AUDITORY posting archive 2005

• Thread Index

• Re: The calculation of Speech Intelligibility Index
  • From: Christine Rankovic
• Tsunamis.
  • From: Reinhart Frosch
• Music Transmission Index?
  • From: Büchler Michael
• PSP2005 Final Call For Papers
  • From: Paul Iverson
• Need help in Auditory based speech recognition
  • From: gandhi ambalam
• Re: Need help in Auditory based speech recognition
  • From: Guoping Wang
• Re: Music Transmission Index?
  • From: Christine Rankovic
• CALL FOR PAPERS - International Workshop on Auditory Display for Mobile Context-Aware Systems
  • From: Richard Etter
• Student Interested in Music Transmission Index as a Possible Research Topic
  • From: Chris Share
• Re: Student Interested in Music Transmission Index as a Possible Research Topic
  • From: David Prince
• Re: Music Transmission Index?
  • From: William C. Treurniet
• Re: Music Transmission Index
  • From: Lars Bramsløw
• Re: Student Interested in Music Transmission Index as a Possible Research Topic
  • From: John G. Beerends
• Re: Music Transmission Index?
  • From: Graham Naylor
• High output headphones
  • From: Ben Hornsby
• Research Associate/ Post Doc position
  • From: Chatterjee, Monita
• Re: High output headphones
  • From: Brad Ingrao
• Subjective Speech Intelligibility Tests
  • From: ayce dosemeciler
• Definition and Measurement of Harmonicity
  • From: Chris Share
• Re: Definition and Measurement of Harmonicity
  • From: Ferguson, Sarah Hargus
• Re: Definition and Measurement of Harmonicity
  • From: beaucham
• Re: Definition and Measurement of Harmonicity
  • From: Brian Gygi
• A Virtual 3D Model of a Human Temporal Bone for Windows, Linux and Macintosh
  • From: Tony Miller
• Subjective Speech Intelligibility Tests
  • From: Deniz Baskent
• Re: Definition and Measurement of Harmonicity
  • From: Pierre Divenyi
• Book Announcement: "What is Music? Solving a Scientific Mystery"
  • From: Philip Dorrell
• Re: Definition and Measurement of Harmonicity
  • From: Reinhart Frosch
• Modelling of musical instrument spectra
  • From: David Gunawan
• Re: Modelling of musical instrument spectra
  • From: beaucham
• Music and Neurosciences meeting: Leipzig, May 5-8 2005
  • From: Robert Zatorre
• Ph.D. positions in Denmark
  • From: Henrik Møller
• "Cortical Dementias – Cognitive Deficits in Alzheimer's Disease"
  • From: DAT
• IWINAC-2005. Call for papers: Information Coding Mechanisms in the Brain
  • From: Enrique A. Lopez-Poveda
• CfP: Special Issue on Statistical and Perceptual Audio Processing
  • From: Dan Ellis
• intelligibility or other data for original PAL PB-50s?
  • From: Ferguson, Sarah Hargus
• Re: Definition and Measurement of Harmonicity
  • From: Harvey Holmes
• HASSIP Workshop 'Application Of Time Frequency Analysis In Acoustics'
  • From: Peter Balazs
• Re: Definition and Measurement of Harmonicity
  • From: Reinhart Frosch
• Inharmonicity definition and measurement
  • From: beaucham
• Definition and Measurement of Harmonicity
  • From: Judy Brown
• Re: Definition and Measurement of Harmonicity
  • From: Harvey Holmes
• Re: AUDITORY Digest - 21 Jan 2005 to 22 Jan 2005 (#2005-14)
  • From: Jont Allen
• 'Quintina' in Sardinian polyphonic songs: virtual voices or DPOAEs?
  • From: chen-gia tsai
• resynthesis
  • From: Aisha Thorn
• TR: resynthesis
  • From: Ramin Pichevar
• Measuring dB levels of sounds produced by headphones
  • From: Yoshiko Yamada
• Re: resynthesis
  • From: DeLiang Wang
• Re: Measuring dB levels of sounds produced by headphones
  • From: Brad Ingrao
• Re: TR: resynthesis
  • From: Volker Hohmann
• Job openings in hearing aid research in Denmark
  • From: Graham Naylor
• Re: 'Quintina' in Sardinian polyphonic songs: virtual voices or DPOAEs?
  • From: Reinhart Frosch
• Amplitude Modulatios in speech
  • From: ajith kumar
• Position Announcement: Signal Processing Engineer
  • From: Ward R. Drennan
• Minor third
  • From: Pierre Divenyi
• Re: Minor third
  • From: Brian Gygi
• Speech(or Phase) Reconstruction from Magnitude Spectrum
  • From: ismail uysal
• Re: Minor third
  • From: Elyse Sussman
• Minor third
  • From: Al Bregman
• Minor third
  • From: Christian Kaernbach
• Re: Minor third
  • From: Brian Gygi
• Re: Speech(or Phase) Reconstruction from Magnitude Spectrum
  • From: Toth Laszlo
• Re: Minor third
  • From: Reinhart Frosch
• Minor third calls
  • From: Jeremy Day-O'Connell
• digital filter design
  • From: beaucham
• Minor third
  • From: Mark W Pennington
• Re: digital filter design
  • From: Koen Tanghe
• Re: digital filter design
  • From: Harvey Holmes
• Re: digital filter design
  • From: Richard F. Lyon
• Re: digital filter design
  • From: Ramdas Kumaresan
• Literature on N1P2 complex (ACC)
  • From: akartik1 narayanan
• Re: Minor third calls
  • From: Pierre Divenyi
• Minor thirds and background noise
  • From: Brian Gygi
• Re: Minor third
  • From: Laura Dilley
• Position announcement at IHR: Career Development Fellow.
  • From: Chris Sumner
• Clean speech recordings
  • From: Yu SONG
• Re: Clean speech recordings
  • From: Brad Ingrao
• Re: digital filter design
  • From: Maher, Rob
• New book
  • From: Harold Fiske
• Re: digital filter design, Lee Jackson, etc.
  • From: Richard F. Lyon
• Re: Speech(or Phase) Reconstruction from Magnitude Spectrum
  • From: ismail uysal
• Re: Speech(or Phase) Reconstruction from Magnitude Spectrum
  • From: Matt Flax
• Re: Speech(or Phase) Reconstruction from Magnitude Spectrum
  • From: Mark Hasegawa-Johnson
• Re: Speech(or Phase) Reconstruction from Magnitude Spectrum
  • From: Sam Roweis
• Announcement of International Symposium on Hearing Aid Fitting
  • From: Arne Nørby Rasmussen
• Consonant speech database
  • From: Gopikrishna Allu
• Firewire 410 with AKG 420
  • From: Boris Kleber
• Re: Consonant speech database
  • From: Olivier Crouzet
• Re: Consonant speech database
  • From: Ferguson, Sarah Hargus
• Re: Firewire 410 with AKG 420
  • From: beaucham
• Firewire 410 with AKG 420
  • From: Boris Kleber
• Re: Consonant speech database
  • From: yund
• Re: AUDITORY Digest - 9 Feb 2005 to 10 Feb 2005 (#2005-26)
  • From: Abeer Alwan
• McGill-Fulbright Chair available
  • From: Stephen McAdams
• Distortion vs Intensity
  • From: Charith Giragama
• Speech shaped noise .WAV or other sample?
  • From: Richard H.
• Re: Speech shaped noise .WAV or other sample?
  • From: Bob Masta
• Sound Level Meter for Windows?
  • From: Richard H.
• cocktail party effect
  • From: Claire Piché
• Re: Speech shaped noise
  • From: Bernhard Seeber
• Re: Speech shaped noise
  • From: Pierre Divenyi
• Bill Cole: Speech-shaped noise
  • From: Dan Ellis
• Re: cocktail party effect
  • From: Virginie, van Wassenhove
• Experience with 01dB and dBSonic?
