[AUDITORY] 2nd Call: Movement and Computing (MOCO'20) Call for Papers, Posters, Practice Works, Graduate Consortium (Antonia Zaferiou )

Subject: [AUDITORY] 2nd Call: Movement and Computing (MOCO'20) Call for Papers, Posters, Practice Works, Graduate Consortium From: Antonia Zaferiou <azaferio@xxxxxxxx> Date: Tue, 7 Jan 2020 19:26:15 +0000 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY> --_000_BN8PR10MB3667D0448E269F8846336D08C13F0BN8PR10MB3667namp_ Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable 7th International Conference on Movement and Computing 15-17th July, 2020 Jersey City, New Jersey, USA https://moco20.movementcomputing.org/submissions Website: https://moco20.movementcomputing.org/ This year=92s theme is Movement Sensations In collaboration with our hosts, Mana Contemporary<https://www.manacontempo= rary.com/>, organizing institutions Rutgers University and Stevens Institut= e of Technology are pleased to announce the seventh international conferenc= e on Movement and Computing (MOCO). We would like to invite submissions for paper presentations, performances, = workshops and more to the MOCO which will be held 15-17th July 2020 in Jers= ey City, NJ. Important Dates * Submission deadline: 19 February 2020 * Notification of Acceptance: 15 April 2020 * Registration starts: 1 May 2020 Information about previous conferences can be found here<https://movementco= mputing.org/>. Submissions MOCO is open to a wide range of ways to present your work. In addition to p= apers for oral and poster presentations, we invite submission of practice w= ork such as demos, performances, games, artistic works and movement worksho= ps (in which participants take part in a guided movement activity). We enco= urage creative proposals for practice sessions and are open to novel format= s. Topics include but are not limited to (bold topics are new this year): * Dance and technology * Interactive dance * Music and movement * Gesture and sound * Entrainment and movement * Sensory augmentation of movement * Sensorimotor learning * Embodied cognition and movement * Embodied interaction * Full body interaction * Technique analysis * Individual and group movement capture in sports * Mechanisms of coordination dynamics * Learning detection through the movement * Non-linear analysis to predict performance and learning process * Non-linear analysis as a tool for diagnosis * Movement in social interaction * Movement and computing for autism and other nervous disorders * Movement analysis and analytics * Bio-sensing, biocontrol and movement * Digital biomarkers for tracking the peripheral nervous system * Movement as a proxy of human brain * Machine learning for movement * Movement computation for entrainment * Movement computation in education * Movement computation in ergonomics, sports, and health * Movement expression in virtual humans and robots * Theoretical approaches to movement understanding * Philosophical perspectives on movement and computing * Movement Notation Systems (e.g. Laban or Eshkol-Wachman) We encourage submission of a wide range of formats, the submission categori= es are: Papers and posters * Long paper with oral presentation (8 pages maximum) * Short paper with oral presentation (4 pages maximum) * Extended abstract with poster presentation (6 pages maximum in the ex= tended abstract format) The conference is an opportunity to present original research and details o= f collaborative work. Participants will have the chance to offer a presenta= tion of the results of their research on one of the themes of the conferenc= e and to interact with their scientific/artistic peers, in a friendly and c= onstructive environment. All papers submissions must be anonymous and will be peer-reviewed. The pro= ceedings of the MOCO conference are published on the ACM Digital library u= nder the International Conference Proceedings Series. Practice Works The term =93practice work=94 refers to practice-based works in the area of = movement and computing. These can either be artistically-oriented descripti= ons/demonstrations of specific performances or systems, or descriptions of = a particular computationally-oriented application. We suggest the following= as examples of what a practice work might be, but also stress that the lis= t is not exhaustive, the only criteria being excellence of the work and whe= ther it is possible to present the work given the resources, time, and spac= e available to the conference. Suggested practice work topics include: * Technology demos * Performances (e.g., dance, physical performance, music) * Artworks * Interactive Installations * Games * Video presentations Practice works may either be submitted for presentation as posters or demos= . Poster submissions will detail a specific approach to