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Re: readng the list



How about having the first msg in each digest be:

1.  HOW TO SEND A MSG
(caps intended)

PLEASE no html.

=======
Jont's 90 % noise certainly holds for the copy below.

Judy

AUDITORY automatic digest system wrote:
There are 5 messages totalling 304 lines in this issue.

Topics of the day:

  1. readng the list
  2. AW: Subjective evaluation of sounds for pleasantness
  3. Michael Goorevich/CLTD/COH is out of the office.
  4. Re : Subjective evaluation of sounds for pleasantness (2)

----------------------------------------------------------------------

Date:    Thu, 17 Jan 2008 23:51:28 -0600
From:    Jont Allen <jontalle@xxxxxxxx>
Subject: readng the list

It is getting difficult to find the message within all the html noise.
Can senders start becoming more sensitive to what they are doing when they send a message?

Maybe we need some instructions on how to post a message. It would be better for all if 90% of the message were not html, rather just message.

unsigned (ha)

------------------------------

Date:    Fri, 18 Jan 2008 10:09:55 +0000
From:    "reinifrosch@xxxxxxxxxx" <reinifrosch@xxxxxxxxxx>
Subject: AW: Subjective evaluation of sounds for pleasantness

Dear Amit,

R. Frosch,
"Psycho-Acoustic Experiments on the Sensory Consonance of Musical=20
Two-Tones",
Canadian Acoustics 35 (2007) 38-45.

With best wishes,

Reinhart Frosch.

----Urspr=C3=BCngliche Nachricht--------------
Von: amitrajora@xxxxxxxxx
Datum: 16.01.2008 18:23
An: <AUDITORY@xxxxxxxxxxxxxxx>
Betreff: Subjective evaluation of sounds for pleasantness

Dear List,

Could somebody kindly point me to any studies on
subjective evaluation of sounds(any type) for
pleasantness?=20


Regards

Amit Rajora
----------------------------------------------

Reinhart Frosch,
Dr. phil. nat.,
r. PSI and ETH Zurich,
Sommerhaldenstr. 5B,
CH-5200 Brugg.
Phone: 0041 56 441 77 72.
Mobile: 0041 79 754 30 32.
E-mail: reinifrosch@xxxxxxxxxx .

------------------------------

Date:    Fri, 18 Jan 2008 22:24:48 +1100
From:    Michael Goorevich <MGoorevich@xxxxxxxxxxxxxxx>
Subject: Michael Goorevich/CLTD/COH is out of the office.

--0__=45BBF947DFAD34F18f9e8a93df938690918c45BBF947DFAD34F1
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I will be out of the office starting  18/01/2008 and will not return until
11/02/2008.

I will respond to your message when I return.

==============================================

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--0__=45BBF947DFAD34F18f9e8a93df938690918c45BBF947DFAD34F1
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Content-Disposition: inline

<html><body>
<p>I will be out of the office starting  18/01/2008 and will not return until 11/02/2008.<br>
<br>
I will respond to your message when I return.</body></html>
<table><tr><td bgcolor=#ffffff><font color=#000000>==============================================<br>
<br>
"The information contained in this e-mail message may be confidential information, and may also be privileged. If you are not the intended recipient, any use, interference with, disclosure or copying of this material is unauthorised and prohibited.  If you have received this message in error, please notify us by return email and delete the original message."<br>
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------------------------------

Date:    Fri, 18 Jan 2008 14:50:32 +0000
From:    virginie <virginiedurin@xxxxxxxx>
Subject: Re : Subjective evaluation of sounds for pleasantness

--0-790370690-1200667832=:32403
Content-Type: text/plain; charset=utf-8
Content-Transfer-Encoding: quoted-printable