  • From: Scharine, Angelique (Civ,ARL/HRED)
• Re: Experience with 01dB and dBSonic? (clarification)
  • From: Scharine, Angelique (Civ,ARL/HRED)
• ICMC2005 Paper Deadline less than 10 days away
  • From: Fabien Gouyon
• CALL FOR PAPERS: Medical Acoustics track at ICMP 2005
  • From: Ulrich Hoppe
• Musical abilities are among the last to be lost in cases of brain damage?
  • From: chen-gia tsai
• Re: Musical abilities are among the last to be lost in cases of brain damage?
  • From: Thomas G Brennan
• Musical abilities are among the last to be lost in cases of brain damage?
  • From: Dennis P. Phillips
• Re: Musical abilities are among the last to be lost in cases of brain damage?
  • From: Brian Gygi
• Re: Musical abilities are among the last to be lost in cases of brain damage?
  • From: Robert Zatorre
• Re: Musical abilities are among the last to be lost in cases of brain damage?
  • From: Thomas G Brennan
• Re: Musical abilities are among the last to be lost in cases of brain damage?
  • From: Robert Zatorre
• Re: Musical abilities are among the last to be lost in cases of brain damage?
  • From: Isabelle Peretz
• Re: Musical abilities are among the last to be lost in cases of brain damage?
  • From: Thomas G Brennan
• FW: Musical abilities are among the last to be lost in cases of brain damage?
  • From: Isabelle Peretz
• Re: Musical abilities are among the last to be lost in cases of brain damage?
  • From: chen-gia tsai
• Re: Musical abilities are among the last to be lost in cases of brain damage?
  • From: Martin Braun
• Re: Musical abilities are among the last to be lost in cases of brain damage?
  • From: Harriet B Jacobster
• Rex: Musical abilities are among the last to be lost in cases of brain damage?
  • From: John G. Beerends
• Reality check
  • From: Robert Zatorre
• Re: Reality check
  • From: Pawel Kusmierek
• Re: Reality check
  • From: Pierre Divenyi
• Re: Reality check (animals and music)
  • From: Philip Dorrell
• Re: Reality check
  • From: Ferguson, Sarah Hargus
• Re: Reality check
  • From: Jan Schnupp
• Re: Reality check
  • From: Brian Gygi
• Re: Reality check
  • From: Stewart Hulse
• Reality Check
  • From: Stewart Hulse
• Reality check
  • From: Stewart Hulse
• Dogs
  • From: Susan Allen
• Reality Check
  • From: Dan Tollin
• Re: Dogs
  • From: Ward R. Drennan
• Re: Dogs
  • From: Tom Maglione
• Re: Reality Check
  • From: andrea valle
• Re: Dogs
  • From: Harriet B Jacobster
• Re: Dogs (music perception, receptive aphasia)
  • From: chen-gia tsai
• Re: Dogs (music perception, receptive aphasia)
  • From: John Neuhoff
• Re: Dogs
  • From: Toth Laszlo
• Fw: animals and music
  • From: Nikki Rickard
• animals and music
  • From: Roger Watt
• Teacher check
  • From: Martin Braun
• Re: Dogs
  • From: Julian Rohrhuber
• Re: Dogs
  • From: Keith N. Darrow
• Re: Reality Check
  • From: Bob Masta
• Stop consonant identification based on initial spectra?
  • From: Marvit, Peter
• Do deaf humans (CI users) like music?
  • From: William Cooper
• Re: Teacher check
  • From: Robert Zatorre
• Re: Stop consonant identification based on initial spectra?
  • From: Alex Francis
• Re: Do deaf humans (CI users) like music?
  • From: Thomas G Brennan
• Re: Stop consonant identification based on initial spectra?
  • From: Robert Zatorre
• Re: Stop consonant identification based on initial spectra?
  • From: Stuart Rosen
• Underwater Soundscapes
  • From: Claire Piché
• Re: Do deaf humans (CI users) like music?
  • From: Robbin Wood
• Teacher check
  • From: Christian Kaernbach
• Pitch in a non-animate world
  • From: Christian Kaernbach
• Re: Stop consonant identification based on initial spectra?
  • From: Mark Hasegawa-Johnson
• Re: Do deaf humans (CI users) like music?
  • From: Bob Masta
• Re: Do deaf humans (CI users) like music?
  • From: Thomas G Brennan
• Animals and music
  • From: Brian Gygi
• Re: Do deaf humans (CI users) like music?
  • From: Leon van Noorden
• Re: Animals and music
  • From: Leon van Noorden
• Re: Do deaf humans (CI users) like music?
  • From: Pierre Divenyi
• Re: Do deaf humans (CI users) like music?
  • From: Robbin Wood
• Re: Pitch in a non-animate world
  • From: Al Bregman
• Re: Pitch in a non-animate world
  • From: Brian Gygi
• Re: Pitch in a non-animate world
  • From: Neil McLachlan
• Re: Pitch in a non-animate world -- Bells
  • From: Pierre Divenyi
• Music Vibration Perception - Research on deaf and hearing sensation of music?
  • From: Eliot Palmer
• Rats low frequency hearing
  • From: Didier Depireux, PhD
• Safety Switch
  • From: Aaron L Hastings
• Re: Stop consonant identification based on initial spectra?
  • From: Abeer Alwan
• Pitch in a non-animate world
  • From: John K. Bates
• Glissandi instead of rhythm
  • From: Martin Braun
• Recording from rats.
  • From: Al Bregman
• Re: Safety Switch
  • From: Tom Maglione
• Re: Safety Switch
  • From: Eero Aro
• Re: Fw: animals and music
  • From: Lowel P. O'Mard
• Re: Safety Switch
  • From: Eero Aro
• Re: Fw: animals and music
  • From: Richard Nance
• Re: Fw: animals and music
  • From: Pierre Divenyi
• Re: AUDITORY Digest - 3 Mar 2005 to 4 Mar 2005 (#2005-41)
  • From: Jont Allen
• Vincent Hayward: Possible CRC chair at McGill
  • From: Dan Ellis
• Listening in an occupational setting
  • From: Nicola Miller
• Re: AUDITORY Digest - 3 Mar 2005 to 4 Mar 2005 (#2005-41)
  • From: M.A. Stone
• Re: Do deaf humans (CI users) like music?
  • From: Büchler Michael
• Re: Fw: animals and music
  • From: Robert Zatorre
• ICAD: Auditory Graphs Symposium
  • From: Bruce Walker
• DAT recorder
  • From: Leonardo Moore
• Re: AUDITORY Digest - 2 Mar 2005 (#2005-39)
  • From: Amanda Lauer
• Re: DAT recorder
  • From: Ferguson, Sarah Hargus
• CI Music Perception
  • From: Ray Goldsworthy
• Lectureships
  • From: John Culling
• Re: CI Music Perception
  • From: Bob Carlyon
• Fwd: PhD studentships at ISVR - UK
  • From: Daniel Rowan
• Updated excitation-pattern program
  • From: Brian C. J. Moore
• Xavier Boutillon
  • From: beaucham
• CI Music Perception
  • From: Ray Goldsworthy
• CI music perception
  • From: Hugh McDERMOTT
• Re: CI Music Perception
  • From: William Cooper
• Latest First
  • From: leo sullivan
• Re: Latest First
  • From: Brent Edwards
• Research post at Manchester (UK)
  • From: Dr Richard J Baker
• Society for Music Perception and Cognition
  • From: Mari Jones
• Call for Papers: Brazilian Symposium on Computer Music
  • From: Hugo de Paula
• Join Audiology's "A-List" at 3 diverse musical events during AAA Convention
  • From: Brad Ingrao
• Re: Join Audiology's "A-List" at 3 diverse musical events during AAA Convention
  • From: Brad Ingrao
• JASA Meeting in Vancouver
  • From: Ana Alves Pinto
• ASA Meeting in Vancouver
  • From: Ana Alves Pinto
• Research positions in music technology and computational neuroscience
  • From: Perfecto Herrera-Boyer
• electrode caps
  • From: Acker, Barbara E Dr USAARL-Ft Rucker
• 10th Rhythm Perception and Production Workshop July 2-6 2005
  • From: Leon van Noorden
• Kronkite Filter for Music
  • From: Mustafa Umut Sarac
• Re: Kronkite Filter for Music
  • From: Anthony Watkins
• RESEARCH POSITIONS IN COMPUTATIONAL NEUROSCIENCE & MUSIC COGNITION
  • From: Sue Denham
• Cochlear Models
  • From: ismail uysal
• 4 Hz modulation energy
  • From: Arthur Choi
• Auditory demonstrations
  • From: Yoshitaka Nakajima
• Cochlear models
  • From: Meddis, Raymond
• pitch database
  • From: Toth Laszlo
• Re: pitch database
  • From: Mark Huckvale
• Re: pitch database
  • From: Matt Flax
• Re: 4 Hz modulation energy
  • From: Erick Gallun
• EPR-paradoxon.
