[AUDITORY] i3DA Conference: Special Session on 6DoF Audio [UPDATED DEADLINE] (Huseyin Hacihabiboglu )


Subject: [AUDITORY] i3DA Conference: Special Session on 6DoF Audio [UPDATED DEADLINE]
From:    Huseyin Hacihabiboglu  <hhuseyin@xxxxxxxx>
Date:    Sun, 7 Mar 2021 15:24:01 +0300

--6044c5e1_3d1b58ba_1c7 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable Content-Disposition: inline =E2=80=94 Apologies for cross-posting =E2=80=94 Dear colleagues, The abstract submission deadline for the i3DA conference has now been pos= tponed to 22 March 2021. We are still accepting submissions to the specia= l session on 6Do=46 Audio. Please consider submitting you work. Best regards, Huseyin -- Huseyin Hacihabiboglu, Ph.D., SMIEEE Associate Professor of Signal Processing Informatics Institute, METU, 06800, Ankara, Turkey tel: +90 312 2107889 e-mail: hhuseyin=40metu.edu.tr =7C web: www.hacihabiboglu.org voip: husshho (skype) =7C twitter: =40hacihabiboglu *** C=46P: Special Session on Six degrees-of-freedom audio =40i3da Special Session on Six degrees-of-freedom audio (6Do=46 Audio) International Conference on Immersive and 3D Audio (I3DA) 8-10 September = 2021, Bologna, Italy https://www.i3da.eu NOTE: With reference to the current PANDEMIC crisis, we will consider whe= ther convert the face-to-face Conference into a web conference, or to pos= tpone the Conference to Spring 2022. Any decision on this subject will be= taken by the Organising Committee in June 2021. Aims and Scope Navigability is the next frontier in immersive content. Next-generation i= mmersive systems allow their users to experience content not only through= head motions but also by translations in 3D space. Such kind of immersiv= eness has been present from the outset in virtual, augmented, and mixed r= eality systems that primarily rely on the rendering of sources in 3D spac= e by parametric synthesis approaches, supplemented by artificial reverber= ation. However, the capture, processing, and rendering of real acoustic s= cenes have mostly been overlooked until the second half of the last decad= e. Recent developments in technologies that allow displaying audiovisual = scenes brought forth the concept of 3Do=46+ content that allows small tra= nslational displacements of the user and 6Do=46 content that allows trans= lational movement in a wider region. Standardisation activities in ISO/IE= C MPEG that started with MPEG-H to enable object-based content, and the o= ngoing efforts with the MPEG-I standard to enable navigable content are p= aving the way for unprecedented levels of immersion. This special session will provide a venue for sharing the latest results = and high-quality research ideas on all aspects of 3Do=46+ and 6Do=46 audi= o. The topics of interest for the session include but are not limited to:= =E2=80=A2 Capture of 3Do=46+ and 6Do=46 audio =E2=80=A2 Parametric and object-based approaches to 3Do=46+ and 6Do=46 au= dio =E2=80=A2 Sound field interpolation and extrapolation =E2=80=A2 Rendering of 6Do=46 audio =E2=80=A2 Perceptual aspects of navigation in 6Do=46 audio environments =E2=80=A2 Coding and compression of 3Do=46+ and 6Do=46 audio =E2=80=A2 Use cases (music, audiovisual arts, journalism, architecture et= c.) Conference proceedings will be submitted to the IEEE Xplore Digital Libra= ry and SCOPUS. Authors of selected papers will be invited to submit extended versions fo= r consideration in special issues with the partner journals indexed on Sc= opus and WoS. 1) Journal of the Audio Engineering Society 2) Building Acoustics 3) Applied Sciences KEY DATES September 21, 2020: online abstract submission open March 22, 2021: final