Dear Amit,=0A=0AI don't know this area very well, but maybe you will be int=
erested in this paper  :=0A=0AIs pleasantness for soundscapes dimensional o=
r categorical? =0AVal=C3=A9rie Maffiolo, Mich=C3=A8le Castellengo and Dani=
=C3=A8le Dubois=0AThe Journal of the Acoustical Society of America -- Febru=
ary 1999 -- Volume 105, Issue 2, p. 943=0A=0AVirginie.=0APh.D Student - Spe=
ech Quality=0A=0A----- Message d'origine ----=0ADe : amit rajora <amitrajor=
a@xxxxxxxxx>=0A=C3=80 : AUDITORY@xxxxxxxxxxxxxxx=0AEnvoy=C3=A9 le : Mercred=
i, 16 Janvier 2008, 18h23mn 02s=0AObjet : Subjective evaluation of sounds f=
or pleasantness=0A=0ADear List,=0A=0ACould somebody kindly point me to any =
studies on=0Asubjective evaluation of sounds(any type) for=0Apleasantness? =
=0A=0A=0ARegards=0A=0AAmit Rajora=0A=0A=0A      ___________________________=
_________________________________________________________=0ANever miss a th=
ing.  Make Yahoo your home page. =0Ahttp://www.yahoo.com/r/hs=0A=0A=0A     =
 __________________________________________________________________________=
___ =0ANe gardez plus qu'une seule adresse mail ! Copiez vos mails vers Yah=
oo! Mail http://mail.yahoo.fr
--0-790370690-1200667832=:32403
Content-Type: text/html; charset=utf-8
Content-Transfer-Encoding: quoted-printable

<html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he=
ad><body><div style=3D"font-family:times new roman, new york, times, serif;=
font-size:12pt"><DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman=
, new york, times, serif">Dear Amit,</DIV>=0A<DIV style=3D"FONT-SIZE: 12pt;=
 FONT-FAMILY: times new roman, new york, times, serif">&nbsp;</DIV>=0A<DIV =
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, se=
rif">I don't know this area very well, but maybe you will be interested in&=
nbsp;this paper&nbsp;&nbsp;:</DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FA=
MILY: times new roman, new york, times, serif">&nbsp;</DIV>=0A<DIV style=3D=
"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, serif">Is =
pleasantness for soundscapes dimensional or categorical? </DIV>=0A<DIV styl=
e=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, serif"=
<FONT face=3D"times new roman, new york, times, serif">=0A<P align=3Dleft>=
Val=C3=A9rie Maffiolo, Mich=C3=A8le Castellengo and Dani=C3=A8le Dubois</P>=
</FONT></DIV>=0A<P style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, =
new york, times, serif">The Journal of the Acoustical Society of America --=
 February 1999 -- Volume 105, Issue 2, p. 943</P>=0A<P style=3D"FONT-SIZE: =
12pt; FONT-FAMILY: times new roman, new york, times, serif">&nbsp;</P>=0A<P=
 style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, s=
erif">Virginie.</P>=0A<P style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new r=
oman, new york, times, serif">Ph.D Student - Speech Quality</P>=0A<DIV></DI=
V>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: times new roman, new york,=
 times, serif">&nbsp;</DIV>=0A<DIV style=3D"FONT-SIZE: 12pt; FONT-FAMILY: t=
imes new roman, new york, times, serif">----- Message d'origine ----<BR>De =
: amit rajora &lt;amitrajora@xxxxxxxxx&gt;<BR>=C3=80 : AUDITORY@xxxxxxxxxxx=
L.CA<BR>Envoy=C3=A9 le : Mercredi, 16 Janvier 2008, 18h23mn 02s<BR>Objet&nb=
sp;: Subjective evaluation of sounds for pleasantness<BR><BR>Dear List,<BR>=
<BR>Could somebody kindly point me to any studies on<BR>subjective evaluati=
on of sounds(any type) for<BR>pleasantness? <BR><BR><BR>Regards<BR><BR>Amit=
 Rajora<BR><BR><BR>&nbsp; &nbsp; &nbsp; ___________________________________=
_________________________________________________<BR>Never miss a thing.&nb=
sp; Make Yahoo your home page. <BR><A href=3D"http://www.yahoo.com/r/hs"; ta=
rget=3D_blank>http://www.yahoo.com/r/hs</A><BR></DIV>=0A<DIV style=3D"FONT-=
SIZE: 12pt; FONT-FAMILY: times new roman, new york, times, serif"><BR></DIV=
</div><br>=0A      =0A=0A      <hr size=3D"1"> =0ANe gardez plus qu'une se=
ule adresse mail ! <a href=3D"http://fr.rd.yahoo.com/mail/mail_taglines/tru=
eswitch/*http://www.trueswitch.com/yahoo-fr/";>Copiez vos mails</a> vers Yah=
oo! Mail </body></html>
--0-790370690-1200667832=:32403--

