AUDITORY posting archive 2004

• Thread Index

• Re: any ideas?
  • From: Peter Meijer
• Discrimination of time
  • From: Robert Stuart
• What is the limit of "exclusive allocation" ?
  • From: Paul du Preez
• Strange!!
  • From: Tarun Pruthi
• Re: Strange!!
  • From: Harriet B Jacobster
• Re: Strange!!
  • From: Thomas G Brennan
• Re: What is the limit of "exclusive allocation" ?
  • From: Adrian KC Lee
• Can you do me a favor
  • From: gao qingwa
• For Speech Understanding
  • From: xiao xianbo
• Re: other ideas? the mundane explanation
  • From: Colette McKAY
• Re: For Speech Understanding
  • From: C.M. Rankovic
• Re: For Speech Understanding
  • From: C.M. Rankovic
• Re: Strange!!
  • From: Tarun Pruthi
• Localization in azimuth
  • From: James Heron
• any ideas?
  • From: Monita Chatterjee
• ICVPB
  • From: Chuck Larson
• Generating sine waves with Winsound
  • From: Marco Kobbenbring
• Re: Generating sine waves with Winsound
  • From: Eckard Blumschein
• Re: Generating sine waves with Winsound
  • From: Pawel Kusmierek
• ARO 2004 MidWinter meeting, Daytona Beach
  • From: Karolina Kluk
• Re: Generating sine waves with Winsound
  • From: Neil Adams
• Re: Generating sine waves with Winsound
  • From: Christophe Pallier
• Re: Generating sine waves with Winsound
  • From: Bob Masta
• Re: Generating sine waves with Winsound
  • From: Joby Joseph
• Research Position available in computer music/sound, cognition and affect
  • From: Kate Stevens
• Re: HRTF
  • From: Piotr Majdak
• Re: Generating sine waves with Winsound
  • From: Mikael Fernström
• Re: Generating sine waves with Winsound
  • From: Al Bregman
• Sharpness calculation
  • From: Jonathan Roberts
• Digital Audio Effects, DAFx04 Call for Papers
  • From: Gianpaolo Evangelista
• Localization in azimuth
  • From: James Heron
• Masking release due to the pitch-based grouping?
  • From: chen-gia tsai
• Neuroscience and seeing with sound
  • From: Peter Meijer
• Re: Masking release due to the pitch-based grouping?
  • From: Michael Kubovy
• Re: Masking release due to the pitch-based grouping?
  • From: Joby Joseph
• Pitch and forward masking
  • From: Brian C. J. Moore
• Re: Pitch and forward masking
  • From: Eckard Blumschein
• Is correlation any good for pitch perception?
  • From: Dmitry Terez
• Re: Pitch and forward masking
  • From: chen-gia tsai
• Re: Is correlation any good for pitch perception?
  • From: Craig Atencio
• Some limitations of the pitch-based grouping
  • From: chen-gia tsai
• Re: Is correlation any good for pitch perception?
  • From: Eckard Blumschein
• Gaussian vs uniform noise audibility
  • From: Bob Masta
• Re: Is correlation any good for pitch perception?
  • From: Ramdas Kumaresan
• Re: Is correlation any good for pitch perception?
  • From: Eckard Blumschein
• Re: Is correlation any good for pitch perception?
  • From: Peter Cariani
• Re: Gaussian vs uniform noise audibility
  • From: Israel Nelken
• Re: Is correlation any good for pitch perception?
  • From: Craig Atencio
• Re: Is correlation any good for pitch perception?
  • From: Richard F. Lyon
• Re: Some limitations of the pitch-based grouping
  • From: Peter Cariani
• ACF of a rectangle
  • From: Christian Kaernbach
• Re: Cariani's question: "What is the visual analogue of pitch?"
  • From: Michael Kubovy
• Re: ACF of a rectangle
  • From: Eckard Blumschein
• Re: Cariani's question: "What is the visual analogue of pitch?"
  • From: John Neuhoff
• Conference on Interdisciplinary Musicology
  • From: Richard Parncutt
• Re: Cariani's question: "What is the visual analogue of pitch?"
  • From: Eliot Handelman
• Re: Cariani's question: "What is the visual analogue of pitch?"
  • From: Peter Cariani
• Re: Cariani's question: "What is the visual analogue of pitch?"
  • From: Pierre Divenyi
• Re: Is correlation any good for pitch perception?
  • From: John K. Bates
• Re: Gaussian vs uniform noise audibility
  • From: Paris Smaragdis
• Re: Gaussian vs uniform noise audibility
  • From: John Hershey
• Re: Gaussian vs uniform noise audibility
  • From: Israel Nelken
• Re: Neuroscience and seeing with sound
  • From: Peter Meijer
• Re: Cariani's question: "What is the visual analogue of pitch?"
