Subject: [AUDITORY] [Deadline extension] Special Issue on the Internet of Sounds @xxxxxxxx Journal of the Audio Engineering Society From: Luca Turchet <turchet.luca@xxxxxxxx> Date: Mon, 15 Feb 2021 09:13:11 +0100--00000000000030c82305bb5b8f00 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Journal of the Audio Engineering Society CALL for PAPERS Special Issue on the Internet of Sounds http://cimil.disi.unitn.it/JAES_SI_Internet_of_Sounds.pdf *Deadline extended to 29th of March* *** Apologies for cross-postings *** We are pleased to announce a Special Issue of the Journal of the Audio Engineering Society (http://www.aes.org/journal/) on the subject of Internet of Sounds. Acknowledging the ever-rising importance of the Internet of Things (IoT) in our environment, we believe that the time has come to bring together researchers who are considering the use of IoT components to pursue research in Sound and Music computing. The Internet of Sounds (IoS) is an emerging research field positioned at the intersection of the IoT, Sound and Music Computing and Semantic Audio domains. IoS can also be seen as the union of two paradigms, the Internet of Musical Things and the Internet of Audio Things, which respectively address musical and non-musical domains in networked contexts. This Special Issue aims to present high-quality original research reporting the current state of the art of IoS systems as well as their interactions with end-users. We are interested in submissions covering different aspects related to the use of sound and music processing in relation to local or remote networks, including technological, perceptual, and artistic perspectives. *Topics* Topics of interest include, but are not limited to the following areas: =E2=80=A2 Wireless acoustic sensor networks =E2=80=A2 Detection and classification of sounds in acoustic sensor network= s =E2=80=A2 Visualization and Sonification of acoustic sensor networks =E2=80=A2 Ecoacoustics =E2=80=A2 Privacy and security in acoustic sensor networks =E2=80=A2 Networked music performances =E2=80=A2 Smart Musical Instruments =E2=80=A2 Musical haptics for the Internet of Musical Things =E2=80=A2 Participatory live music performances =E2=80=A2 Music education applications for the Internet of Musical Things =E2=80=A2 Intelligent music production in Internet of Musical Things contex= ts =E2=80=A2 Ubiquitous music =E2=80=A2 Web Audio for the Internet of Sounds =E2=80=A2 Spatial audio for the Internet of Sounds =E2=80=A2 Sonification for Internet of Sounds applications =E2=80=A2 Protocols and exchange formats for the Internet of Sounds =E2=80=A2 Improving accessibility and inclusiveness within the Internet of = Sounds =E2=80=A2 Open audio databases for Deep Learning and Data Mining =E2=80=A2 Challenges in the management and delivery of large audio database= s =E2=80=A2 Visualization, access and indexing of audio databases =E2=80=A2 Cloud-based services for musical and audio applications *New deadline:* =E2=80=A2 Manuscript submission due: March 29th, 2021 *Guest Editors* =E2=80=A2 Luca Turchet (Department of Information Engineering and Computer = Science, University of Trento) =E2=80=A2 George Fazekas (Centre for Digital Music, Queen Mary University o= f London) =E2=80=A2 Cristina Rottondi (Department of Electronics and Telecommunicatio= ns, Polytechnic University of Turin) =E2=80=A2 Carlo Fischione (Department of Network and Systems Engineering, K= TH Royal Institute of Technology) *Author guidelines* Please submit complete 6 to 8-page papers by March 29th, 2021. All submissions will be peer-reviewed according to standard JAES review procedures. We welcome original research including revised and expanded versions of =E2=80=9CIWIS 2020=E2=80=9D or AES conference papers addressing= the theme of this special issue. Please follow the Author Guidelines found at: http://www.aes.org/journal/authors/guidelines/. Papers should be submitted online at: http://www.aes.org/journal/submit/. When submitting a paper, please choose the category =E2=80=9CSpecial Issue (Internet of Sounds)=E2= =80=9D rather than Research Paper or Engineering Report. ---------------------------------------------------------------------------= -------------- Luca Turchet Assistant Professor Head of the Creative, Intelligent & Multisensory Interactions Laboratory Department of Information Engineering and Computer Science University of Trento Via Sommarive 9 - 38123 Trento - Italy E-mail: luca.turchet@xxxxxxxx Tel: +39 0461 283792 --00000000000030c82305bb5b8f00 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"><div dir=3D"ltr" class=3D"gmail_signature" data-smartmail= =3D"gmail_signature"><div dir=3D"ltr"><div>Journal of the Audio Engineering= Society=C2=A0<br></div><div>CALL for PAPERS=C2=A0</div><div>Special Issue = on the Internet of Sounds<br></div><div><a href=3D"http://cimil.disi.unitn.