deadline for abstract submission =5BUPDATED=5D March 29, 2021: notification of abstract acceptance =5BUPDATED=5D May 21, 2021: deadline for full paper submission =5BUPDATED=5D June 21, 2021: notification of full paper review results July 21, 2021: deadline for final paper submission i3da.eu/programme/ --6044c5e1_3d1b58ba_1c7 Content-Type: text/html; charset="utf-8" Content-Transfer-Encoding: quoted-printable Content-Disposition: inline <html><head> <title></title> <meta name=3D=22viewport=22 content=3D=22wid= th=3Ddevice-width, initial-scale=3D1.0, user-scalable=3Dno=22> </head> <b= ody style=3D=22font-family:Helvetica;color:=23000000;font-size:13px;=22><= img id=3D=2289946BD3B2=46009C82DB547D5D4BDBB1E=22 width=3D=220px=22 src=3D= =22https://read-receipts.canarymail.io:8100/track/E8EA8962EB9623B96152DD8= 9EA6A1321=5F89946BD3B2=46009C82DB547D5D4BDBB1E.png=22 height=3D=220px=22>= <div id=3D=22CanaryBody=22> <div>=E2=80=94 Apologies for cross-posting =E2= =80=94=C2=A0</div><div><br></div><div><br></div><div>Dear colleagues,</di= v><div><br></div><div>The abstract submission deadline for the i3DA confe= rence has now been postponed to 22 March 2021. We are still accepting sub= missions to the special session on 6Do=46 Audio. Please consider submitti= ng you work.</div><div><br></div><div>Best regards,</div><div><br></div><= div>Huseyin</div><div><div><br></div></div><div><font face=3D=22Arial=22 = style=3D=22caret-color: rgb(39, 39, 40); color: rgb(39, 39, 40); font-siz= e: 14px;=22>--<br style=3D=22caret-color: inherit =21important;=22></font= ><div style=3D=22caret-color: rgb(39, 39, 40); color: rgb(39, 39, 40); fo= nt-family: -apple-system, sans-serif; font-size: 14px;=22><font face=3D=22= Arial=22 style=3D=22caret-color: inherit =21important;=22><font color=3D=22= =23940001=22 style=3D=22caret-color: inherit =21important;=22><span style= =3D=22font-size: 12px; caret-color: inherit =21important;=22>Huseyin Haci= habiboglu, Ph.D., SMIEEE</span></font><br style=3D=22caret-color: inherit= =21important;=22><font color=3D=22=235e5e5e=22 style=3D=22caret-color: i= nherit =21important;=22><span style=3D=22font-size: 12px; caret-color: in= herit =21important;=22>Associate Professor of Signal Processing</span><br= style=3D=22caret-color: inherit =21important;=22></font></font></div><di= v style=3D=22caret-color: rgb(39, 39, 40); color: rgb(39, 39, 40); font-f= amily: -apple-system, sans-serif; font-size: 14px;=22><font face=3D=22Ari= al=22 style=3D=22caret-color: inherit =21important;=22><font color=3D=22=23= 5e5e5e=22 style=3D=22caret-color: inherit =21important;=22><span style=3D= =22font-size: 12px; caret-color: inherit =21important;=22>Informatics Ins= titute, METU, 06800, Ankara, Turkey</span><br style=3D=22caret-color: inh= erit =21important;=22><span style=3D=22font-size: 12px; caret-color: inhe= rit =21important;=22>tel: +90 312 2107889</span><br style=3D=22caret-colo= r: inherit =21important;=22><span style=3D=22font-size: 12px; caret-color= : inherit =21important;=22>e-mail: hhuseyin=40metu.edu.tr =7C web: www.ha= cihabiboglu.org</span><br style=3D=22caret-color: inherit =21important;=22= ><span style=3D=22font-size: 12px; caret-color: inherit =21important;=22>= voip: husshho (skype) =7C twitter: =40hacihabiboglu</span></font></font><= /div></div><div><br></div><div><br></div><div>***</div><div><div>C=46P: S= pecial Session on Six degrees-of-freedom audio =40i3da</div><div><br></di= v><div>Special Session on Six degrees-of-freedom audio (6Do=46 Audio)</di= v><div><br></div><div>International Conference on Immersive and 3D Audio = (I3DA) 8-10 September 2021, Bologna, Italy https://www.i3da.eu</div><div>= <br></div><div>NOTE: With reference to the current PANDEMIC crisis, we wi= ll consider whether convert the face-to-face Conference into a web confer= ence, or to postpone the Conference to Spring 2022. Any decision on this = subject will be taken by the Organising Committee in June 2021.