  • From: Reinhart Frosch
• ICA, a key to solve the puzzle of hearing $(Aˋ
  • From: Guoping Li
• Re: ICA, a key to solve the puzzle of hearing
  • From: Toth Laszlo
• post doc at Wisconsin
  • From: Keith R. Kluender
• Re: ICA, a key to solve the puzzle of hearing
  • From: jan schnupp
• Re: ICA, a key to solve the puzzle of he aring $(Aˋ
  • From: Paris Smaragdis
• ICAD Auditory Graphs Symposium-reminder
  • From: Bruce Walker
• CFP: Special Issue on Objective Quality Assessment of Speech and Audio
  • From: Kim, Doh-Suk (DS)
• bandpass TMTF fits
  • From: Jose I. Alcantara
• Re: ICA, a key to solve the puzzle of hearing
  • From: Peter Lennox
• MIREX 2005: call for participation
  • From: Emmanuel Vincent
• Steven van de Par/EHV/RESEARCH/PHILIPS is out of the office.
  • From: Steven van de Par
• Research positions in music cognition
  • From: Henkjan Honing
• Announcement of International Symposium on Hearing Aid Fitting
  • From: Arne Nørby Rasmussen
• need MDS discussion
  • From: beaucham
• selection pressure underlying scaled/measured music
  • From: chen-gia tsai
• Re: selection pressure underlying scaled/measured music
  • From: Philip Dorrell
• Re: selection pressure underlying scaled/measured music
  • From: susan allen
• Re: selection pressure underlying scaled/measured music
  • From: Philip Dorrell
• music & social bonding
  • From: Matt Marble
• music & social bonding... with attachent (!)
  • From: Matt Marble
• "information processing applied to speech signals"
  • From: virginie
• Re: need MDS discussion
  • From: Colette Mckay
• Re: need MDS discussion
  • From: Amit Gal
• Re: need MDS discussion
  • From: frederic maintenant
• Re: AUDITORY Digest - 2 Apr 2005 to 3 Apr 2005 (#2005-64)
  • From: Kristjan Varnik
• Searching for a book: Nasalfest
  • From: Tarun Pruthi
• Re: digital filter design
  • From: Richard F. Lyon
• Re: 4 Hz modulation energy
  • From: Choi Arthur
• routines in Matlab for Midi data retrieval: addum to the MidiToolBox to calculate IOI and velocity patterns?
  • From: Camille Waldhorn
• propagation speed of the traveling wave
  • From: Rossi Mark (PA-ATMO1/EES21) *
• Re: propagation speed of the traveling wave
  • From: David Mountain
• Re: propagation speed of the traveling wave
  • From: Eckard Blumschein
• litterature
  • From: Boris DEFREVILLE
• Re: "information processing applied to speech signals"
  • From: virginie
• Re: propagation speed of the traveling wave
  • From: Reinhart Frosch
• Re: propagation speed of the traveling wave
  • From: Reinhart Frosch
• location of the sacculus and utricles
  • From: Matt Flax
• applications of linear prediction
  • From: #ARIJIT BISWAS#
• International Conference "Cortical Dementias – Cognitive Deficits in Alzheimer's Disease" in Freiburg, Germany
  • From: DAT
• 'Persistance of hearing'
  • From: Craig Nicol
• Re: 'Persistance of hearing'
  • From: William Hartmann
• Re: 'Persistence of hearing'
  • From: Jesteadt, Walt
• equal loudness calculation
  • From: Julian Rohrhuber
• Re: 'Persistence of hearing'
  • From: John Neuhoff
• Re: 'Persistance of hearing'
  • From: Al Bregman
• F0 difference limens for unresolved harmonics
  • From: David Klein
• F0 difference limens for unresolved harmonics
  • From: Christian Kaernbach
• Re: F0 difference limens for unresolved harmonics
  • From: Nicolas Grimault
• Re: F0 difference limens for unresolved harmonics
  • From: Suzan Emiroglu
• Normal hearing
  • From: Nathan Weisz
• Re: Normal hearing
  • From: Thomas G Brennan
• Post-Doc in Cochlear Implant research in UK
  • From: Colette Mckay
• Re: Normal hearing
  • From: Thomas G Brennan
• Re: equal loudness calculation
  • From: Jose-Javier Lopez
• Summary of normal hearing
  • From: Nathan Weisz
• Re: equal loudness calculation
  • From: Julian Rohrhuber
• Re: equal loudness calculation
  • From: Jose-Javier Lopez
• Re: equal loudness calculation
  • From: Julian Rohrhuber
• Post-doctoral position at McGill University
  • From: Stephen McAdams
• Pitch and Music
  • From: Vidya Ganesh
• normalized filter coefficients
  • From: farsheed
• Re: normalized filter coefficients
  • From: Toth Laszlo
• Seeking speech examples to test the algorithm for phonemic segmentation
  • From: superk
• Re: Pitch and Music
  • From: Frédéric Maintenant
• virtual patients / audiology training tools
  • From: Marina Rose
• Re: F0 difference limens for unresolved harmonics
  • From: Katrin Krumbholz
• Re: F0 difference limens for unresolved harmonics
  • From: Pierre Divenyi
• Vacancy for Lecturer in Audiology
  • From: Daniel Rowan
• Re: virtual patients / audiology training tools
  • From: Suzan Emiroglu
• sound cards, bit depth and the Windows mixer
  • From: John Culling
• Re: sound cards, bit depth and the Windows mixer
  • From: Stephen Neely
• Re: sound cards, bit depth and the Windows mixer
  • From: Maher, Rob
• EarLab Simulator available for download
  • From: David Mountain
• Re: Seeking speech examples to test the algorithm for phonemic segmentation
  • From: Mark Huckvale
• An innovation on polyphonic transcription
  • From: H.Hacihabiboglu
• Cochlear simulation demonstration software
  • From: Stuart Rosen
• Lindemann model
  • From: Deniz Baskent
• Conference Invitation
  • From: Gregor Kohls
• hearing aid question: "boominess"
  • From: Richard H.
• Re: hearing aid question: "boominess"
  • From: Brent Edwards
• Re: hearing aid question: "boominess"
  • From: Richard H.
