I suggest you look at the work of Lawrence Marks and collaborators.
One reference I could find easily is shown below, but there are many
Marks, L. E., Ben-Artzi, E., & Lakatos, S. (2003). Cross-modal
interactions in auditory and visual discrimination. International
Journal of Psychophysiology, 50, 125-145.
On 4/4/11 2:26 PM, Lawrence Rosenblum wrote:
some audiovisual aftereffects that might be relevant:
N., and Ichihara, W. (2002). Hearing visual motion in
depth. Nature 416, 172–174.
P., Vroomen, J., De Gelder, B., 2003. Visual
recalibration of auditory speech identification: a
McGurk aftereffect. Psychol. Sci. 14, 592–597.
I., Vroomen, J., De Gelder, B., Bertelson, P.,
2003. The aftereffects of ventriloquism: are they
sound frequency specific? Acta Psychol. 113,
On Apr 4, 2011, at 4:18 AM, Jose Ignacio
This is obviously synesthesia you are
referring to? Ramachandran and his colleague,
Hubbard, have looked into this. See:
L.E. (1975). On colored-hearing synesthesia:
of sensory dimensions. Psychol. Bull. 82,
E.M., Manohar, S., and Ramachandran, V.S.
(2006). Contrast affects
the strength of synesthetic colors. Cortex,
On 4 Apr
2011, at 20:22, Anastasios Sarampalis wrote:
Is anyone aware of any research that looks at
audiovisual contrast effects? By that, I mean
effects like sound intensity or pitch
affecting the perception of colour intensity
or luminance (or vice versa).
Department of Experimental Psychology
University of Cambridge
Phone: 44 (0)1223 764412
Fax: 44 (0)1223 333564
Fellow of Fitzwilliam College
Phone: 44 (0)1223 472126
Department of Psychology
University of California
Riverside, CA 92521
Bruno H. Repp
Senior Research Scientist
Music Perception and Action
300 George Street
New Haven, CT 06511-6624
Web page: http://www.haskins.yale.edu/staff/repp.html