------------------------------

Date:    Fri, 18 Jan 2008 08:15:07 -0800
From:    PORRES <mentalosmosis@xxxxxxxxx>
Subject: Re: Re : Subjective evaluation of sounds for pleasantness

--0-931540893-1200672907=:79002
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable
X-MIME-Autoconverted: from 8bit to quoted-printable by torrent.cc.mcgill.ca id m0IGF8Bi019836

Subjective pleasentness was considered a dimension for consonance...

Check Plomp & Levelt`s Tonal Consonance And Critical Bandwidth (1965) Jou=
rnal of acoustical society of america.

basicaly it relates pleasentness to the absence of beatings inside a crit=
ical band

cheers

virginie <virginiedurin@xxxxxxxx> wrote: Dear Amit,
 =20
 I don't know this area very well, but maybe you will be interested in th=
is paper  :
 =20
 Is pleasantness for soundscapes dimensional or categorical?=20
  Val=EF=BF=BDrie Maffiolo, Mich=EF=BF=BDle Castellengo and Dani=EF=BF=BD=
le Dubois

 The Journal of the Acoustical Society of America -- February 1999 -- Vol=
ume 105, Issue 2, p. 943
 =20
 Virginie.
 Ph.D Student - Speech Quality
=20
 =20
 ----- Message d'origine ----
De : amit rajora <amitrajora@xxxxxxxxx>
=EF=BF=BD : AUDITORY@xxxxxxxxxxxxxxx
Envoy=EF=BF=BD le : Mercredi, 16 Janvier 2008, 18h23mn 02s
Objet : Subjective evaluation of sounds for pleasantness

Dear List,

Could somebody kindly point me to any studies on
subjective evaluation of sounds(any type) for
pleasantness?=20


Regards

Amit Rajora


      ___________________________________________________________________=
_________________
Never miss a thing.  Make Yahoo your home page.=20
http://www.yahoo.com/r/hs

=20



              =20
---------------------------------
  Ne gardez plus qu'une seule adresse mail ! Copiez vos mails vers Yahoo!=
 Mail=20

      =20
---------------------------------
Be a better friend, newshound, and know-it-all with Yahoo! Mobile.  Try i=
t now.
--0-931540893-1200672907=:79002
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable
X-MIME-Autoconverted: from 8bit to quoted-printable by torrent.cc.mcgill.ca id m0IGF8Bi019836