• Re: hearing aid question: "boominess"
  • From: M.A. Stone
• Statistical evaluation of categorical data
  • From: Piotr Majdak
• Research position -- speech perception & dyslexia
  • From: Stuart Rosen
• Re: Statistical evaluation of categorical data
  • From: Ward R. Drennan
• Re: [Speech-tools] device advice request
  • From: Stuart Rosen
• Sound cards
  • From: Keith R. Kluender
• Calculation of MIPS in MATLAB
  • From: ismail uysal
• Re: Sound cards
  • From: Brian Gygi
• Re: Sound cards
  • From: Hermann Stemberger
• Re: AUDITORY Digest - 3 May 2005 to 4 May 2005 (#2005-87)
  • From: Douglas Eck
• Re: AUDITORY Digest - 3 May 2005 to 4 May 2005 (#2005-87)
  • From: ieish gamah
• Re: AUDITORY Digest - 3 May 2005 to 4 May 2005 (#2005-87)
  • From: Scott D. Lipscomb
• Re: Sound cards
  • From: Stephen Neely
• Re: Sound cards
  • From: Gerry Stefanatos
• ER10A three-port OAE microphones
  • From: Sumitrajit Dhar
• headphone: type unknown
  • From: Wolfgang Dreier
• Speech samples "squished" in the frequency domain?
  • From: Richard H.
• Travel scholarships for Asilomar 2005
  • From: Stuart Rosen
• How to create apparent continuity of a tone without increasing the loudness of the white noise about 20 times as that of the tone?
  • From: Annekathrin Weise
• Re: How to create apparent continuity of a tone without increasing the loudness of the white noise about 20 times as that of the tone?
  • From: Wolfgang Dreier
• Re: How to create apparent continuity of a tone without increasing the loudness of the white noise about 20 times as that of the tone?
  • From: Leon van Noorden
• Omega Engineering
  • From: Thomas G Brennan
• HIPAA
  • From: Brent Edwards
• Travel scholarships for Asilomar 2005 -- correction to deadlines
  • From: Stuart Rosen
• Re: HIPAA
  • From: Ferguson, Sarah Hargus
• Re: HIPAA
  • From: Pierre Divenyi
• Re: (GWAVA: SPAM) HIPAA
  • From: Monita Chatterjee
• PhD studentship opportunities in instrument and timbre modelling
  • From: Niall Griffith
• Instrument Databases
  • From: Gregoire, Jerry
• Re: Instrument Databases
  • From: Emmanuel Vincent
• I need TIMIT
  • From: superk
• Re: I need TIMIT
  • From: Mark Huckvale
• teaching aid
  • From: Heather D. Dobbins
• Re: How to create apparent continuity of a tone without increasing the loudness of the white noise about 20 times as that of the tone?
  • From: Richard M. Warren
• Please post: APCAM 2005
  • From: Peter Q. Pfordresher
• frication duration
  • From: REDDY SIVAPRASAD
• Thank you very much for helping me to solve my problem.
  • From: Annekathrin Weise
• 1-year CNRS position in Bordeaux
  • From: Laurent Demany
• Software for Simulated Hearing Loss
  • From: Vermiglio, Andy
• Re: Software for Simulated Hearing Loss
  • From: Lewis, Dawna E
• vocal and non-vocal classification in music
  • From: Chen Kai
• Re: Software for Simulated Hearing Loss
  • From: Brian C. J. Moore
• distortions in TDH-49 and Analog Devices 430J
  • From: Jesko L Verhey
• Upward Spread Of Masking & Hearing Aids
  • From: Richard H.
• Re: vocal and non-vocal classification in music
  • From: Yipeng Li
• "Standard" TK values for hearing aids?
  • From: Richard H.
• Toronto Auditory Temporal Processing Symposium
  • From: Dan Ellis
• Sound morphing?
  • From: Kambiz Tavabi
• Re: Sound morphing?
  • From: Sascha Fagel
• FW: Sound morphing?
  • From: Richard Nance
• Re: Sound morphing?
  • From: Matt Flax
• Re: Sound morphing?
  • From: Suzan Emiroglu
• Re: Sound morphing?
  • From: Ben Moran
• Cochlear AGC attack/releases times?
  • From: Richard H.
• Re: Cochlear AGC attack/releases times?
  • From: David Mountain
• Re: Cochlear AGC attack/releases times?
  • From: Martin Braun
• Re: Cochlear AGC attack/release times
  • From: Abeer Alwan
• When is the next EPIC?
  • From: Mridula Sharma
• Post-doctoral position in Speech Processing, Lille, France
  • From: Davy Manuel
• International Conference about Cortical Dementias
  • From: DAT
• PhD Studentship in Audiology - University of Leeds
  • From: Nick Thyer
• auditory imagery and SOAEs
  • From: Martin Braun
• Phd and assistant professorship positions in Copenhagen Denmark
  • From: Stefania Serafin
• POSTDOCTORAL RESEARCH APPOINTMENTS (2)
  • From: Ahroon, William A Dr USAARL-Ft Rucker
• Ensemble code in AN?
  • From: Rob Turetsky
• auditory training for the blind
  • From: Matt Marble
• Re: auditory training for the blind
  • From: Thomas G Brennan
• Re: auditory training for the blind
  • From: John Neuhoff
• Re: auditory training for the blind
  • From: Thomas G Brennan
• Re: auditory training for the blind
  • From: MORI Koichi
• Re: auditory training for the blind
  • From: Julian Rohrhuber
• Re: auditory training for the blind
  • From: Peter B L Meijer
• Re: auditory training for the blind
  • From: Thomas G Brennan
• Psychoacoustic modeling in action
  • From: Rachel Glassberg
• thanks
  • From: Matt Marble
• Dental related Hering Loss
  • From: Ross Alexander Hendler
• Re: Dental related Hering Loss
  • From: Thomas G Brennan
• Re: Dental related Hering Loss
  • From: R. Mercuri
• Re: auditory training for the blind
  • From: Peter Lennox
• Re: auditory training for the blind
  • From: Peter Lennox
• Soundproof room for birds
  • From: Jeffrey J. Sable
• Re: Soundproof room for birds
  • From: Michael H. Coen
• Re: Soundproof room for birds
  • From: Maher, Rob
• Re: Dental related Hering Loss
  • From: Thomas G Brennan
• Re: auditory training for the blind
  • From: Thomas G Brennan
• PhD scholarship, MARCS Auditory Labs, Sydney
  • From: Kate Stevens
• Re: auditory training for the blind
  • From: Daniel Rowan
• Re: auditory training for the blind
  • From: Henry Gay Grubbs
• ICAD Auditory Graphing Symposium update
  • From: Bruce Walker
• Re: auditory training for the blind
  • From: Thomas G Brennan
• Invitation to do control experiment [deadline June 15]
  • From: Henkjan Honing
• Synthesizing phonemes
  • From: Yoav Arieh
• Re: Synthesizing phonemes
  • From: Thomas G Brennan
• Re: Synthesizing phonemes
  • From: Gerry Stefanatos
• Do phonemes = sounds?
  • From: Richard H.
• Flooring for sound lab?
  • From: Richard H.
• Re: Do phonemes = sounds?
  • From: Pierre Divenyi
• Re: Do phonemes = sounds?
  • From: Mark Huckvale
• Re: Do phonemes = sounds?
  • From: Chris Stecker
• Stuff
  • From: Scott Hildebrand
• Re: Do phonemes = sounds?
  • From: Toth Laszlo
• Rép. : [s] Re: Do phonemes = sounds?
  • From: Branka ZEI
• Re: Rép. : [s] Re: Do phonemes = sounds?
  • From: Toth Laszlo
• Re: Rép. : [s] Re: Do phonemes = sounds?
  • From: jan schnupp
• Re: Do phonemes = sounds?
  • From: Mark Huckvale
• Re: Do phonemes = sounds?
  • From: Martin Braun
• Do phonemes = sounds?