  • From: Michael Kubovy
• Re: Gaussian vs uniform noise audibility
  • From: Eckard Blumschein
• Re: Gaussian vs uniform noise audibility
  • From: John Hershey
• Re: Gaussian vs uniform noise audibility
  • From: Israel Nelken
• Re: Gaussian vs uniform noise audibility
  • From: Eckard Blumschein
• Re: Gaussian vs uniform noise audibility
  • From: beauchamp james w
• Re: Gaussian vs uniform noise audibility
  • From: Eckard Blumschein
• Re: Gaussian vs uniform noise audibility
  • From: Julius Smith
• Re: Gaussian vs uniform noise audibility
  • From: Julius Smith
• Re: Gaussian vs uniform noise audibility
  • From: John Hershey
• Re: Gaussian vs uniform noise audibility
  • From: beauchamp james w
• Re: Cariani's question:"What is the visual analogue of pitch?"
  • From: John K. Bates
• Re: Gaussian vs uniform noise audibility
  • From: Julius Smith
• Re: Gaussian vs uniform noise audibility
  • From: Alain de Cheveigne'
• Re: Gaussian vs uniform noise audibility
  • From: John Hershey
• Re: Gaussian vs uniform noise audibility
  • From: John Lazzaro
• Re: Some limitations of the pitch-based grouping
  • From: chen-gia tsai
• Re: Gaussian vs uniform noise audibility
  • From: Eckard Blumschein
• Re: Gaussian vs uniform noise audibility
  • From: Eckard Blumschein
• Re: Gaussian vs uniform noise audibility
  • From: Bob Masta
• Re: Sensitivity of Directional Microphones
  • From: Chirag Patel
• Re: Cariani's question: "What is the visual analogue of pitch?"
  • From: Neil McLachlan
• Re: Gaussian vs uniform noise audibility
  • From: Israel Nelken
• Re: Gaussian vs uniform noise audibility
  • From: Julius Smith
• The natural spectrogram, Re: Gaussian vs uniform noise audibility
  • From: Eckard Blumschein
• Re: The natural spectrogram, Re: Gaussian vs uniform noise audibility
  • From: Julius Smith
• Re: The natural spectrogram, Re: Gaussian vs uniform noise audibility
  • From: Eckard Blumschein
• semantic satiation
  • From: Rick Nance
• Re: The natural spectrogram, Re: Gaussian vs uniform noise audibility
  • From: Julius Smith
• apparent increase in loudness
  • From: Leon van Noorden
• Re: apparent increase in loudness
  • From: FATIMA HUSAIN
• Re: apparent increase in loudness
  • From: John Neuhoff
• Re: apparent increase in loudness
  • From: James Heron
• Re: The natural spectrogram
  • From: Eckard Blumschein
• Re: The natural spectrogram
  • From: beauchamp james w
• Re: The natural spectrogram
  • From: Eckard Blumschein
• Fwd: Re: apparent increase in loudness
  • From: Ross Alexander Hendler
• Uncertainty principle debate
  • From: herzfeld
• uncertainty principle
  • From: William Hartmann
• reverse engineering of acoustic sources
  • From: beauchamp james w
• Re: Fwd: Re: apparent increase in loudness
  • From: Brian Gygi
• Re: Uncertainty principle debate
  • From: Ramin Pichevar
• Re: apparent increase in loudness
  • From: Leon van Noorden
• Re: uncertainty principle
  • From: Leon van Noorden
• Re: Uncertainty principle debate
  • From: Alain de Cheveigne'
• Re: Fwd: Re: apparent increase in loudness
  • From: Ross Alexander Hendler
• Re: Fwd: Re: apparent increase in loudness
  • From: Ross Alexander Hendler
• Re: reverse engineering of acoustic sources
  • From: Georg Essl
• Re: reverse engineering of acoustic sources
  • From: beauchamp james w
• Re: reverse engineering of acoustic sources
  • From: John Neuhoff
• Re: reverse engineering of acoustic sources
  • From: Georg Essl
• Re: reverse engineering of acoustic sources
  • From: Pierre Divenyi
• Re: reverse engineering of acoustic sources
  • From: Georg Essl
• Re: reverse engineering of acoustic sources
  • From: Neil McLachlan
• Re: reverse engineering of acoustic sources
  • From: beauchamp james w
• Re: Uncertainty principle debate
  • From: John G. Beerends
• Re: AUDITORY Digest - 31 Jan 2004 to 1 Feb 2004 (#2004-31)
  • From: Georg Essl
• Re: Gaussian vs. uniform noise audibility
  • From: Bob Masta
• Re: AUDITORY Digest - 31 Jan 2004 to 1 Feb 2004 (#2004-31)
  • From: beauchamp james w
• Cochlear Delays
  • From: Ramdas Kumaresan
• Re: what makes a great violin
  • From: Erick Gallun
• Re: reverse engineering of acoustic sources (Helmholtz's hollowness)
  • From: chen-gia tsai
• Re: Cochlear Delays
  • From: David Mountain
• Re: Cochlear Delays
  • From: Andrew Bell
• Re: reverse engineering of acoustic sources (Helmholtz's hollowness)
  • From: Giordano Bruno
• Re: Cochlear Delays
  • From: David Mountain
• Re: reverse engineering of acoustic sources (Helmholtz'shollowness)
  • From: chen-gia tsai