the practice of mov= ement and computing. Selected posters will be presented at the conference, = and an accompanying extended abstract will be published in the conference p= roceedings. Demo submissions will outline a live demonstration/performance that will ta= ke place at the conference. Demos will take place during dedicated sessions= at the conference. Performances may be submitted in the Demo category, in = which case a dedicated time will be given for the performance (generally up= to 10 minutes), however due to the configuration of Mana Contemporary and = the conference schedule, Demo performances will take place in a shared gall= ery space (and not on a proscenium stage). Practitioners submitting in the = Demo category will have the option of including an ACM-formatted extended a= bstract for inclusion in the conference proceedings. Poster Practice Works submissions consist of the following items combined i= nto one pdf document. Please note, all submissions must be anonymous--this = includes external media: 1. An extended abstract in appropriate ACM formatting (2-pages maximum, = see below) for inclusion in the conference proceedings 2. A document with links to supporting media (videos, pictures, audio, e= tc.) Demo Practice Works submissions consist of the following items combined int= o one pdf document. Please note, all submissions must be anonymous--this in= cludes external media: 1. A 200-word abstract to be included in conference program 2. A 1-2 page (maximum) project description, including links to supporti= ng media (videos, pictures, audio, etc.) 3. A 1-2 page (maximum) technical rider detailing all necessary equipmen= t, furniture, and space requirements for the Demo. This document should ind= icate what equipment the submitter is providing, and what equipment is expe= cted to be provided by the organizers. The organizers will make every effor= t to provide standard equipment as needed for Demo submissions (e.g. sound = reinforcement, projection, displays, etc.), however specialized equipment r= equired for performance will be the responsibility of the submitter. 4. (optional) An extended abstract in appropriate ACM formatting (2-page= s maximum, see below) for inclusion in the conference proceedings. Please note that we are an academic conference with a low fee which means w= e cannot pay for commissioned work or provide any financial compensation to= submitters in this category. All accepted submissions will require at leas= t one author to register for the conference. Graduate Consortium Submissions in this category represent an opportunity for graduate students= to share and develop their research ideas in a supportive environment and = with the participation of experts in the field. Students will have the oppo= rtunity to establish a community with other graduate students at a similar = stage of their research. Accepted papers will be presented as posters in a = dedicated =93poster tour=94 session where authors will have an opportunity = to orally present a short elevator pitch to experts in the field. We encour= age students to submit a paper even if they are early in their graduate car= eer. Papers should not be longer than 4 pages including references in the approp= riate ACM format (see below). The first author must be a current graduate s= tudent (at the time of submission). Graduate Consortium papers will be inde= xed and published in the conference proceedings. Videos and other supplemen= tary materials are welcomed. Students accepted to present their work at the= Graduate Consortium must plan to attend it. Organizing Committee =95 General conference chair: Antonia Zaferiou, Stevens Institute o= f Technology Vilelmini Kalampratsid= ou, Rutgers University =95 General scientific chair: Elizabeth B. Torres, Rutgers Univ= ersity Antonia Zaferiou, Stev= ens Institute of Technology =95 Demo and artistic chair: Vilelmini Kalampratsidou, Rutgers = University =95 Workshops & tutorials chair: Carla Caballero S=E1nchez, Miguel Her= nandez University of Elche =95 Graduate consortium chair: Steven Kemper, Mason Gross School of t= he Arts, Rutgers University =95 Finance chair: Sara Pixley, Rutgers Center f= or Cognitive Science, Rutgers University Steering Committee =95 Fr=E9d=E9ric Bevilacqua, IRCAM =95 Sarah Fdili Alaoui, LRI-Universit=E9 Paris-Sud 11 =95 Thecla Schiphorst, Simon Fraser University =95 Cumhur Erkut, Aalborg University Copenhagen =95 Sofia Dahl, Aalborg University Copenhagen =95 Grisha Coleman, Arizona State University =95 Gualtiero Volpe, University of Genova =95 Marco Gillies, Goldsmiths, University of London =95 Sotiris Manitsaris, MINES ParisTech =95 Jules Fran=E7oise, LIMSI-CNRS, Universit=E9-Paris Saclay --_000_BN8PR10MB3667D0448E269F8846336D08C13F0BN8PR10MB3667namp_ Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable <html> <head> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3DWindows-1= 252"> <style type=3D"text/css" style=3D"display:none;"> P {margin-top:0;margin-bo= ttom:0;} </style> </head> <body dir=3D"ltr"> <div style=3D"font-family: Calibri, Arial, Helvetica, sans-serif; font-size= : 12pt; color: rgb(0, 0, 0);"> <h3 dir=3D"ltr" style=3D"line-height:1.2; margin-top:0pt; margin-bottom:0pt= ">7th International Conference on Movement and Computing</h3> <h3 dir=3D"ltr" style=3D"line-height:1.2; margin-top:0pt; margin-bottom:0pt= ">15-17th July, 2020 </h3> <h3 dir=3D"ltr" style=3D"line-height:1.2; margin-top:0pt; margin-bottom:0pt= ">Jersey City, New Jersey, USA</h3> <a href=3D"https://moco20.movementcomputing.org/submissions">https://moco20.movemen= tcomputing.org/submissions</a> Website: <a href=3D"https://moco20.movementcomputing.org/">https://moco20.movementcomput= ing.org/</a> This year=92s theme is Movement Sensations In collaboration with our hosts, <a href=3D"https://www.manacontemporary.com/">Mana Contemporary</a><span= style=3D"font-size:9pt; font-family:Arial; color:#000000; font-weight:400"= >, organizing institutions Rutgers University and Stevens Institute of Techno= logy are pleased to announce the seventh international conference on Moveme= nt and Computing (MOCO). We would like to invite submissions for paper presentations, performa= nces, workshops and more to the MOCO which will be held 15-17th July 2020 i= n Jersey City, NJ. <h3 dir=3D"ltr" style=3D"line-height:1.38; margin-top:14pt; margin-bottom:4= pt">Important Dates</h3> <ul style=3D"margin-top:0; margin-bottom:0"> <li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#000000; f= ont-weight:400"> Submission deadline: 19 February 2020 </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Notification of Acceptance: 15 April 2020 </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Registration starts: 1 May 2020 </li></ul> Information about previous conferences can be found <a href=3D"https://movementcomputing.org/">here</a>. <h3 dir=3D"ltr" style=3D"line-height:1.38; margin-top:14pt; margin-bottom:4= pt">Submissions</h3> MOCO is open to a wide range of ways to present your work. In addit= ion to papers for oral and poster presentations, we invite submission of practice work such as demos, performances, games, = artistic works and movement workshops (in which participants take part in a= guided movement activity). We encourage creative proposals for = practice sessions and are open to novel formats. Topics include but are not limited to (bold<spa= n style=3D"font-size:9pt; font-family:Arial; color:#000000; font-weight:400= "> topics are new this year): <ul style=3D"margin-top:0; margin-bottom:0"> <li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#000000; f= ont-weight:400"> Dance and technology </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Interactive dance </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Music and movement </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Gesture and sound </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Entrainment and movement </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Sensory augmentation of movement </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Sensorimotor learning </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Embodied cognition and movement </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Embodied interaction </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Full body interaction </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Technique analysis </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Individual and group movement capture in = sports </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Mechanisms of coordination dynamics </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Learning detection through the movement </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Non-linear analysis to predict performanc= e and learning process </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Non-linear analysis as a tool for diagnosis </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Movement in social interaction </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Movement and computing for autism and oth= er nervous disorders </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Movement analysis and analytics </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Bio-sensing, biocontrol and movement</spa= n> </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Digital biomarkers for tracking the perip= heral nervous system </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Movement as a proxy of human brain= </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Machine