  • From: Robert Port
• JASA templates
  • From: Tarun Pruthi
• Re: JASA templates
  • From: Olivier Crouzet
• Re: JASA templates
  • From: Etienne Gaudrain
• Re: JASA templates
  • From: Tarun Pruthi
• faculty position
  • From: Dan Tollin
• Spare ER-10C carcass
  • From: Mike Ravicz
• Klatt synthesis
  • From: Stuart Rosen
• Re: Klatt synthesis
  • From: Thomas G Brennan
• Re: Klatt synthesis
  • From: Thomas G Brennan
• Speech rate modeling in synthetic speech
  • From: Sascha Fagel
• Re: Speech rate modeling in synthetic speech
  • From: Thomas G Brennan
• Invitation [Reminder]
  • From: Henkjan Honing
• A post-doctral position.
  • From: Yoshitaka Nakajima
• Res: Do phonemes = sounds?
  • From: Daniel Silva
• TDT SD1 Spike Discriminator
  • From: Dan Tollin
• Post doc position
  • From: Chuck Larson
• Praat vowel synthesis
  • From: Daniel Silva
• Directional characteristics of the human voice
  • From: Scharine, Angelique (Civ,ARL/HRED)
• Re: Directional characteristics of the human voice
  • From: Christine Rankovic
• Online Music Perception Experiment!
  • From: Victor Adan
• Praat vowel synthesis
  • From: Daniel Silva
• Re: Directional characteristics of the human voice
  • From: Sergio Rodríguez Soria
• Re: AUDITORY Digest - 14 Jun 2005 to 15 Jun 2005 (#2005-115)
  • From: Guillaume Potard
• Dear auditory list - Any tips on building multi channel recording system?
  • From: Jimmy Cook
• Fwd - Any tips on building multi channel recording system?
  • From: Jimmy Cook
• illustration needed
  • From: Denis Donovan
• Re: AUDITORY Digest - 15 Jun 2005 to 16 Jun 2005 (#2005-116)
  • From: Hacihabiboglu H Dr
• Re: AUDITORY Digest - 17 Jun 2005 to 18 Jun 2005 (#2005-118)
  • From: Erin E.Hannon
• Re: illustration needed
  • From: Toth Laszlo
• Re: illustration needed (PRAAT & Audacity)
  • From: Philip Dorrell
• Exporting Spectrogram Data as a 3d dataset
  • From: Eliot Samuel Palmer
• Find papers
  • From: Chen Kai
• illustration needed--found
  • From: Denis Donovan
• Engineer/Coder seeking employment
  • From: Matt Flax
• CHAIR OF AUDIOLOGY/HEARING SCIENCE vacancy at Manchester
  • From: Dr Richard J Baker
• Re: Directional characteristics of the human voice
  • From: Giron, Franck
• Attachments
  • From: Kevin Austin
• Re: attachments
  • From: Fred Herzfeld
• Re: attachments
  • From: Dan Ellis
• Re: attachments
  • From: beaucham
• Re: attachments
  • From: Jim Stevenson
• Re: attachments
  • From: Jim Stevenson
• Re: AUDITORY Digest - 22 Jun 2005 (#2005-123)
  • From: Paul Doornbusch
• roughness judgments
  • From: Tufts, Jennifer
• Lecturer/Senior Lecturer in Hearing Science/Audiology
  • From: Colette Mckay
• transgenders and cyborgs (Modified by Leo Sullivan)
  • From: Leo Sullivan
• Perception of sequential tones as simultaneous tones.
  • From: Emilio Renard
• Re: roughness judgments
  • From: Reinhart Frosch
• Re: Perception of sequential tones as simultaneous tones.
  • From: Philip Dorrell
• Re: Perception of sequential tones as simultaneous tones.
  • From: Emilio Renard
• Fusion tonal versus vertical grouping?
  • From: Emilio Renard
• Re: Perception of sequential tones as simultaneous tones.
  • From: beaucham
• Re: Perception of sequential tones as simultaneous tones & Bach
  • From: Kevin Austin
• Re: Perception of sequential tones as simultaneous tones.
  • From: Leon van Noorden
• Re: Perception of sequential tones as simultaneous tones.
  • From: Al Bregman
• find paper
  • From: Chen Kai
• perceptual audio quality measures
  • From: Emmanuel Vincent
• Re: perceptual audio quality measures
  • From: Ramin Pichevar
• Streaming and temporal accuracy
  • From: Michael Kubovy
• Re: Streaming and temporal accuracy
  • From: Pierre Divenyi
• Looking for Free Anechoic Speech Samples
  • From: Chris Share
• Re: Streaming and temporal accuracy
  • From: Al Bregman
• positions in speech and hearing sciences at Oldenburg University, Germany
  • From: Volker Hohmann
• Re: Streaming and temporal accuracy
  • From: Leon van Noorden
• [EmCAP] Research Positions in Music Cognition
  • From: Henkjan Honing
• Seashore Measures of Musical Talent
  • From: William Cooper
• Looking for software
  • From: ieish gamah
• Perceptual experiments
  • From: Tarun Pruthi
• Re: Perceptual experiments
  • From: Monita Chatterjee
• Recording Microphone
  • From: Ben Hornsby
• Re: Recording Microphone
  • From: Mary Andrianopoulos
• audio editor
  • From: beaucham
• Re: audio editor
  • From: Pawel Kusmierek
• Re: audio editor
  • From: Mehmet-Ali Gulbol
• Re: audio editor
  • From: beaucham
• regarding bat's vocalizaion and its signal structure
  • From: J. Gwan Lim
• Re: regarding bat's vocalizaion and its signal structure
  • From: Harry Erwin
• Re: audio editor
  • From: Fabien Gouyon
• Re: regarding bat's vocalizaion and its signal structure
  • From: Thomas G Brennan
• Auditory streaming and children
  • From: Piers Dawes
• F1 and intensity
  • From: Daniel Silva
• Re: audio editor
  • From: Andrew Brouse
• Re: audio editor
  • From: beaucham
• Researchers in Belgium
  • From: Thomas Lee
• Re: Researchers in Belgium
  • From: Leon van Noorden
• Post-doctoral Fellowship at the University of York, UK
  • From: P. J. Bailey
• Re: audio editor
  • From: Mehmet-Ali Gulbol
• Re: audio editor
  • From: beaucham
• Re: audio editor
  • From: Mehmet-Ali Gulbol
• RNID Graduate Studentship, York, UK
  • From: P. J. Bailey
• F0 and F1
  • From: Pierre Divenyi
• amplitude normalisation
  • From: Christian Camen
• Re: attachments
  • From: Ju-Lee Hong
• Re: amplitude normalisation
  • From: Toth Laszlo
• Unix play command
  • From: beaucham
• Dynamic Rhyme Tests
  • From: Pinaki S. Chanda
• Re: Dynamic Rhyme Tests
  • From: Pierre Divenyi
• Re: Unix play command
  • From: Christophe Pallier
• advice Re: auditory illusions
  • From: Stuart Rosen
• Re: Unix play command
  • From: Davide Fugazza
• Music and tonal languages test
  • From: Jean-Philippe Mailhot
• R-SPIN?
  • From: Scharine, Angelique (Civ,ARL/HRED)
• Re: Unix play command
  • From: Andrew Brouse
• Auditory hallucinations
  • From: Al Bregman
• R-SPIN
  • From: Scharine, Angelique (Civ,ARL/HRED)
• Re: Auditory hallucinations
  • From: Peter Lennox
• 3D audio positions avail?
  • From: Scott Hildebrand
• New musical-consonance experiment.
  • From: Reinhart Frosch
• dB-100 Zwislocki coupler
  • From: Ben Hornsby
• Re: dB-100 Zwislocki coupler
  • From: Freed, Dan
• Re: Auditory hallucinations
  • From: Matt Marble
• Re: advice Re: auditory illusions
  • From: Bob Masta
• 2d and 3d sound localization
  • From: hussein slim
• Re: 2d and 3d sound localization
  • From: Zoltan Fodroczi
• Re: 2d and 3d sound localization
  • From: hussein slim
• neurophysiological evidence of CASA rules?
  • From: Zoltan Fodroczi
• Re: neurophysiological evidence of CASA rules?
