CFP: Special Issue on Data Sonification and Sound Design in Interactive Systems, International Journal of Human Computer Studies (sandra pauletto )

Subject: CFP: Special Issue on Data Sonification and Sound Design in Interactive Systems, International Journal of Human Computer Studies From: sandra pauletto <spaulettonew@xxxxxxxx> Date: Fri, 31 Oct 2014 14:37:37 +0000 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY> --_2c63a097-bd59-4c3d-abc8-0463c37a9a75_ Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable [Apologies for cross postings] =0A= [Please distribute] =0A= =0A= Dear colleagues=2C =0A= =0A= We are pleased to announce the following Call for=0A= Papers: =0A= =0A= International Journal of Human Computer Studies =0A= Special Issue on Data Sonification and Sound Design=0A= in Interactive Systems =0A= http://www.journals.elsevier.com/international-journal-of-human-computer-st= udies/call-for-papers/special-issue-on-data-sonification-and-sound-design-i= n-inter/=0A= =0A= =0A= =0A= Guest Editors: =0A= Sandra Pauletto (University of York=2C=0A= UK) =20 =0A= Howard Cambridge (Stockholm Environment Institute (SEI)) =0A= Patrick Susini (Institut de Recherche et Coordination Acoustique/Musique=0A= (IRCAM)=2C Paris) =0A= =0A= In our everyday environment=2C interactions between=0A= objects=2C human beings and their environments often produce sounds=2C whic= h are=0A= then used by people (sometimes unconsciously) to experience the world and l= earn=0A= about it. =0A= Sound design is the process of creating new functional=0A= and meaningful sounds for objects or systems. Sonification is a particular = type=0A= of sound design that aims at representing data sets with sound. =0A= Given the intrinsic temporal nature of sound=2C both sound=0A= design and sonification are well suited to be integrated in interactive=0A= systems.=20 =0A= Sound design and sonification are emerging and=0A= interdisciplinary fields of research looking at how we can take advantage o= f=0A= our natural ability to learn and understand an interactive system through= =0A= sound. =0A= This special issue aims to present a set of=0A= high-quality=2C high-impact=2C original research results in sonification an= d sound=0A= design in interactive systems and related areas. =0A= =0A= Papers illustrating new research directions=2C innovative=0A= approaches=2C full evaluations of methods and empirical experiences based o= n=0A= pedagogical=2C artistic or industrial projects are welcome. =0A= =0A= Depending on the application=2C effective sound design=0A= and sonification can lead to additional benefits including the potential fo= r=0A= pro-environmental behaviour change and improvements in health and well-bein= g.=0A= We particularly welcome papers on two application domains=2C health and the= =0A= environment=2C however high quality papers in other application domains wil= l also=0A= be considered. =0A= =0A= Relevant topics include=2C but are not limited to: =0A= - Interactive sonification=20 =0A= - Sonic interaction design =0A= - Sound design for interactive systems and products =0A= - Personalisation and customisation of interactive=0A= systems through sonification and sound design =0A= - Articulation of science and the arts in sonification=0A= and sound design for interactive systems =0A= - Perceptual and cognitive studies of sound design and=0A= sonification in interactive systems =0A= - Emotion and aesthetics in interactive sonification=0A= and sound design =0A= - Evaluation methods of sound design and sonification=0A= in interactive systems =0A= =0A= Articles must be based on original research=2C although=0A= extended versions of conference papers may be acceptable if they contain at= =0A= least 50% new material. =0A= =0A= Complete articles should be submitted by the deadline=0A= of January 20=2C 2015.=20 =0A= Papers will be subject to the full IJHCS review=0A= process=2C with decisions expected by April 20=2C 2015. =0A= =0A= Important dates: =0A= =0A= 15 October 2014 Submission website open =0A= 20 January 2015=2C 1st submission deadline =0A= 20 April 2015=2C Notification of 1st review =0A= 20 June 2015=2C 2nd submission =0A= 20 August 2015=2C Final notification =0A= 20 September 2015=2C Final revision due =0A= =0A= Target Publication date: December 2015 =0A= =0A= Submission:=20 =0A= The submission website for this journal is located at: http://ees.elsevier.