Subject: [AUDITORY] 5-year fully funded Ph.D. program in music technology at New York University From: Morwaread Farbood <mfarbood@xxxxxxxx> Date: Fri, 19 Nov 2021 09:23:31 -0500This is a multi-part message in MIME format. --------------ql10I2FZFTkRcwOnQMD79yar Content-Type: text/plain; charset=UTF-8; format=flowed Content-Transfer-Encoding: quoted-printable X-MIME-Autoconverted: from 8bit to quoted-printable by edgeum4.it.mcgill.ca id 1AJENdSF082318 ** *Dear all,* * The New York University Department of Music and Performing Arts=20 Professions is now accepting applications for 5-year, fully funded Ph.D.=20 fellowships in Music Technology.=C2=A0 The degree program offers a flexib= le,=20 cross-disciplinary course of study that encompasses all areas of music,=20 sound, and technology including computer music, global electronic music,=20 immersive audio, music perception, sound/music computing and data=20 science, as well as technologies for music accessibility, interaction,=20 education, creation, and production.=C2=A0 Application deadline for next = fall=20 is December 1, 2021. This admissions cycle, we are particularly interested in applicants who=20 can contribute to Professor Leila Adu-Gilmore's Critical Sonic Practice=20 Lab <https://wp.nyu.edu/criticalsonicpracticelab/>. The Critical Sonic=20 Practice Lab investigates and demonstrates music-making as a continuing=20 decolonizing discourse, centering on musics (and texts about these=20 musics) by marginalized music-makers. In 2020, Dr. Adu-Gilmore launched theCritical Sonic Practice Lab=20 <https://wp.nyu.edu/criticalsonicpracticelab/>intersecting marginalized=20 musics and socially engaged research through music technology.=20 Responding to a summer of protesting police brutality and COVID-19=E2=80=99= s=20 impact, especially on marginalized peoples, Critical Sonic Practice=20 Symposium morphed from a closed think-tank into a public virtual=20 multimedia streaming music event =E2=80=9CElegy,=E2=80=9Dand symposium ta= lks followed by=20 a disabled access virtual dance music afterparty. =E2=80=9CElegy=E2=80=9D= livestream=20 featured films and music by marginalized music creators from around the=20 world followed by post-notes from Fred Moten. The symposium talks=20 centered on the theme=E2=80=99s impacts on marginalized music makers thro= ugh=20 panel speakers in the arts, music industry and academia.Critical Sonic=20 Practice lab also has ongoing music analysis and research design=20 projects in New York and Accra. Therefore, the Critical Sonic Practice=20 Lab creates and researches music in diverse electronic media forms, as=20 well as socially engaging, collaborating and disseminating this research=20 through NYU events, public events and published research on marginalized=20 music. See below for additional information on the Music Technology Ph.D.=20 program at NYU. https://steinhardt.nyu.edu/degree/phd-music-technology=20 <https://steinhardt.nyu.edu/degree/phd-music-technology> * --=20 *Morwaread M. Farbood, Ph.D. Associate Professor and Associate Director of Music Technology* Dept. of Music and Performing Arts Professions New York University Ph: +1.212.992.7680 Research Faculty, Music and Audio Research Laboratory (MARL) Faculty Affiliate, Max Planck/NYU Center for Language, Music, and=20 Emotion (CLaME) --------------ql10I2FZFTkRcwOnQMD79yar Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable <html> <head> <meta http-equiv=3D"content-type" content=3D"text/html; charset=3DUTF= -8"> </head> <body> <p><b style=3D"font-weight:normal;" id=3D"docs-internal-guid-b37dd873-7fff-39c4-5a4f-f77d76222ec1"> <p dir=3D"ltr" style=3D"line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><s= pan style=3D"font-size:11pt;font-family:Arial;color:#000000;background-co= lor:transparent;font-weight:400;font-style:normal;font-variant:normal;tex= t-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre= -wrap;">Dear all,</span></p> <br> <p dir=3D"ltr" style=3D"line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><s= pan style=3D"font-size:11pt;font-family:Arial;color:#000000;background-co= lor:transparent;font-weight:400;font-style:normal;font-variant:normal;tex= t-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre= -wrap;">The New York University Department of Music and Performing Arts P= rofessions is now accepting applications for 5-year, fully funded Ph.D. f= ellowships in Music Technology.