  • From: Pierre Divenyi
• Re: 2d and 3d sound localization
  • From: Zoltan Fodroczi
• Re: 2d and 3d sound localization
  • From: hussein slim
• Re: 2d and 3d sound localization
  • From: hussein slim
• Motorola looking for sensory perception talent
  • From: Guzman Sandra-SGUZMAN1
• Re: 2d and 3d sound localization
  • From: Professor Leslie Smith
• postdoctoral position in multisensory integration
  • From: Jennifer M. Groh
• Call for participation: Software tools for expressive music performance
  • From: Roberto Bresin
• Re: Fwd: Auditory hallucinations
  • From: Harvey Holmes
• Positions in Auditory Neuroscience
  • From: Patrick Wong
• synthesis/analysis: where is the error?
  • From: Daniel Silva
• Seeking Product Developer/Manager for Consumer Electronics Device
  • From: Daniel Gastel
• Re: Positions in Auditory Neuroscience
  • From: Dorethea Louisa Herbst
• Re: synthesis/analysis: where is the error?
  • From: Fred Herzfeld
• Job Vacancy: Lecturer/Senior Lecturer/Reader in Audio Signal Processing
  • From: Ben Lineton
• Characteristics of Bose cube speakers
  • From: Sridhar Kalluri
• Re: Characteristics of Bose cube speakers
  • From: Eliot Samuel Palmer
• Responses to longer tones
  • From: Phil Harris
• Re: Responses to longer tones
  • From: Pierre Divenyi
• Res: vowel Q
  • From: Daniel Silva
• Res: Re: synthesis/analysis: where is the error?
  • From: Daniel Silva
• RF-shielding benefits
  • From: Annabel Cohen
• Re: RF-shielding benefits
  • From: Gerry Stefanatos
• smooth option for F0 contours
  • From: Stefan Crawcour
• Job Announcement - Director of Research, Walter Reed Army Medical Center
  • From: Ken Grant
• IEEE SP Magazine: Call for Articles on DSP Patents
  • From: Fa-Long Luo
• Quantifying Spectro-temporal Complexity
  • From: Nikolas Alejandro Francis
• Quantifying Spectro-temporal Complexity
  • From: Nikolas Alejandro Francis
• Re: Quantifying Spectro-temporal Complexity
  • From: beaucham
• Processing time
  • From: Ilpo Martikainen
• Clarity of high/low frequency and impact on musics persistence...
  • From: Robin Rader
• the autocorrelation function for measuring the F0
  • From: Stefan Crawcour
• Re: Clarity of high/low frequency and impact on musics persistence...
  • From: Wolfgang Dreier
• Re: the autocorrelation function for measuring the F0
  • From: Richard F. Lyon
• New Hearing Book
  • From: Chris Plack
• New Hearing Book
  • From: Chris Plack
• Re: Clarity of high/low frequency and impact on musics persistence...
  • From: Eliot Handelman
• Sonic communications--Postdoc/postgrad opportunities
  • From: Freya Bailes
• seeking math ref for multi dimensional scaling
  • From: Judy Brown
• Question about P.862 (PESQ) or bug?
  • From: LI CL
• Research position
  • From: Brian C. J. Moore
• HCSNet Co-sponsored Workshop: CONCEPTUALISING COMMUNICATION
  • From: David GRAYDEN
• Re: AUDITORY Digest - 2 Aug 2005 to 7 Aug 2005 (#2005-155)
  • From: Anthony Gritten
• Sound Booth Purchase
  • From: Michael S. Gordon
• Re: Sound Booth Purchase
  • From: Pierre Divenyi
• Current status of automatic speech recognition in car
  • From: Yadong Wang
• Re: Current status of automatic speech recognition in car
  • From: Mark Hasegawa-Johnson
• Music and Consciousness conference
  • From: Eric Clarke
• High sample-rate recordings of real-world sound
  • From: John Usher
• Re: High sample-rate recordings of real-world sound
  • From: Andrew Brouse
• Faculty jobs in Cognitive Psychogly and Neuroscience at Buffalo
  • From: Dan Ellis
• HRTF Question
  • From: Chris Share
• Re: HRTF Question
  • From: David GRAYDEN
• Re: HRTF Question
  • From: David Mountain
• HRTFs and CIPIC
  • From: Scott Hildebrand
• Re: HRTF Question
  • From: Keith Martin
• Re: HRTF Question
  • From: Elena Grassi
• Re: HRTF Question
  • From: Sergio Rodríguez Soria
• auditory learning
  • From: Watson, Charles S
• Re: auditory learning
  • From: Ward R. Drennan
• different talker IEEE database
  • From: Chuping Liu
• Transcribed IEEE sentences
  • From: Sridhar Kalluri
• equivalence principle
  • From: Bruno L. Giordano
• APCAM Deadline approaching
  • From: John Neuhoff
• Sound card volume calibration software
  • From: Yang Shao
• Effect of duration on pitch perception
  • From: Ward R. Drennan
• Re: Effect of duration on pitch perception
  • From: M.F. McKinney
• Independence of pitch value and pitch salience
  • From: Annemarie Seither-Preisler
• Hissing Noise removal
  • From: Pinaki S. Chanda
• Re: Call for participation: Software tools for expressive music performance
  • From: Ju-Lee Hong
• Re: Effect of duration on pitch perception
  • From: Reinhart Frosch
• Re: Effect of duration on pitch perception
  • From: Martin Braun
• Re: Effect of duration on pitch perception
  • From: William C. Treurniet
• Re: Effect of duration on pitch perception
  • From: Erik Larsen
• Re: Effect of duration on pitch perception
  • From: Roy Patterson
• Re: Effect of duration on pitch perception
  • From: Erik Larsen
• Re: Effect of duration on pitch perception
  • From: Martin Braun
• Auditory cues and visually impaired
  • From: f.neff
• Re: Hissing Noise removal
  • From: beaucham
• Re: Effect of duration on pitch perception
  • From: Flemming Vestergaard
• Filter bank in PEAQ
  • From: Goran Bozidar Markovic
• Re: Effect of duration on pitch perception
  • From: Erik Larsen
• Re: Effect of duration on pitch perception
  • From: Martin Braun
• Re: Effect of duration on pitch perception
  • From: Martin Braun
• Re: Effect of duration on pitch perception
  • From: Eckard Blumschein
• Sustained Vowels
  • From: Allan Goldstein
• Ph.D. positions in Denmark
  • From: Henrik Møller
• Vikram Dayalu is out of the office.
  • From: Vikram Dayalu
• Re: Effect of duration on pitch perception
  • From: Christian Kaernbach
• Re: Effect of duration on pitch perception
  • From: Martin Braun
• Two Audiology Lecturer or Senior Lecturer positions in New Zealand
  • From: Greg O'Beirne
• OMAS: Origins of musical aural skills
  • From: Richard Parncutt
• Hey ;)
  • From: Andre Oliveira
• van Noorden thesis
  • From: Monita Chatterjee
• Re: van Noorden thesis
  • From: Adrian KC Lee
• Re: van Noorden thesis
  • From: Leon van Noorden
• Post-doctoral position in Cochlear Implant research in Vienna
  • From: Bernhard Laback
• IEEE TSAP: Special Issue on Blind Signal Processing for Speech and Audio Applications
  • From: Guy Brown
• errors in harmonic chord identification
  • From: Riana.Walsh
• Re: errors in harmonic chord identification
  • From: Emilio Renard
• Upper/lower freq bounds for speech M/F/children ??
  • From: Richard H.
• Re: Upper/lower freq bounds for speech M/F/children ??
