit <a moz-do-not-send=3D"true" = href=3D"https://groups.google.com/groups/opt_out">https://groups.google.co= m/groups/opt_out</a>.<br> </blockquote> <br> <br> <pre class=3D"moz-signature" cols=3D"72">--=20 site: <a class=3D"moz-txt-link-abbreviated" = href=3D"http://www.richard-scott.net/">www.richard-scott.net</a> videosite: <a class=3D"moz-txt-link-freetext" = href=3D"http://vimeo.com/richardscot">http://vimeo.com/richardscot</a> AUXXX club: <a class=3D"moz-txt-link-freetext" = href=3D"http://auxxx.blogspot.de/">http://auxxx.blogspot.de/</a> <a class=3D"moz-txt-link-freetext" = href=3D"http://flavors.me/basicelectricity">http://flavors.me/basicelectri= city</a> </pre> </div></div></blockquote></div><br></body></html>= --Boundary_(ID_7FbTAVMqIM/NXMrV+KPeVA)--


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