</div><div= ><br></div><div>Aims and Scope</div><div><br></div><div>Navigability is t= he next frontier in immersive content. Next-generation immersive systems = allow their users to experience content not only through head motions but= also by translations in 3D space. Such kind of immersiveness has been pr= esent from the outset in virtual, augmented, and mixed reality systems th= at primarily rely on the rendering of sources in 3D space by parametric s= ynthesis approaches, supplemented by artificial reverberation. However, t= he capture, processing, and rendering of real acoustic scenes have mostly= been overlooked until the second half of the last decade. Recent develop= ments in technologies that allow displaying audiovisual scenes brought fo= rth the concept of 3Do=46+ content that allows small translational displa= cements of the user and 6Do=46 content that allows translational movement= in a wider region. Standardisation activities in ISO/IEC MPEG that start= ed with MPEG-H to enable object-based content, and the ongoing efforts wi= th the MPEG-I standard to enable navigable content are paving the way for= unprecedented levels of immersion.=C2=A0</div><div><br></div><div>This s= pecial session will provide a venue for sharing the latest results and hi= gh-quality research ideas on all aspects of 3Do=46+ and 6Do=46 audio. The= topics of interest for the session include but are not limited to:</div>= <div><br></div><div>=E2=80=A2 Capture of 3Do=46+ and 6Do=46 audio</div><d= iv><br></div><div>=E2=80=A2 Parametric and object-based approaches to 3Do= =46+ and 6Do=46 audio</div><div><br></div><div>=E2=80=A2 Sound field inte= rpolation and extrapolation</div><div><br></div><div>=E2=80=A2 Rendering = of 6Do=46 audio</div><div><br></div><div>=E2=80=A2 Perceptual aspects of = navigation in 6Do=46 audio environments</div><div><br></div><div>=E2=80=A2= Coding and compression of 3Do=46+ and 6Do=46 audio</div><div><br></div><= div>=E2=80=A2 Use cases (music, audiovisual arts, journalism, architectur= e etc.)</div><div><br></div><div>Conference proceedings will be submitted= to the IEEE Xplore Digital Library and SCOPUS. =C2=A0 =C2=A0 =C2=A0=C2=A0= </div><div><br></div><div>Authors of selected papers will be invited to s= ubmit extended versions for consideration in special issues with the part= ner journals indexed on Scopus and WoS.</div><div><br></div><div>1) Journ= al of the Audio Engineering Society</div><div><br></div><div>2) Building = Acoustics</div><div><br></div><div>3) Applied Sciences</div><div><br></di= v><div>KEY DATES</div><div><br></div><div>September 21, 2020: online abst= ract submission open</div><div><br></div><div>March 22, 2021: final deadl= ine for abstract submission =5BUPDATED=5D</div><div><br></div><div>March = 29, 2021: notification of abstract acceptance =5BUPDATED=5D</div><div><br= ></div><div>May 21, 2021: deadline for full paper submission =5BUPDATED=5D= </div><div><br></div><div>June 21, 2021: notification of full paper revie= w results</div><div><br></div><div>July 21, 2021: deadline for final pape= r submission</div><div><br></div><div>i3da.eu/programme/=C2=A0</div></div= > <div><br></div></div><div id=3D=22CanarySig=22><div> <div><br></div> </= div> </div> <div id=3D=22CanaryDropbox=22> </div> </body></html> --6044c5e1_3d1b58ba_1c7--


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