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Re: Developmental studies on Auditory Scene Analysis



Dear Annemarie,

With regard to differences among listeners from different age groups and musical backgrounds (musicians and non-musicians), you could also see

Lapidaki, E. (2000). Stability of Tempo Perception in Music Listening. Music Education Research, 2(1), 25 - 44.

Best regards,

Eleni

********************************
Eleni Lapidaki, PhD.,
Assistant Professor of Music,
Department of Music Studies,
Aristotle University of Thessaloniki,
51624 Thessaloniki,
Greece.

phone & voicemail (office):+30-2310991807
fax:+30-2310991815

website: http://users.auth.gr/lapidaki
email: lapidaki@xxxxxxxxxxx



On Jan 17, 2008, at 7:35 PM, Bruno Repp wrote:

Dear Annemarie:

With regard to differences between musicians and non-musicians, see

Jones, M. R., Jagacinski, R. J., et al. (1995). Tests of attentional flexibility in listening to polyrhythmic patterns. / Journal of Experimental Psychology: Human Perception and Performance, 21,/ 293-307.

Best,
Bruno

Annemarie Seither-Preisler, Ph.D. wrote:

Dear List,


does anybody know whether there have been studies on developmental aspects of Auditory Scene Analysis, especially with the classical Bregman-paradigms?


Are there related studies on possible performance differences between non-musicians and trained musicians?


Thank you very much in advance!


Annemarie



Priv.-Doz. Dr. Annemarie Seither-Preisler


Karl-Franzens-Universität Graz

Institut für Psychologie

Cognitive Science Section (CSS)

Universitätsplatz 2

A-8010 Graz

Österreich


Tel.: 0043 / 316 / 380 / 8544

Fax:  0043 / 316 / 380 / 9806

Email: annemarie.seither-preisler@xxxxxxxxxxx <mailto:annemarie.seither-preisler@xxxxxxxxxxx>




--
Bruno H. Repp
Haskins Laboratories 300 George Street
New Haven, CT 06511-6624
Tel. (203) 865-6163, ext. 236
Fax (203) 865-8963
http://www.haskins.yale.edu/staff/repp.html

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