learning for movement </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Movement computation for entrainment </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Movement computation in education </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Movement computation in ergonomics, sports, and health </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Movement expression in virtual humans and robots </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Theoretical approaches to movement understanding </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Philosophical perspectives on movement and computing </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Movement Notation Systems (e.g. Laban or Eshkol-Wachman) </li></ul> We encourage submission of a wide range of formats, the submission = categories are: <h3 dir=3D"ltr" style=3D"line-height:1.38; margin-top:14pt; margin-bottom:4= pt">Papers and posters</h3> <ul style=3D"margin-top:0; margin-bottom:0"> <li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#000000; f= ont-weight:400"> Long paper with oral presentation (8 pages maximum) </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Short paper with oral presentation (4 pages maximum) </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Extended abstract with poster presentation (6 pages maximum in the = extended abstract format) </li></ul> The conference is an opportunity to present original research and d= etails of collaborative work. Participants will have the chance to offer a presentation of the results of their resea= rch on one of the themes of the conference and to interact with their scien= tific/artistic peers, in a friendly and constructive environment.</p= > All papers submissions must be anonymous and will be peer-reviewed.= The proceedings of the MOCO conference  are published on the ACM Digital library under the International Conferenc= e Proceedings Series. <h3 dir=3D"ltr" style=3D"line-height:1.38; margin-top:14pt; margin-bottom:4= pt">Practice Works</h3> The term =93practice work=94 refers to practice-based works in the = area of movement and computing. These can either be artistically-oriented descriptions/demonstrations of specific pe= rformances or systems, or descriptions of a particular computationally-orie= nted application. We suggest the following as examples of what a practice w= ork might be, but also stress that the list is not exhaustive, the only criteria being excellence of the work= and whether it is possible to present the work given the resources, time, = and space available to the conference. Suggested practice work topics include: <ul style=3D"margin-top:0; margin-bottom:0"> <li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#000000; f= ont-weight:400"> Technology demos </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Performances (e.g., dance, physical performance, music) </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Artworks </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Interactive Installations </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Games </li><li dir=3D"ltr" style=3D"font-size:9pt; font-family:Arial; color:#0000= 00; font-weight:400"> Video presentations </li></ul> Practice works may either be submitted for presentation as posters = or demos. Poster submissions will detail a specific approach to the practice of movement and computing. Selected po= sters will be presented at the conference, and an accompanying extended abs= tract will be published in the conference proceedings.  Demo submissions will outline a live demonstration/performance that= will take place at the conference. Demos will take place during dedicated sessions at the conference. Performances = may be submitted in the Demo category, in which case a dedicated time will = be given for the performance (generally up to 10 minutes), however due to t= he configuration of Mana Contemporary and the conference schedule, Demo performances will take place in a shared= gallery space (and not on a proscenium stage). Practitioners submitting in= the Demo category will have the option of including an ACM-formatted exten= ded abstract for inclusion in the conference proceedings. Poster Practice Works submissions consist of the following items combined into one pdf document.= Please note, all submissions must be anonymous--this includes external med= ia: <ol style=3D"margin-top:0; margin-bottom:0"> <li dir=3D"ltr" style=3D"list-style-type:decimal; font-size:9pt; font-famil= y:Arial; color:#000000; font-weight:400"> An extended abstract in appropriate ACM formatting (2-pages maximum= , see below) for inclusion in the conference proceedings </li><li dir=3D"ltr" style=3D"list-style-type:decimal; font-size:9pt; font-= family:Arial; color:#000000; font-weight:400"> A document with links to supporting media (videos, pictures, audio,= etc.) </li></ol> Demo Practice Works submissions consist of the following items combined into one pdf document.