= it/JAES_SI_Internet_of_Sounds.pdf" target=3D"_blank">http://cimil.disi.unit= n.it/JAES_SI_Internet_of_Sounds.pdf</a><br></div><div><br></div><div><b><u>= Deadline extended to 29th of March</u></b></div><div><br></div><div><br></d= iv><div><br></div><div>*** Apologies for cross-postings ***<div>=C2=A0<br><= /div><div>We are pleased to announce a Special Issue of the Journal of the = Audio Engineering Society (<a href=3D"http://www.aes.org/journal/" target= =3D"_blank">http://www.aes.org/journal/</a>) on the subject of Internet of = Sounds. Acknowledging the ever-rising importance of the Internet of Things = (IoT) in our environment, we believe that the time has come to bring togeth= er researchers who are considering the use of IoT components to pursue rese= arch in Sound and Music computing.<br>The Internet of Sounds (IoS) is an em= erging research field positioned at the intersection of the IoT, Sound and = Music Computing and Semantic Audio domains. IoS can also be seen as the uni= on of two paradigms, the Internet of Musical Things and the Internet of Aud= io Things, which respectively address musical and non-musical domains in ne= tworked contexts.<br>This Special Issue aims to present high-quality origin= al research reporting the current state of the art of IoS systems as well a= s their interactions with end-users. We are interested in submissions cover= ing different aspects related to the use of sound and music processing in r= elation to local or remote networks, including technological, perceptual, a= nd artistic perspectives.<br>=C2=A0<br>=C2=A0<br><b>Topics</b><br>=C2=A0<br= >Topics of interest include, but are not limited to the following areas:<br= >=E2=80=A2 Wireless acoustic sensor networks<br>=E2=80=A2 Detection and cla= ssification of sounds in acoustic sensor networks<br>=E2=80=A2 Visualizatio= n and Sonification of acoustic sensor networks<br>=E2=80=A2 Ecoacoustics<br= >=E2=80=A2 Privacy and security in acoustic sensor networks<br>=E2=80=A2 Ne= tworked music performances<br>=E2=80=A2 Smart Musical Instruments<br>=E2=80= =A2 Musical haptics for the Internet of Musical Things<br>=E2=80=A2 Partici= patory live music performances<br>=E2=80=A2 Music education applications fo= r the Internet of Musical Things<br>=E2=80=A2 Intelligent music production = in Internet of Musical Things contexts<br>=E2=80=A2 Ubiquitous music<br>=E2= =80=A2 Web Audio for the Internet of Sounds<br>=E2=80=A2 Spatial audio for = the Internet of Sounds<br>=E2=80=A2 Sonification for Internet of Sounds app= lications<br>=E2=80=A2 Protocols and exchange formats for the Internet of S= ounds<br>=E2=80=A2 Improving accessibility and inclusiveness within the Int= ernet of Sounds<br>=E2=80=A2 Open audio databases for Deep Learning and Dat= a Mining<br>=E2=80=A2 Challenges in the management and delivery of large au= dio databases<br>=E2=80=A2 Visualization, access and indexing of audio data= bases<br>=E2=80=A2 Cloud-based services for musical and audio applications<= br>=C2=A0<br>=C2=A0<br><b>New deadline:</b><br>=C2=A0<br>=E2=80=A2 Manuscri= pt submission due: March 29th, 2021<br><br>=C2=A0<br>=C2=A0<br><b>Guest Edi= tors</b><br>=C2=A0<br>=E2=80=A2 Luca Turchet (Department of Information Eng= ineering and Computer Science, University of Trento)<br>=E2=80=A2 George Fa= zekas (Centre for Digital Music, Queen Mary University of London)<br>=E2=80= =A2 Cristina Rottondi (Department of Electronics and Telecommunications, Po= lytechnic University of Turin)<br>=E2=80=A2 Carlo Fischione (Department of = Network and Systems Engineering, KTH Royal Institute of Technology)<br><br>= <br><b>Author guidelines</b><br><br>Please submit complete 6 to 8-page pape= rs by March 29th, 2021. All submissions will be peer-reviewed according to = standard JAES review procedures. We welcome original research including rev= ised and expanded versions of =E2=80=9CIWIS 2020=E2=80=9D or AES conference= papers addressing the theme of this special issue. Please follow the Autho= r Guidelines found at:=C2=A0<a href=3D"http://www.aes.org/journal/authors/g= uidelines/" target=3D"_blank">http://www.aes.org/journal/authors/guidelines= /</a>. Papers should be submitted online at:=C2=A0<a href=3D"http://www.aes= .org/journal/submit/" target=3D"_blank">http://www.aes.org/journal/submit/<= /a>. When submitting a paper, please choose the category =E2=80=9CSpecial I= ssue (Internet of Sounds)=E2=80=9D rather than Research Paper or Engineerin= g Report.=C2=A0<br><div><br></div><div><div><br></div><div>----------------= -------------------------------------------------------------------------</= div><div><br></div><div>Luca Turchet</div><div>Assistant Professor</div><di= v>Head of the Creative, Intelligent & Multisensory Interactions Laborat= ory<br></div><div><br></div><div>Department of Information Engineering and = Computer Science</div><div>University of Trento</div><div>Via Sommarive 9 -= 38123 Trento - Italy</div><div><br></div><div>E-mail:=C2=A0<a href=3D"mail= to:luca.turchet@xxxxxxxx" target=3D"_blank">luca.turchet@xxxxxxxx</a></div>= <div>Tel: +39 0461 283792</div></div></div></div></div></div></div> --00000000000030c82305bb5b8f00--