Subjective pleasentness was considered a dimension for consonance...<br><=
br>Check Plomp &amp; Levelt`s Tonal Consonance And Critical Bandwidth (19=
65) Journal of acoustical society of america.<br><br>basicaly it relates =
pleasentness to the absence of beatings inside a critical band<br><br>che=
ers<br><br><b><i>virginie &lt;virginiedurin@xxxxxxxx&gt;</i></b> wrote:<b=
lockquote class=3D"replbq" style=3D"border-left: 2px solid rgb(16, 16, 25=
5); margin-left: 5px; padding-left: 5px;"> <style type=3D"text/css"><!-- =
DIV {margin:0px;} --></style><div style=3D"font-family: times new roman,n=
ew york,times,serif; font-size: 12pt;"><div style=3D"ffont-size: 12pt; fo=
nt-family: times new roman,new york,times,serif;">Dear Amit,</div> <div s=
tyle=3D"font-size: 12pt; font-family: times new roman,new york,times,seri=
f;">&nbsp;</div> <div style=3D"font-size: 12pt; font-family: times new ro=
man,new york,times,serif;">I don't know this area very well, but maybe yo=
u will be interested in&nbsp;this
 paper&nbsp;&nbsp;:</div> <div style=3D"font-size: 12pt; font-family: tim=
es new roman,new york,times,serif;">&nbsp;</div> <div style=3D"font-size:=
 12pt; font-family: times new roman,new york,times,serif;">Is pleasantnes=
s for soundscapes dimensional or categorical? </div> <div style=3D"font-s=
ize: 12pt; font-family: times new roman,new york,times,serif;"><font face=
=3D"times new roman, new york, times, serif"> <div align=3D"left">Val=EF=BF=
=BDrie Maffiolo, Mich=EF=BF=BDle Castellengo and Dani=EF=BF=BDle Dubois</=
div></font></div> <div style=3D"font-size: 12pt; font-family: times new r=
oman,new york,times,serif;">The Journal of the Acoustical Society of Amer=
ica -- February 1999 -- Volume 105, Issue 2, p. 943</div> <div style=3D"f=
ont-size: 12pt; font-family: times new roman,new york,timess,serif;">&nbs=
p;</div> <div style=3D"font-size: 12pt; font-family: times new roman,new =
york,times,serif;">Virginie.</div> <div style=3D"font-size: 12pt; font-fa=
mily: times new roman,new york,times,serif;">Ph.D Student - Speech
 Quality</div> <div></div> <div style=3D"font-size: 12pt; font-family: ti=
mes new roman,new york,times,serif;">&nbsp;</div> <div style=3D"font-size=
: 12pt; font-family: times new roman,new york,times,serif;">----- Message=
 d'origine ----<br>De : amit rajora &lt;amitrajora@xxxxxxxxx&gt;<br>=EF=BF=
=BD : AUDITORY@xxxxxxxxxxxxxxx<br>Envoy=EF=BF=BD lee : Mercredi, 16 Janvi=
er 2008, 18h23mn 02s<br>Objet&nbsp;: Subjective evaluation of sounds for =
pleasantness<br><br>Dear List,<br><br>Could somebody kindly point me to a=
ny studies on<br>subjective evaluation of sounds(any type) for<br>pleasan=
tness? <br><br><br>Regards<br><br>Amit Rajora<br><br><br>&nbsp; &nbsp; &n=
bsp; ____________________________________________________________________=
________________<br>Never miss a thing.&nbsp; Make Yahoo your home page. =
<br><a href=3D"http://www.yahoo.com/r/hs"; target=3D"_blank">http://www.ya=
hoo.com/r/hs</a><br></div> <div style=3D"font-size: 12pt; font-family: ti=
mes new roman,new york,times,serif;"><br></div></div><br>   =20
           <hr size=3D"1">  Ne gardez plus qu'une seule adresse mail ! <a=
 href=3D"http://fr.rd.yahoo.com/mail/mail_taglines/trueswitch/*http://www=
.trueswitch.com/yahoo-fr/">Copiez vos mails</a> vers Yahoo! Mail </blockq=
uote><br><p>&#32;
      <hr size=3D1>Be a better friend, newshound, and=20
know-it-all with Yahoo! Mobile. <a href=3D"http://us.rd.yahoo.com/evt=3D5=
1733/*http://mobile.yahoo.com/;_ylt=3DAhu06i62sR8HDtDypao8Wcj9tAcJ "> Try=
 it now.</a>
--0-931540893-1200672907=:79002--

------------------------------

End of AUDITORY Digest - 17 Jan 2008 to 18 Jan 2008 (#2008-13)
**************************************************************


--
______________________________________________________________________________
Judy Brown http://www.media.mit.edu/~brown jbrown @ wellesley dot edu http://www.wellesley.edu/Physics/brown/jbrown.html brown @ media dot mit dot edu E15 483, MIT, Cambridge, MA 02139
______________________________________________________________________________
PHOTOS at http://www.media.mit.edu/~brown/PHOTOS/PHOTOS.html
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