• Lectureships / Senior Lectureships @ University of Sussex
  • From: Chris Darwin
• Gordon Research Conference
  • From: Kevin O'Connor
• Cochlear Delays
  • From: Robert Withnell
• Chair in Auditory Sciences at Aston University, England
  • From: Marina Rose
• seeking speech corpus
  • From: David Schwartz
• Re: Uncertainty principle debate
  • From: Abeer Alwan
• Octave band filter
  • From: Qu Hongwei
• typo in URL address
  • From: Abeer Alwan
• Re: Uncertainty principle debate
  • From: Eckard Blumschein
• Invited Session "Speech, Audio and Signal Processing", at SCI 2004
  • From: kais Ouni
• temporal induction in hearing impaired
  • From: FATIMA HUSAIN
• PME04 - Call for Papers
  • From: Massimo Grassi
• PhD Studentships in Speech & Hearing at Sheffield
  • From: Martin Cooke
• ARO roommate
  • From: Tanya Arbogast
• Lectureships / Senior Lectureships at Sussex
  • From: Chris Darwin
• Re: Uncertainty principle debate
  • From: Peter Meijer
• Re: Octave band filter
  • From: Sarampalis Anastasios
• Re: Uncertainty principle debate
  • From: Dmitry Terez
• Re: Octave band filter
  • From: Sarampalis Anastasios
• Post-doctoral position available
  • From: Nicolas Tsingos
• Speech Rec
  • From: Seetharamakrishnan
• Postdoctoral Position in Cochlear Implant Research, Cambridge
  • From: Bob Carlyon
• Postdoctoral Position to study auditory-somatosensory integration
  • From: Susan Shore
• Postdoctoral Fellowship in Modeling and Neuroimaging of Auditory and Language Function
  • From: FATIMA HUSAIN
• [AUD] CFP: Music Information Retrieval. ISMIR 2004. Barcelona
  • From: Dan Ellis
• Qualitative research on musical hallucinations?
  • From: Lassi A Liikkanen
• Request info.: ACC
  • From: akartik1 narayanan
• distancing effect in Chinese music
  • From: chen-gia tsai
• ERP working memory task for musicians?
  • From: Boris Kleber
• ICMC 2004 submission opened
  • From: Georg Essl
• 10 Years of ICAD--Nominating Papers
  • From: Bruce Walker
• Re: ear canal length
  • From: Brad Ingrao
• Re: ear canal length
  • From: Tony Miller
• Iowa Musical Instrument Samples Update
  • From: Lawrence Fritts
• SAPA 2004 - Deadline extension
  • From: Paris Smaragdis
• Is there considerable phase locking up to 6 kHz?
  • From: chen-gia tsai
• Re: Is there considerable phase locking up to 6 kHz?
  • From: jan schnupp
• TDT routines
  • From: Denis Mckeown
• Neurophysiology of Developmental Disorders in Children
  • From: Gregor Kohls
• Re: Is there considerable phase locking up to 6 kHz?
  • From: Eckard Blumschein
• Re: Is there considerable phase locking up to 6 kHz?
  • From: Richard F. Lyon
• Re: Is there considerable phase locking up to 6 kHz?
  • From: chen-gia tsai
• Re: Is there considerable phase locking up to 6 kHz?
  • From: Peter Meijer
• Re: Is there considerable phase locking up to 6 kHz?
  • From: Eckard Blumschein
• Re: Is there considerable phase locking up to 6 kHz?
  • From: jan schnupp
• Re: Is there considerable phase locking up to 6 kHz?
  • From: Christian Kaernbach
• Re: Is there considerable phase locking up to 6 kHz?
  • From: Eckard Blumschein
• Re: Is there considerable phase locking up to 6 kHz?
  • From: Richard F. Lyon
• Re: Is there considerable phase locking up to 6 kHz?
  • From: Roy Patterson
• Re: Is there considerable phase locking up to 6 kHz?
  • From: beaucham
• Re: Is there considerable phase locking up to 6 kHz?
  • From: Martin Braun
• Re: Is there considerable phase locking up to 6 kHz?
  • From: beaucham
• Re: Is there considerable phase locking up to 6 kHz?
  • From: Richard F. Lyon
• Re: Is there considerable phase locking up to 6 kHz?
  • From: Eckard Blumschein
• 2 post-doctoral positions in music structure research (London, UK)
  • From: Michael Casey
• Re: Is there considerable phase locking up to 6 kHz?
  • From: Martin Braun
• Critical bands - fixed or "floating"?
  • From: Richard H.
• Re: Is there considerable phase locking up to 6 kHz?
  • From: Eckard Blumschein
• Re: Is there considerable phase locking up to 6 kHz?
  • From: Richard F. Lyon
• Discussion about "place pitch" concept
  • From: Dr. Uwe Baumann
• Re: Discussion about "place pitch" concept
  • From: Martin Braun
• seeking an image of the auditory system
  • From: Mark Ballora
• Re: Discussion about "place pitch" concept
  • From: Colette McKAY
• Re: Discussion about "place pitch" concept
  • From: Tony Miller
• Pendulum or plausible combination?
  • From: Eckard Blumschein
• place pitch and temporal pitch
  • From: Christian Kaernbach
• Re: Qualitative research on musical hallucinations?