  • From: Bob Masta
• Research Assistant Position
  • From: Erin E. Hannon
• Re: Research Assistant Position
  • From: Erin E. Hannon
• Software for chord identification
  • From: Eric Jacobs
• Re: Software for chord identification
  • From: Leon van Noorden
• Re: Software for chord identification
  • From: Eric Jacobs
• Re: Software for chord identification
  • From: robert gjerdingen
• Re: Software for chord identification
  • From: Eric Jacobs
• Re: Software for chord identification
  • From: Leon van Noorden
• Re: Software for chord identification
  • From: Eric Jacobs
• Re: Software for chord identification
  • From: Toth Laszlo
• Re: Software for chord identification
  • From: Eric Jacobs
• ENC: SBCM 2005: Call for Participation
  • From: Hugo de Paula
• Re: errors in harmonic chord identification
  • From: Bruno Repp
• Re: errors in harmonic chord identification
  • From: robert gjerdingen
• Phonetics and Phonology
  • From: Tarun Pruthi
• Re: Software for chord identification
  • From: alexander lerch
• AW: [AUDITORY] Phonetics and Phonology
  • From: Sascha Fagel
• Re: Software for chord identification
  • From: Roland Mathijssen
• WG: [AUDITORY] Software for chord identification
  • From: Christoph Wille
• Re: Phonetics and Phonology
  • From: Mark Hasegawa-Johnson
• BMLD questions
  • From: Xuejing Sun
• Re: BMLD questions
  • From: Erick Gallun
• Re: BMLD questions
  • From: Ben Hornsby
• Re: [s]Re: Phonetics and Phonology
  • From: Branka ZEI
• Sensory and Perceptual Learning, Conference
  • From: Norman M Weinberger
• BMLD parameters
  • From: Douglas Creelman
• Phonetics and Phonology: A compilation of answers
  • From: Tarun Pruthi
• Faculty Opening University of Colorado at Boulder
  • From: Kathryn Arehart
• Re: BMLD questions
  • From: Xuejing Sun
• Amek angela
  • From: f.neff
• lead vocal detection, removal and extraction
  • From: Tobias Wagenblaß
• Speakers for speech testing
  • From: Ward R. Drennan
• Re: Speakers for speech testing
  • From: Brent Edwards
• fMRI compatible sound system
  • From: Nadine Gaab
• Re: Software for chord identification
  • From: Anders Friberg
• representations: phonetic/phonological
  • From: Daniel Silva
• New approach to frequency analysis
  • From: Pat Randhawa
• Re: Speakers for speech testing
  • From: Christine Rankovic
• reification
  • From: William Noble
• Re: AUDITORY Digest - 12 Sep 2005 to 13 Sep 2005 (#2005-181)
  • From: Susan Rogers
• Re: errors in harmonic chord identification
  • From: Eckard Blumschein
• Audio induced hearing loss mechanism overview
  • From: Samu Mielonen
• Quantitative measures of hearing impairment?
  • From: Richard H.
• Subject: lead vocal detection, removal and extraction
  • From: Bob Masta
• Fourier decomposition
  • From: Fred Herzfeld
• Modulation Enhancement
  • From: Naveen K.N. [MAHE-MCOAHS]
• Re: Fourier decomposition
  • From: Richard F. Lyon
• Re: Fourier decomposition
  • From: Mark Every
• Re: Fourier decomposition
  • From: Bob Masta
• Re: Fourier decomposition
  • From: Richard F. Lyon
• Re: Fourier decomposition
  • From: beaucham
• Re: Fourier decomposition
  • From: Eckard Blumschein
• Fourier decomposition
  • From: David Havelock
• Re: Audio induced hearing loss important parameters
  • From: Paul Marie Guyon
• Re: errors in harmonic chord identification
  • From: John K. Bates
• pitch in primate auditory cortex
  • From: Martin Braun
• AAO-ACO-1979 v ASHA-1981 v Kryter-1998 v Wisconsin-1994 ?
  • From: Richard H.
• concept of representation in the speech sciences (trying again)
  • From: Daniel Silva
• two-tone suppression
  • From: Monita Chatterjee
• Re: two-tone suppression
  • From: Martin Braun
• CFP: SAPA06 - Workshop on Statistical And Perceptual Audition
  • From: Dan Ellis
• Critical bands v hearing loss
  • From: Richard H.
• Re: two-tone suppression
  • From: Ben Lineton
• Re: two-tone suppression
  • From: David Mountain
• Re: [s]concept of representation in the speech sciences (trying again)
  • From: Branka ZEI
• Re: two-tone suppression
  • From: Richard F. Lyon
• Re: Critical bands v hearing loss
  • From: Vinay SN
• Re: two-tone suppression
  • From: Eric LePage
• Re: Critical bands v hearing loss,etc.
  • From: John K. Bates
• two-tone suppression...
  • From: Monita Chatterjee
• Re: Critical bands v hearing loss,etc.
  • From: Paul Marie Guyon
• Re: Critical bands v hearing loss,etc.
  • From: Al Bregman
• Ping tinnitus questionnaire
  • From: Eric LePage
• Ping tinnitus questionnaire (ASCII)
  • From: Eric LePage
• Portable speech recorder
  • From: Satrajit Ghosh
• Re: AUDITORY Digest - 24 Sep 2005 to 25 Sep 2005 (#2005-193)
  • From: Scott D. Lipscomb
• Re: Portable speech recorder
  • From: Christophe Pallier
• koss 950 electrostatic headphones
  • From: Bob Carlyon
• call for papers on "Alternative models for audio source separation"
  • From: Emmanuel Vincent
• UK English CDROM of spoken words?
  • From: Richard H.
• position at the University of Kansas
  • From: Ferguson, Sarah Hargus
• Re: Critical bands v hearing loss
  • From: beaucham
• Re: Critical bands v hearing loss
  • From: beaucham
• Etymotic making 3-port ER10s
  • From: Sumitrajit Dhar
• Re: Critical bands v hearing loss
  • From: Jan Schnupp
• Re: Critical bands v hearing loss
  • From: Richard H.
• chopper neurons
  • From: Arnaud Norena
• Re: Critical bands v hearing loss
  • From: Reinhart Frosch
• Re: Critical bands v hearing loss (2)
  • From: Reinhart Frosch
• Re: Critical bands v hearing loss
  • From: Martin Braun
• Re: Critical bands v hearing loss
  • From: beaucham
• Conference on Neurophysiology of Developmental Disorders in Children 2005
  • From: Gregor Kohls
• position at UNC
  • From: John Grose
• Job Posting: Acoustic Engineer
  • From: Michael B. Howes
• Where is my private auditory information edit page?
  • From: Marco Kobbenbring
• Speaker Recognition using nasality
  • From: Tarun Pruthi
• Database for Voice Quality
  • From: Srikanth
• Speaker Recognition using nasality
  • From: Sanja Dupor
• Conference on Music and Consciousness: Oct 14th deadline reminder
  • From: Eric
• Information on effect of contralateral sound on cochlear microphonics & summating potentials
  • From: sujeet
• Multiple-choice questions
  • From: Stephen Holmes
• FW: [psyc-staff-research] FW: University of Glasgow: PostdoctoralResearch Assistant
  • From: Richard Etches
• Preliminary CFP for ICAD'2006
  • From: tony stockman
• From Bill Yost
  • From: William Yost
• Postdoc positions at UCSF
  • From: Sri.Nagarajan
• Re: AUDITORY Digest - 3 Oct 2005 to 4 Oct 2005 (#2005-201)
  • From: Li Yujia
• Re: AUDITORY Digest - 3 Oct 2005 to 4 Oct 2005 (#2005-201)
  • From: Jan Schnupp
• NonIntrusive Audio Quality Assessment
  • From: Dermot Martin Campbell
• News: conference announcement, Music and Gesture 2
  • From: Anthony Gritten
• Re: NonIntrusive Audio Quality Assessment
  • From: Pinaki S. Chanda
• two sine tones simultaneously within one critical band
  • From: Martin Braun
• Re: NonIntrusive Audio Quality Assessment
  • From: Catherine Guastavino
• Re: NonIntrusive Audio Quality Assessment
  • From: Ramin Pichevar
• Re: NonIntrusive Audio Quality Assessment
  • From: Maher, Rob
• Reverse Slope hearing Loss and hearing aids
  • From: Richard H.