=C2=A0 The degree program offers a flexibl= e, cross-disciplinary course of study that encompasses all areas of music= , sound, and technology including computer music, global electronic music= , immersive audio, music perception, sound/music computing and data scien= ce, as well as technologies for music accessibility, interaction, educati= on, creation, and production.=C2=A0 Application deadline for next fall is= December 1, 2021.=C2=A0=C2=A0</span></p> <br> <p dir=3D"ltr" style=3D"line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><s= pan style=3D"font-size:11pt;font-family:Arial;color:#000000;background-co= lor:transparent;font-weight:400;font-style:normal;font-variant:normal;tex= t-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre= -wrap;">This admissions cycle, we are particularly interested in applican= ts who can contribute to Professor Leila Adu-Gilmore's </span><a href=3D"https://wp.nyu.edu/criticalsonicpracticelab/" style=3D"text-decoration:none;"><span style=3D"font-size:11pt= ;font-family:Arial;color:#1155cc;background-color:transparent;font-weight= :400;font-style:normal;font-variant:normal;text-decoration:underline;-web= kit-text-decoration-skip:none;text-decoration-skip-ink:none;vertical-alig= n:baseline;white-space:pre;white-space:pre-wrap;">Critical Sonic Practice= Lab</span></a><span style=3D"font-size:11pt;font-family:Arial;color:#000= 000;background-color:transparent;font-weight:400;font-style:normal;font-v= ariant:normal;text-decoration:none;vertical-align:baseline;white-space:pr= e;white-space:pre-wrap;">.=C2=A0 </span><span style=3D"font-size:11pt;fon= t-family:'Helvetica Neue',sans-serif;color:#000000;background-color:trans= parent;font-weight:400;font-style:normal;font-variant:normal;text-decorat= ion:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">T= he Critical Sonic Practice Lab investigates and demonstrates music-making= as a continuing decolonizing discourse, centering on musics (and texts a= bout these musics) by marginalized music-makers.=C2=A0</span></p> <br> <p dir=3D"ltr" style=3D"line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><s= pan style=3D"font-size:11pt;font-family:'Helvetica Neue',sans-serif;color= :#000000;background-color:transparent;font-weight:400;font-style:normal;f= ont-variant:normal;text-decoration:none;vertical-align:baseline;white-spa= ce:pre;white-space:pre-wrap;">In 2020, Dr. Adu-Gilmore launched the</span= ><a href=3D"https://wp.nyu.edu/criticalsonicpracticelab/" style=3D"text-decoration:none;"><span style=3D"font-size:11pt= ;font-family:'Helvetica Neue',sans-serif;color:#000000;background-color:t= ransparent;font-weight:400;font-style:normal;font-variant:normal;text-dec= oration:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap= ;"> </span><span style=3D"font-size:11pt;font-family:'Helvetica Neue',san= s-serif;color:#000000;background-color:transparent;font-weight:400;font-s= tyle:normal;font-variant:normal;text-decoration:underline;-webkit-text-de= coration-skip:none;text-decoration-skip-ink:none;vertical-align:baseline;= white-space:pre;white-space:pre-wrap;">Critical Sonic Practice Lab</span>= </a><span style=3D"font-size:11pt;font-family:'Helvetica Neue',sans-serif= ;color:#000000;background-color:transparent;font-weight:400;font-style:no= rmal;font-variant:normal;text-decoration:underline;-webkit-text-decoratio= n-skip:none;text-decoration-skip-ink:none;vertical-align:baseline;white-s= pace:pre;white-space:pre-wrap;"> </span><span style=3D"font-size:11pt;fon= t-family:'Helvetica Neue',sans-serif;color:#000000;background-color:trans= parent;font-weight:400;font-style:normal;font-variant:normal;text-decorat= ion:none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;">i= ntersecting marginalized musics and socially engaged research through mus= ic technology. Responding to a summer of protesting police