  • From: Lassi A Liikkanen
• Re: place pitch and temporal pitch
  • From: Eckard Blumschein
• Re: place pitch and temporal pitch
  • From: Christian Kaernbach
• Re: AUDITORY Digest - 17 Mar 2004 to 18 Mar 2004 (#2004-54)
  • From: Anamaria S. Kazanis
• Re: place pitch and temporal pitch
  • From: Eckard Blumschein
• Re: Discussion about "place pitch" concept
  • From: Pierre Divenyi
• Re: place pitch and temporal pitch
  • From: Martin Braun
• Re: Discussion about "place pitch" concept
  • From: Martin Braun
• (Fwd) Re: place pitch and temporal pitch
  • From: Ward R. Drennan
• Re: place pitch and temporal pitch
  • From: Israel Nelken
• Re: place pitch and temporal pitch
  • From: Eckard Blumschein
• Re: place pitch and temporal pitch
  • From: Martin Braun
• post-doctoral position wanted
  • From: Gaëtan Gilbert
• Postdoctoral Fellowship
  • From: Chuck Larson
• Re: place pitch and temporal pitch
  • From: Al Bregman
• TWO Lectureships (assistant professorships) in Audiology
  • From: Stuart Rosen
• pitch or chroma of high-frequency pure tones
  • From: Richard Parncutt
• History of cochlear implant slides
  • From: Ward R. Drennan
• Re: History of cochlear implant slides
  • From: C.M. Rankovic
• Re: History of cochlear implant slides
  • From: Ward R. Drennan
• Re: History of cochlear implant slides
  • From: Sladen, Douglas P.
• Place-based pitch
  • From: Al Bregman
• WSJ Article on Mead Killion's Fight for Affordable Hearing Aids
  • From: Tony Miller
• Re: Place-based pitch
  • From: David Mountain
• WSJ Article on Mead Killion's Fight for Affordable Hearing Aids
  • From: steveng@cogsci.berkeley.edu
• Re: place pitch and temporal pitch
  • From: Johan Westman
• Re: Place-based pitch
  • From: Martin Braun
• Re: place pitch and temporal pitch
  • From: Martin Braun
• Re: place pitch and temporal pitch
  • From: Johan Westman
• (Fwd) Comment on HA article
  • From: Ward R. Drennan
• Inexpensive hearing aids
  • From: Barbara Reynolds
• Re: Inexpensive hearing aids
  • From: Thomas G Brennan
• Re: Inexpensive hearing aids
  • From: Richard H.
• Tuning Hearing Aids: was Re: Inexpensive hearing aids
  • From: Harriet B Jacobster
• Affordable hearing aids extant?
  • From: Marvit, Peter
• Re: Affordable hearing aids extant?
  • From: Ward R. Drennan
• Re: Affordable hearing aids extant?
  • From: Ben Hornsby
• Re: Inexpensive hearing aids - Consideration of Piano harmonics
  • From: Barbara Reynolds
• Re: Affordable hearing aids extant?
  • From: Barbara Reynolds
• Re: Inexpensive hearing aids - Consideration of Piano harmonics
  • From: Thomas G Brennan
• Re: Affordable hearing aids extant?
  • From: Richard H.
• Re: Inexpensive hearing aids - Consideration of Piano harmonics
  • From: Barbara Reynolds
• Re: Affordable hearing aids extant?
  • From: Barbara Reynolds
• Inexpensive hearing aids
  • From: susan allen
• Re: Inexpensive hearing aids - Consideration of Piano harmonics
  • From: Thomas G Brennan
• Re: Inexpensive hearing aids
  • From: Thomas G Brennan
• Re: Inexpensive hearing aids
  • From: Barbara Reynolds
• Re: Inexpensive hearing aids - Consideration of Piano harmonics
  • From: Thomas G Brennan
• Re: Inexpensive hearing aids - Consideration of Piano harmonics
  • From: Barbara Reynolds
• Re: Inexpensive hearing aids
  • From: Thomas G Brennan
• Re: Inexpensive hearing aids
  • From: Barbara Reynolds
• Re: Affordable hearing aids extant?
  • From: Barbara Reynolds
• Re: Inexpensive hearing aids
  • From: Barbara Reynolds
• Re: Inexpensive hearing aids
  • From: Thomas G Brennan
• Re: Inexpensive hearing aids
  • From: Thomas G Brennan
• Yet again on hearing aids
  • From: Al Bregman
• Re: {SPAM?} Re: Inexpensive hearing aids
  • From: Adams, Scott D
• Re: Yet again on hearing aids - The Marriage of System and Desire
  • From: Harriet B Jacobster
• Re: Yet again on hearing aids - The Marriage of System and Desire
  • From: Richard H.
• Re: Yet again on hearing aids - The Marriage of System and Desire
  • From: Harriet B Jacobster
• Yet again on hearing aids
  • From: Richard H.
• Re: Yet again on hearing aids
  • From: Thomas G Brennan
• Re: Yet again on hearing aids - The Marriage of System and Desire
  • From: Richard H.
