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cello (& clarinet) techniques
I'm looking for a (psycho)physical discussion of cello techniques
such as tremolo, natural and artificial harmonics, and bowing over
the fingerboard and bridge.
Bonus points for a similar discussion of fluttertongue on the clarinet.
Paul von Hippel
School of Music
Ohio State University
1866 College Road
Columbus, OH 43210
(You can also reach me by simply replying to this message.
All my mail is forwarded to the same final destination.)