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cello (& clarinet) techniques

I'm looking for a (psycho)physical discussion of cello techniques
such as tremolo, natural and artificial harmonics, and bowing over
the fingerboard and bridge.

Bonus points for a similar discussion of fluttertongue on the clarinet.

Many thanks,
Paul von Hippel
Post-Doctoral Fellow
School of Music
Ohio State University
1866 College Road
Columbus, OH 43210
614 292-7321

(You can also reach me by simply replying to this message.
All my mail is forwarded to the same final destination.)