• Re: Yet again on hearing aids - The Marriage of System and Desire
  • From: Harriet B Jacobster
• Re: Affordable hearing aids extant? (Cognitive function and hearing aids)
  • From: Ben Hornsby
• Reverse traveling wave does not exist
  • From: Andrew Bell
• Re: Yet again on hearing aids - The Marriage of System and Desire
  • From: Barbara Reynolds
• Affordable hearing aids (Cognitive function and hearing aids)
  • From: Barbara Reynolds
• Re: Reverse traveling wave does not exist
  • From: David Mountain
• Vestibular sectioning, and, OAEs
  • From: Matt Flax
• Re: Yet again on hearing aids
  • From: Al Bregman
• Rules of thumb for trainee dispensing audiologist?
  • From: Richard H.
• Re: Place-based pitch
  • From: Eckard Blumschein
• Re: Place-based pitch
  • From: Richard H.
• Re: Yet again on hearing aids
  • From: Peter Lennox
• Re: Thank you - inexpensive aids
  • From: Barbara Reynolds
• To Ward Brennan
  • From: Barbara Reynolds
• Compact/collective references concerning auditory research
  • From: Barbara Reynolds
• Call for papers on Sound Design 04
  • From: Patrick Susini
• Re: Yet again on hearing aids
  • From: Bill Noble
• Hearing aid owner dissatisfaction
  • From: Brent Edwards
• Re: Reverse traveling wave does not exist
  • From: Martin Braun
• Re: Thank you - inexpensive aids -Was off-list
  • From: Harriet B Jacobster
• Re: Thank you - inexpensive aids -Was off-list
  • From: Barbara Reynolds
• surround sound tech info?
  • From: Jim Stevenson
• Re: surround sound tech info?
  • From: Hermann Stemberger
• Re: surround sound tech info?
  • From: John Ashley Burgoyne
• Is there another list anywhere for "newbie" audiologists?
  • From: Richard H.
• Re: Is there another list anywhere for "newbie" audiologists?
  • From: Brent Edwards
• Re: Thank you - inexpensive aids -Was off-list
  • From: Al Bregman
• Fw: Hearing aid owner dissatisfaction
  • From: Brent Edwards
• Re: surround sound tech info?
  • From: Claire Piché
• WSJ Letter to the Editor
  • From: Tony Miller
• Re: Thank you - inexpensive aids -Was off-list
  • From: Peter Lennox
• Re: Thank you - inexpensive aids - Totally agree
  • From: Harriet B Jacobster
• Re: Hearing aid owner dissatisfaction
  • From: Maher, Rob
• Re: Hearing aid owner dissatisfaction
  • From: Freed, Dan
• Sensory coding and the natural environment--Gordon Research Conference
  • From: Jonathan Z. Simon
• Re: surround sound tech info?
  • From: Neil Adams
• Re: Hearing aid owner dissatisfaction
  • From: Richard H.
• position in applied psychoacoustics in Denmark
  • From: Wolfgang Ellermeier
• vowels versus consonants
  • From: Ferguson, Sarah Hargus
• Re: vowels versus consonants
  • From: Pierre Divenyi
• [no subject]
  • From: Robert Withnell
• Sensimetrics' Headset Listening device
  • From: Patrick Zurek
• FYI: references and comments
  • From: Barbara Reynolds
• Re: vowels versus consonants
  • From: Michael J. Owren
• Re: Sensimetrics' Headset Listening device
  • From: Peter Lennox
• Re: Sensimetrics' Headset Listening device
  • From: Patrick Zurek
• Re: vowels versus consonants
  • From: David Klein
• Re: surround sound tech info?
  • From: Eero Aro
• Re: Reverse traveling wave does not exist
  • From: Andrew Bell
• ASCII e-mails to the list, please
  • From: Christian Kaernbach
• Mailing list protocol
  • From: Dr. S. W. (Steve) Beet
• Re: Sensimetrics' Headset Listening device
  • From: jan schnupp
• Re: Reverse traveling wave does not exist
  • From: Martin Braun
• ICMPC8 reminder - conference program available online
  • From: Scott D. Lipscomb
• Re: vowels versus consonants
  • From: Michael J. Owren
• Fw: H.C. Longuet-Higgins (1923-2004)
  • From: Al Bregman
• Request: info. ACC
  • From: akartik1 narayanan
• Green's likelihood procedure in Matlab
  • From: Massimo Grassi
• Re: Green's likelihood procedure in Matlab
  • From: Marvit, Peter
• Post Doctoral Fellowship
  • From: Mari Jones
• Psychoacoustics and RA positions.
  • From: ieish gamah
• Ear canal S bend geometry?
  • From: Richard H.
• Human auditory system "map" ???
  • From: Richard H.
• xwaves in OSX?
  • From: Michael J. Owren
• Difference between cognition and perception?
  • From: Woojay Jeon
• Re: Difference between cognition and perception?
  • From: Andrew Milne
• Re: Difference between cognition and perception?
  • From: Paul Brossier
• Re: Difference between cognition and perception?
  • From: pallier
• Re: Difference between cognition and perception?
  • From: beaucham
• Re: Difference between cognition and perception?
  • From: Brian Gygi
• Re: Difference between cognition and perception?
  • From: Andrew Bell
• Re: Difference between cognition and perception?
  • From: =?x-windows-949?B?Q2xhaXJlIFBpY2hlJw==?=
• Re: Difference between cognition and perception?
  • From: Andy Graybeal
• Re: Difference between cognition and perception?