= Please note, all submissions must be anonymous--this includes external med= ia: <ol style=3D"margin-top:0; margin-bottom:0"> <li dir=3D"ltr" style=3D"list-style-type:decimal; font-size:9pt; font-famil= y:Arial; color:#000000; font-weight:400"> A 200-word abstract to be included in conference program </li><li dir=3D"ltr" style=3D"list-style-type:decimal; font-size:9pt; font-= family:Arial; color:#000000; font-weight:400"> A 1-2 page (maximum) project description, including links to suppor= ting media (videos, pictures, audio, etc.)  </li><li dir=3D"ltr" style=3D"list-style-type:decimal; font-size:9pt; font-= family:Arial; color:#000000; font-weight:400"> A 1-2 page (maximum) technical rider detailing all necessary equipm= ent, furniture, and space requirements for the Demo. This document should i= ndicate what equipment the submitter is providing, and what equipment is expected to be provided by the organiz= ers. The organizers will make every effort to provide standard equipment as= needed for Demo submissions (e.g. sound reinforcement, projection, display= s, etc.), however specialized equipment required for performance will be the responsibility of the submitter.&nbsp= ; </li><li dir=3D"ltr" style=3D"list-style-type:decimal; font-size:9pt; font-= family:Arial; color:#000000; font-weight:400"> (optional) An extended abstract in appropriate ACM formatting (2-pa= ges maximum, see below) for inclusion in the conference proceedings. <= /span> </li></ol> Please note that we are an academic conference with a low fee which= means we cannot pay for commissioned work or provide any financial compensation to submitters in this category.= All accepted submissions will require at least one author to register for = the conference.  <h3 dir=3D"ltr" style=3D"line-height:1.38; margin-top:14pt; margin-bottom:4= pt">Graduate Consortium</h3> Submissions in this category represent an opportunity for graduate = students to share and develop their research ideas in a supportive environment and with the participation of experts in= the field. Students will have the opportunity to establish a community wit= h other graduate students at a similar stage of their research. Accepted pa= pers will be presented as posters in a dedicated =93poster tour=94 session where authors will have an opport= unity to orally present a short elevator pitch to experts in the field. We = encourage students to submit a paper even if they are early in their gradua= te career. Papers should not be longer than 4 pages including references in th= e appropriate ACM format (see below). The first author must be a current graduate student (at the time of submis= sion). Graduate Consortium papers will be indexed and published in the conf= erence proceedings. Videos and other supplementary materials are welcomed. = Students accepted to present their work at the Graduate Consortium must plan to attend it. <h3 dir=3D"ltr" style=3D"line-height:1.38; margin-top:9pt; margin-bottom:9p= t">Organizing Committee</h3> =95 General conference chair:         Antonia Z= aferiou, Stevens Institute of Technology             &= nbsp;           &nbs= p;            &= nbsp;           &nbs= p;    Vilelmini Kalampratsidou, Rutgers University</spa= n> =95 General scientific chair:           &n= bsp; Elizabeth B. Torres, Rutgers University            &= nbsp;           &nbs= p;            &= nbsp;           &nbs= p;    Antonia Zaferiou, Stevens Institute of Technology= =95 Demo and artistic chair:           &nb= sp; Vilelmini Kalampratsidou, Rutgers University =95 Workshops & tutorials chair:      Carla Caba= llero S=E1nchez, Miguel Hernandez University of Elche =95 Graduate consortium chair:       Steven Kemper, = Mason Gross School of the Arts, Rutgers University =95 Finance chair:              =               Sara Pixley, Rutgers Cente= r for Cognitive Science, Rutgers University <h3 dir=3D"ltr" style=3D"line-height:1.38; margin-top:9pt; margin-bottom:9p= t">Steering Committee</h3> =95 Fr=E9d=E9ric Bevilacqua, IRCAM =95 Sarah Fdili Alaoui,  LRI-Universit=E9 Paris-Sud 11<= /p> =95 Thecla Schiphorst, Simon Fraser University =95 Cumhur Erkut, Aalborg University Copenhagen =95 Sofia Dahl, Aalborg University Copenhagen =95 Grisha Coleman, Arizona State University =95 Gualtiero Volpe, University of Genova =95 Marco Gillies, Goldsmiths, University of London =95 Sotiris Manitsaris, MINES ParisTech =95 Jules Fran=E7oise, LIMSI-CNRS= , Universit=E9-Paris Saclay </div> </body> </html> --_000_BN8PR10MB3667D0448E269F8846336D08C13F0BN8PR10MB3667namp_--

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