• Re: two sine tones simultaneously within one critical band
  • From: Bob Masta
• Re: two sine tones simultaneously within one critical band
  • From: David Mountain
• Professorship in Experimental Psychology or Neuroscience, U. René Descartes (Paris 5)
  • From: Alain de Cheveigne'
• Re: NonIntrusive Audio Quality Assessment
  • From: Lars Bramsløw
• Re: two sine tones simultaneously within one critical band
  • From: Reinhart Frosch
• Re: two sine tones simultaneously within one critical band
  • From: Bob Masta
• Re: two sine tones simultaneously within one critical band
  • From: beaucham
• Re: two sine tones simultaneously within one critical band
  • From: Piotr Majdak
• Boosting environmental noise detection with a parabolic sound mirror?
  • From: Richard H.
• Re: NonIntrusive Audio Quality Assessment
  • From: Jeremy Paul Marozeau
• Re: two sine tones simultaneously within one critical band
  • From: Bob Masta
• Re: two sine tones simultaneously within one critical band
  • From: Reinhart Frosch
• Re: two sine tones simultaneously within one critical band
  • From: Peter
• Re: two sine tones simultaneously within one critical band
  • From: Reinhart Frosch
• Integration of ITD information
  • From: Bernhard Laback
• Re: Integration of ITD information
  • From: Jan Schnupp
• Re: Integration of ITD information
  • From: David Magezi
• Re: Integration of ITD information
  • From: Erick Gallun
• Re: AUDITORY Digest - 9 Oct 2005 to 10 Oct 2005 (#2005-208)
  • From: Rain, Li Yujia
• Call For Abstracts: ICVPB
  • From: Chuck Larson
• Re: Integration of ITD information
  • From: Christian Kaernbach
• STAX electrostatic
  • From: Bob Carlyon
• Re: AUDITORY Digest - 9 Oct 2005 to 10 Oct 2005 (#2005-208)
  • From: Antje Ihlefeld
• Re: AUDITORY Digest - 7 Oct 2005 to 8 Oct 2005 (#2005-206)
  • From: Susan Rogers
• Békésy tracking
  • From: Daniel Oberfeld
• Onset detection
  • From: Tianshu Qu
• Re: Onset detection
  • From: Professor Leslie Smith
• Re: Onset detection
  • From: alexander lerch
• WPESQ
  • From: Dermot Martin Campbell
• Re: Onset detection
  • From: Fabien Gouyon
• Re: Onset detection
  • From: Guoning Hu
• Req:Few information on summating potentials
  • From: sujeet
• Harvard Sentences
  • From: ismail uysal
• IEEE Workshop on Speech Coding 2000
  • From: ismail uysal
• acoustic foam and soundproofing
  • From: Virginie van Wassenhove
• Re: acoustic foam and soundproofing
  • From: Mike Ravicz
• sources for optimal speaker placement in auditoriums?
  • From: Michael J Epstein
• Speech separation challenge problem
  • From: Martin Cooke
• Hearing_aids_standards
  • From: sudipt barick
• LIE DETECTION / VOCAL STRESS
  • From: Michael Fulton
• Licklider Pitch
  • From: Richard F. Lyon
• Re: LIE DETECTION / VOCAL STRESS
  • From: Mark Huckvale
• Re: LIE DETECTION / VOCAL STRESS
  • From: Toth Laszlo
• Re: LIE DETECTION / VOCAL STRESS
  • From: Brian Gygi
• NYU Position Announcement
  • From: Robert Rowe
• Re: LIE DETECTION / VOCAL STRESS
  • From: Prof Roger K Moore
• Licklider pitch
  • From: Fred Herzfeld
• Re: WPESQ
  • From: John G. Beerends
• Instruction for subjects
  • From: FATIMA HUSAIN
• Re: Instruction for subjects
  • From: Pierre Divenyi
• Re: Instruction for subjects
  • From: Al Bregman
• Re: Instruction for subjects
  • From: Pierre Divenyi
• Re: Instructions for Subjects
  • From: FATIMA HUSAIN
• new book
  • From: Jont Allen
• Positions available
  • From: Jesteadt, Walt
• post-doctoral position
  • From: John Culling
• Re: Instruction for subjects
  • From: Bruno Repp
• Re: Instruction for subjects
  • From: Pierre Divenyi
• Re: Instruction for subjects
  • From: FATIMA HUSAIN
• a different pitch in the right ear than in the left ear
  • From: chen-gia tsai
• B&K 1800
  • From: Sanja Dupor
• Re: B&K 1800
  • From: Pierre Divenyi
• Re: B&K 1800
  • From: Søren Bech
• Ph.D. Program in Speech and Hearing Bioscience and Technology
  • From: Tony J. Miller
• vibration and rainfall
  • From: Matt Marble
• Re: B&K 1800
  • From: Büchler Michael
• Re: vibration and rainfall
  • From: Jan Schnupp
• Swiss Chard
  • From: H.Hacihabiboglu
• Does noise mask exist in rat primary auditory cortex?
  • From: Ye Changquan
• Re: Does noise mask exist in rat primary auditory cortex?
  • From: Wichian Sittiprapaporn
• Re: Does noise mask exist in rat primary auditory cortex?
  • From: Ye Changquan
• Re: Instructions for Subjects
  • From: poppy crum
• Re: AUDITORY Digest - 1 Nov 2005 to 2 Nov 2005 (#2005-224)
  • From: Ajith Kumar U
• CFP: Music and Gesture 2, 20-23 July 2006, RNCM (UK)
  • From: Anthony Gritten
• auditory objects corpus/database
  • From: Virginie van Wassenhove
• Re: auditory objects corpus/database
  • From: Brian Gygi
• role of inhibition in phase-locking
  • From: Edward Large
• Re: auditory objects corpus/database
  • From: Claire Piché
• AW: [AUDITORY] auditory objects corpus/database
  • From: Sascha Fagel
• Re: auditory objects corpus/database
  • From: Sascha Fagel
• Evaluative Bivalence
  • From: Ranjit Randhawa
• Re: auditory objects corpus/database
  • From: David Mountain
• informational masking
  • From: akontides
• Re: auditory objects corpus/database
  • From: Claire Piché
• Re: informational masking
  • From: Erick Gallun
• studies using auditory objects corpus/database
  • From: Richard Nance
• ARO Conference
  • From: Vidya Ganesh
• Job opportunity in acoustic phonetics at City U, London, UK
  • From: Stuart Rosen
• Re: ARO Room mate
  • From: David Magezi
• Job Announcement - Two Research Associate Positions at Walter Reed.
  • From: Ken Grant
• reverb software
  • From: Matt Marble
• Re: reverb software
  • From: Anders Friberg
• frequency discrimination in newborns
  • From: Nikolai Novitski
• Rhythm perception
  • From: John ffitch
• Bose noise cancelllation headphones
  • From: Christine Rankovic
• Re: Rhythm perception
  • From: Henkjan Honing
• Re: Rhythm perception
  • From: Claire Piché
• Re: Rhythm perception
  • From: Dan Ellis
• Re: Rhythm perception
  • From: Edward Large
• Re: Rhythm perception
  • From: Henkjan Honing
• Re: Rhythm perception
  • From: Leon van Noorden
• Re: Rhythm perception
  • From: Henkjan Honing
• Re: Rhythm perception
  • From: Ole Kühl
• Re: Rhythm perception
  • From: Linda Seltzer
• Re: Rhythm perception
  • From: Mikael Fernstrom
• Re: Rhythm perception
  • From: Dan Ellis