  • From: f.maintenant
• Re: Difference between cognition and perception?
  • From: Christian Kaernbach
• Re: Difference between cognition and perception?
  • From: Peter Lennox
• Re: Difference between cognition and perception?
  • From: pallier
• Re: Difference between cognition and perception?
  • From: Christian Kaernbach
• Re: Difference between cognition and perception?
  • From: Eckard Blumschein
• Re: Difference between cognition and perception?
  • From: Martin Braun
• Re: Difference between cognition and perception?
  • From: Jeffrey J. Sable
• Archive request; admin info
  • From: Dan Ellis
• [Fwd: Re: Difference between cognition and perception?]
  • From: Rick Nance
• Re: AUDITORY Digest - 11 Apr 2004 to 13 Apr 2004 (#2004-78)
  • From: Watson, Charles S
• Re: Difference between cognition and perception?
  • From: John K. Bates
• Re: AUDITORY Digest - 11 Apr 2004 to 13 Apr 2004 (#2004-78)
  • From: Pierre Divenyi
• Re: Difference between cognition and perception?
  • From: Dan Tollin
• Re: Difference between cognition and perception?
  • From: Leon van Noorden
• Re: Difference between cognition and perception?
  • From: Karen Banai
• Re: Difference between cognition and perception?
  • From: Eliot Handelman
• Re: Difference between cognition and perception?
  • From: Pierre Divenyi
• Re: Difference between cognition and perception?
  • From: David Hirst
• Re: Difference between cognition and perception?
  • From: Andrew Milne
• Re: Difference between cognition and perception?
  • From: Claire Piché
• Categorical Perception
  • From: silvadmr
• Academic position
  • From: Sid P. Bacon
• noise classification problem
  • From: baypackbek
• Re: AUDITORY Digest - 14 Apr 2004 (#2004-80)
  • From: Watson, Charles S
• Re: Difference between cognition and perception?
  • From: David Klein
• Re: Difference between cognition and perception?
  • From: Martin Braun
• Re: Difference between cognition and perception?
  • From: Chuck Larson
• Re: Difference between cognition and perception?
  • From: Douglas Eck
• Re: noise classification problem
  • From: Valeriy Shafiro
• Re: Difference between cognition and perception?
  • From: Scharine, Angelique (Civ,ARL/HRED)
• Re: Difference between cognition and perception?
  • From: Eliot Handelman
• Re: Difference between cognition and perception?
  • From: Eliot Handelman
• Uncertainty principle debate
  • From: Ramin Pichevar
• Re: noise classification problem
  • From: Vincent Rioux
• definition of 'real world sounds'
  • From: susan allen
• Re: definition of 'real world sounds'
  • From: Toth Laszlo
• Re: definition of 'real world sounds'
  • From: Toth Laszlo
• Re: Difference between cognition and perception?
  • From: Jorge Cardoso
• Re: definition of 'real world sounds'
  • From: Bruno L. Giordano
• Re: noise classification problem
  • From: Bruno L. Giordano
• Re: noise classification problem
  • From: Jul
• Re: Difference between cognition and perception?
  • From: Douglas Eck
• Long posting on perception / cognition
  • From: Kevin Austin
• Re: noise classification problem
  • From: Claire Piché
• Re: noise classification problem
  • From: f.maintenant
• Re: noise classification problem
  • From: Topher Farrell
• Re: noise classification problem
  • From: Claire Piché
• Re: noise classification problem
  • From: f.maintenant
• Software for audiometric testing
  • From: Luc Rousseau
• Re: Software for audiometric testing
  • From: Richard H.
• Re: Software for audiometric testing
  • From: Richard H.
• Re: noise classification problem
  • From: Vincent Rioux
• Shaeffer's Traité des objets musicaux -- was noise classification
  • From: Kevin Austin
• Re: Difference between cognition and perception?
  • From: Martin Braun
• Re: Difference between cognition and perception?
  • From: Odd Torleiv Furnes
• Re: Difference between cognition and perception?
  • From: Eliot Handelman
• Re: Difference between cognition and perception?
  • From: Eliot Handelman
• Re: Difference between cognition and perception?
  • From: Odd Torleiv Furnes
• Re: Difference between cognition and perception?
  • From: Eric Scheirer
• Re: Difference between cognition and perception?
  • From: Eliot Handelman
• Re: Difference between cognition and perception?
  • From: Eliot Handelman
• Re: Difference between cognition and perception?
  • From: Odd Torleiv Furnes
• Re: Difference between cognition and perception? long - <sigh>
  • From: Kevin Austin
• Re: Difference between cognition and perception? long - <sigh>
  • From: Daniel Wolf
• Re: Difference between cognition and perception?