= com/ijhcs/ =0A= Please select =93SI: Sound and Interactivity=94 when reach=0A= the =93Article Type=94 step in the submission. =0A= --=20 =0A= Dr Sandra Pauletto =0A= Department of Theatre=2C Film and TV =0A= University of York=0A= =0A= =0A= =0A= =0A= =0A= =0A= =0A= = --_2c63a097-bd59-4c3d-abc8-0463c37a9a75_ Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable <html> <head> <style></style></head> <body class=3D'hmmessage'><div dir=3D'ltr'><style>=A0</style>[Apologies for cross postings]<br= >=0A= [Please distribute] =0A= =0A= Dear colleagues=2C =0A= =0A= We are pleased to announce the following Cal= l for=0A= Papers: =0A= =0A= International Journal of Human Computer Studies= =0A= Special Issue on Data Sonification and Sound= Design=0A= in Interactive Systems =0A= <a href=3D"http://www.journals.elsevier.com= /international-journal-of-human-computer-studies/call-for-papers/special-is= sue-on-data-sonification-and-sound-design-in-inter">http://www.journals.els= evier.com/international-journal-of-human-computer-studies/call-for-papers/s= pecial-issue-on-data-sonification-and-sound-design-in-inter/</a> =0A= =0A= =0A= =0A= Guest Editors: =0A= Sandra Pauletto (University of York=2C=0A= UK)&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B&nbsp=3B =0A= Howard Cambridge (Stockholm Environment Institute (SEI)) =0A= Patrick Susini (Institut de Recherche et Coordination Acoustique/Musique=0A= (IRCAM)=2C Paris) =0A= =0A= In our everyday environment=2C interactions bet= ween=0A= objects=2C human beings and their environments often produce sounds=2C whic= h are=0A= then used by people (sometimes unconsciously) to experience the world and l= earn=0A= about it. =0A= Sound design is the process of creating new fun= ctional=0A= and meaningful sounds for objects or systems. Sonification is a particular = type=0A= of sound design that aims at representing data sets with sound.<span= style=3D"font-size:10.0pt=3Bfont-family:Times" lang=3D"EN-US"> =0A= Given the intrinsic temporal nature of sound=2C= both sound=0A= design and sonification are well suited to be integrated in interactive=0A= systems. =0A= Sound design and sonification are emerging and= =0A= interdisciplinary fields of research looking at how we can take advantage o= f=0A= our natural ability to learn and understand an interactive system through= =0A= sound. =0A= This special issue aims to present a set of=0A= high-quality=2C high-impact=2C original research results in sonification an= d sound=0A= design in interactive systems and related areas. =0A= =0A= Papers illustrating new research directions=2C = innovative=0A= approaches=2C full evaluations of methods and empirical experiences based o= n=0A= pedagogical=2C artistic or industrial projects are welcome. =0A= =0A= Depending on the application=2C effective sound= design=0A= and sonification can lead to additional benefits including the potential fo= r=0A= pro-environmental behaviour change and improvements in health and well-bein= g.=0A= We particularly welcome papers on two application domains=2C health and the= =0A= environment=2C however high quality papers in other application domains wil= l also=0A= be considered. =0A= =0A= Relevant topics include=2C but are not limited = to: =0A= - Interactive sonification =0A= - Sonic interaction design =0A= - Sound design for interactive systems and prod= ucts =0A= - Personalisation and customisation of interact= ive=0A= systems through sonification and sound design =0A= - Articulation of science and the arts in sonif= ication=0A= and sound design for interactive systems =0A= - Perceptual and cognitive studies of sound des= ign and=0A= sonification in interactive systems =0A= - Emotion and aesthetics in interactive sonific= ation=0A= and sound design =0A= - Evaluation methods of sound design and sonifi= cation=0A= in interactive systems =0A= =0A= Articles must be based on original research=2C = although=0A= extended versions of conference papers may be acceptable if they contain at= =0A= least 50% new material. =0A= =0A= Complete articles should be submitted by the de= adline=0A= of January 20=2C 2015. =0A= Papers will be subject to the full IJHCS review= =0A= process=2C with decisions expected by April 20=2C 2015. =0A= =0A= Important dates: =0A= =0A= 15 October 2014 Submission website open<= span style=3D"font-size:10.0pt=3Bfont-family:Times" lang=3D"EN-US"> =0A= 20 January 2015=2C 1st submission deadline</spa= n> = =0A= 20 April 2015=2C Notification of 1st review</sp= an> = =0A= 20 June 2015=2C 2nd submission =0A= 20 August 2015=2C Final notification<spa= n style=3D"font-size:10.0pt=3Bfont-family:Times" lang=3D"EN-US"> =0A= 20 September 2015=2C Final revision due<= span style=3D"font-size:10.0pt=3Bfont-family:Times" lang=3D"EN-US"> =0A= =0A= Target Publication date: December 2015<s= pan style=3D"font-size:10.0pt=3Bfont-family:Times" lang=3D"EN-US"> =0A= =0A= Submission: =0A= The submission website for this journal is loca= ted at: <a href=3D"http://ees.elsevier.com/ijhcs/">http://ees.elsevier.com/= ijhcs/</a> =0A= Please select =93SI: Sound and Interactivity=94= when reach=0A= the =93Article Type=94 step in the submission. =0A= -- =0A= Dr Sandra Pauletto<b= r>=0A= Department of Theatre=2C Film and TV =0A= University of York=0A= =0A= &nbsp=3B=0A= =0A= =0A= =0A= =0A= =0A= </div></body> </html>= --_2c63a097-bd59-4c3d-abc8-0463c37a9a75_--

This message came from the mail archive
http://www.auditory.org/postings/2014/
maintained by:

DAn Ellis <dpwe@ee.columbia.edu>
Electrical Engineering Dept., Columbia University