brutality and = COVID-19=E2=80=99s impact, especially on marginalized peoples, Critical S= onic Practice Symposium morphed from a closed think-tank into a public vi= rtual multimedia streaming music event =E2=80=9C</span><span style=3D"fon= t-size:11pt;font-family:'Helvetica Neue',sans-serif;color:#000000;backgro= und-color:transparent;font-weight:400;font-style:italic;font-variant:norm= al;text-decoration:none;vertical-align:baseline;white-space:pre;white-spa= ce:pre-wrap;">Elegy,=E2=80=9D</span><span style=3D"font-size:11pt;font-fa= mily:'Helvetica Neue',sans-serif;color:#000000;background-color:transpare= nt;font-weight:400;font-style:normal;font-variant:normal;text-decoration:= none;vertical-align:baseline;white-space:pre;white-space:pre-wrap;"> and = symposium talks followed by a disabled access virtual dance music afterpa= rty. =E2=80=9C</span><span style=3D"font-size:11pt;font-family:'Helvetica= Neue',sans-serif;color:#000000;background-color:transparent;font-weight:= 400;font-style:italic;font-variant:normal;text-decoration:none;vertical-a= lign:baseline;white-space:pre;white-space:pre-wrap;">Elegy</span><span st= yle=3D"font-size:11pt;font-family:'Helvetica Neue',sans-serif;color:#0000= 00;background-color:transparent;font-weight:400;font-style:normal;font-va= riant:normal;text-decoration:none;vertical-align:baseline;white-space:pre= ;white-space:pre-wrap;">=E2=80=9D livestream featured films and music by = marginalized music creators from around the world followed by post-notes = from Fred Moten. The symposium talks centered on the theme=E2=80=99s impa= cts on marginalized music makers through panel speakers in the arts, musi= c industry and academia</span><span style=3D"font-size:11pt;font-family:'= Helvetica Neue',sans-serif;color:#000000;background-color:transparent;fon= t-weight:400;font-style:italic;font-variant:normal;text-decoration:none;v= ertical-align:baseline;white-space:pre;white-space:pre-wrap;">.</span><sp= an style=3D"font-size:11pt;font-family:'Helvetica Neue',sans-serif;color:= #000000;background-color:transparent;font-weight:400;font-style:normal;fo= nt-variant:normal;text-decoration:none;vertical-align:baseline;white-spac= e:pre;white-space:pre-wrap;"> Critical Sonic Practice lab also has ongoin= g music analysis and research design projects in New York and Accra. Ther= efore, the Critical Sonic Practice Lab creates and researches music in di= verse electronic media forms, as well as socially engaging, collaborating= and disseminating this research through NYU events, public events and pu= blished research on marginalized music.</span></p> <br> <p dir=3D"ltr" style=3D"line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><s= pan style=3D"font-size:11pt;font-family:Arial;color:#000000;background-co= lor:transparent;font-weight:400;font-style:normal;font-variant:normal;tex= t-decoration:none;vertical-align:baseline;white-space:pre;white-space:pre= -wrap;">See below for additional information on the Music Technology Ph.D= =2E program at NYU.=C2=A0=C2=A0</span></p> <br> <p dir=3D"ltr" style=3D"line-height:1.38;margin-top:0pt;margin-bottom:0pt;"><a= href=3D"https://steinhardt.nyu.edu/degree/phd-music-technology" style=3D"text-decoration:none;"><span style=3D"font-size:11pt= ;font-family:Arial;color:#1155cc;background-color:transparent;font-weight= :400;font-style:normal;font-variant:normal;text-decoration:underline;-web= kit-text-decoration-skip:none;text-decoration-skip-ink:none;vertical-alig= n:baseline;white-space:pre;white-space:pre-wrap;">https://steinhardt.nyu.= edu/degree/phd-music-technology</span></a></p> </b><br class=3D"Apple-interchange-newline"> </p> <div class=3D"moz-signature">-- <br> <small> <b>Morwaread M. Farbood, Ph.D.<br> Associate Professor and Associate Director of Music Technology<= /b><br> Dept. of Music and Performing Arts Professions<br> New York University<br> Ph: +1.212.992.7680<br> <br> Research Faculty, Music and Audio Research Laboratory (MARL)<br> Faculty Affiliate, Max Planck/NYU Center for Language, Music, and Emotion (CLaME)<br> <br> <br> </small> <br> <br> </div> </body> </html> --------------ql10I2FZFTkRcwOnQMD79yar--