  • From: David Hirst
• Post-doctoral position, electrophysiology, Baltimore
  • From: Didier Depireux, PhD
• Re: Shaeffer's Traité des objets musicaux -- was noise classification
  • From: John K. Bates
• auditory memory and sound classification
  • From: Hadi Harb
• [no subject]
  • From: Barbara Reynolds
• Tip links, Calcium depletion and menopause
  • From: Barbara Reynolds
• Criterion differences when measuring threshold
  • From: Ben Hornsby
• Re: auditory memory and sound classification
  • From: f.maintenant
• Re: Criterion differences when measuring threshold
  • From: Jesteadt, Walt
• Re: Criterion differences when measuring threshold
  • From: Judi Lapsley Miller
• Post-Doctoral Research Position at UCL
  • From: Stuart Rosen
• physical aspects of computational auditory scene analysis
  • From: Jason E. Summers (Contractor)
• New Journal on Neural Information Processing
  • From: Soo-Young Lee
• small speakers
  • From: James Heron
• Re: small speakers
  • From: Benjamin, Eric
• Hearing Scientist Position in SF Bay Area Research Center
  • From: Brent Edwards
• Auditory fMRI as a reliable diagnostic of schizophrenia?
  • From: Tony Miller
• Re: Auditory fMRI as a reliable diagnostic of schizophrenia?
  • From: Pierre Divenyi
• Re: Auditory fMRI as a reliable diagnostic of schizophrenia?
  • From: Tony Miller
• Ear impression taking technique?
  • From: Richard H.
• Private v List replies ...
  • From: Richard H.
• Re: Private v List replies ...
  • From: Neil Adams
• Bark Scale
  • From: Gregoire, Jerry
• Re: Ear impression taking technique?
  • From: Vermiglio, Andy
• Re: auditory memory and sound classification
  • From: f.maintenant
• Call for papers: 3rd Annual APCAM
  • From: Laura C. Dilley
• Re: Ear impression taking technique?
  • From: Brad Ingrao
• absolute pitch -- gender differences
  • From: Bruno L. Giordano
• Re: absolute pitch -- gender differences
  • From: Thomas G Brennan
• Re: absolute pitch -- gender differences
  • From: Johan Paul Sixten Westman
• Re: absolute pitch -- gender differences
  • From: Thomas G Brennan
• absolute pitch
  • From: susan allen
• Re: absolute pitch -- gender differences
  • From: Leon van Noorden
• Re: absolute pitch
  • From: Thomas G Brennan
• POSTDOCTORAL FELLOWSHIP: NEUROIMAGING OF HUMAN AUDITORY ATTENTION
  • From: David L. Woods
• no message
  • From: Andrezza Almeida Gusmão
• absolute pitch
  • From: Annemarie Seither-Preisler
• subcortical neural plasticity
  • From: Annemarie Seither-Preisler
• Re: absolute pitch
  • From: Leon van Noorden
• AW: absolute pitch
  • From: Annemarie Seither-Preisler
• Re: subcortical neural plasticity
  • From: Daniel Rowan
• Announcement for the Auditory List
  • From: Carl Ludvigsen
• Re: absolute pitch & animals
  • From: Robert Zatorre
• Absolute pitch; perfect pitch
  • From: Daniel Levitin
• Re: absolute pitch & animals
  • From: Stewart Hulse
• sex distribution in absolute pitch
  • From: Martin Braun
• Re: absolute pitch & animals
  • From: Martin Braun
• the number of fixed categories in absolute pitch
  • From: Martin Braun
• Re: the number of fixed categories in absolute pitch
  • From: Leon van Noorden
• Re: the number of fixed categories in absolute pitch
  • From: Andrew Milne
• Re: the number of fixed categories in absolute pitch
  • From: Leon van Noorden
• Re: subcortical neural plasticity
  • From: Israel Nelken
• AW: absolute pitch & animals
  • From: Annemarie Seither-Preisler
• AW: the number of fixed categories in absolute pitch
  • From: Annemarie Seither-Preisler
• saltation in pitch perception
  • From: Julius Verrel
• Re: AW: the number of fixed categories in absolute pitch
  • From: Andrew Milne
• Absolute pitch.
  • From: Reinhart Frosch
• Re: the number of fixed categories in absolute pitch
  • From: Martin Braun
• Pitch saltation
  • From: James J. Jenkins
• Computational ASA
  • From: Jon Boley
• Re: AW: absolute pitch & animals
  • From: Robert Zatorre
• Re: Absolute pitch.
  • From: Ferguson, Sarah Hargus
• Re: Computational ASA
  • From: Pierre Divenyi
• Re: Absolute pitch.
  • From: Thomas G Brennan
• Re: Computational ASA
  • From: Maher, Rob
• Re: Computational ASA
  • From: DeLiang Wang
• VAD (Voice Activity Detection) algorithms?
  • From: Richard H.
• Auditory Streaming
  • From: Roisin Loughran
• Re: VAD (Voice Activity Detection) algorithms?
  • From: =?gb2312?q?chen=20zhixin?=
• Re: VAD (Voice Activity Detection) algorithms?
  • From: Richard H.
• Re: Computational ASA -- how many sources can humans perceive?
  • From: Valeriy Shafiro
• Re: Computational ASA
  • From: John K. Bates
• Re: Computational ASA -- how many sources can humans perceive?
  • From: beaucham
• Re: Computational ASA
  • From: Paris Smaragdis
• Re: Computational ASA -- how many sources can humans perceive?
  • From: Valeriy Shafiro
• Re: Computational ASA -- how many sources can humans perceive?
  • From: Maher, Rob
• Re: Computational ASA -- how many sources can humans perceive?
  • From: Brian Gygi
• Re: Computational ASA -- how many sources can humans perceive?
  • From: Toth Laszlo
• Re: Auditory Streaming
  • From: Leon van Noorden
• Re: Computational ASA -- how many sources can humans perceive?
  • From: Pawel Kusmierek
• Re: AW: absolute pitch & animals
  • From: Pawel Kusmierek
• Re: Computational ASA -- how many sources can humans perceive?
  • From: Toth Laszlo
• Re: AW: absolute pitch & animals
  • From: Susan Hall
• infants and pitch
  • From: Susan Hall
• Re: AW: absolute pitch & animals
  • From: beaucham
• Re: infants and pitch
  • From: Stewart Hulse
• Re: absolute pitch & formant frequency
  • From: chen-gia tsai
• absolute pitch
  • From: Diana Deutsch
• Posting to list, attachments and html
  • From: Kevin Austin
• Training / talent / AP and vowels
  • From: Kevin Austin
• Re: Training / talent / AP and vowels
  • From: Israel Nelken
• Re: Posting to list, attachments and html
  • From: Jim Stevenson
• Number of concurrent streams.
  • From: Al Bregman
• Re: infants and pitch
  • From: Alex Francis
• Re: VAD (Voice Activity Detection) algorithms?
  • From: Matt Flax
• Re: Computational ASA -- how many sources can humans perceive?
  • From: Peter Lennox
• Re: Number of concurrent streams.
  • From: Claire Piché
• need help!
  • From: Lena Nowicki
• Re: need help!
  • From: Chandan Raghava Narayan
• Re: need help!
  • From: Myra van Esch
• Re: Computational ASA
  • From: Mikael Fernström
• How many sources can humans perceive? / Number of co ncurrent streams
  • From: Valeriy Shafiro
• Re: infants and pitch
  • From: Martin Braun
• Re: need help!
  • From: Gregoire, Jerry
• Re: Number of concurrent streams.
  • From: Al Bregman
• NIPS 2004 Call for Papers
  • From: John Platt
• Re: How many sources can humans perceive? / Number of co ncurrent streams
  • From: David Hirst
• Sources & terms
  • From: Kevin Austin
• Re: Number of concurrent streams.
  • From: DeLiang Wang
• Re: Sources & terms
  • From: Erick Gallun
• Mean rate and synchrony parameters
  • From: Tarun Pruthi
• Job: Cambridge University: Auditory Temporal Processing
  • From: Roy Patterson
• Brain, Mind & Culture: Neuroscience Forum, Cyprus, Nov 29-Dec 3 2004
  • From: Kate Stevens
• Job vacancy: Technical Officer in Psychoacoustics (Part time)
  • From: Emery Schubert
• auditory localization
  • From: Elyana Makowski
• Re: auditory localization
  • From: Henry, Paula (Cont,ARL/HRED)
• Re: auditory localization
  • From: William Hartmann
• Re: reference
  • From: Diana Deutsch
• Re: auditory localization
  • From: Peter Lennox
• A couple of questions on OAE measurements
  • From: Enrique A. Lopez-Poveda
• [no subject]
  • From: yoav frankel
• Re: A couple of questions on OAE measurements
  • From: Jose I. Alcantara
• will phase distortion affect hearing result?
  • From: xiao xianbo
• Re: will phase distortion affect hearing result?
  • From: Ramin Pichevar
• Re: research on bad quality singing
  • From: Marvit, Peter
• pitch in speech
  • From: RRandhawa
• Statistical foundation of jnd and critical bandwidth
  • From: Andrew Milne
• Re: Statistical foundation of jnd and critical bandwidth
  • From: William Hartmann
• speech in noise training
  • From: Patrick Wong
• hearing integration time
  • From: David Gilfillan
• Emotional speech, supraglottal structures and limbic system
  • From: chen-gia tsai
• Re: research on bad quality singing
  • From: Jean-Julien Aucouturier
• triggers for neural activity in the auditory periphery
  • From: Annemarie Seither-Preisler
• Re: Emotional speech, supraglottal structures and limbic system
  • From: Martin Braun
• Re: triggers for neural activity in the auditory periphery
  • From: Martin Braun
• Re: triggers for neural activity in the auditory periphery
  • From: Dennis P. Phillips
• Re: AUDITORY Digest - 9 May 2004 to 10 May 2004 (#2004-112)
  • From: Watson, Charles S
• Re: Emotional speech, supraglottal structures and limbic system
  • From: chen-gia tsai
• Demos of hearing loss and amplification
  • From: Stuart Rosen
• Re: Demos of hearing loss and amplification
  • From: Ferguson, Sarah Hargus
• Re: Emotional speech, supraglottal structures and limbic system
  • From: Ferguson, Sarah Hargus
• Frequency range of hearing loss
  • From: Gary Spittle
• Re: Fwd: Baby Sounds
  • From: Valeriy Shafiro
• Re: Demos of hearing loss and amplification
  • From: Claire Piché
• Job announcement: Auditory perception researcher
  • From: Dan Ellis
• cochlear implant rehabilitation
  • From: Nathan Weisz
• Roommate needed for ASA Meeting (New York)
  • From: Woojay Jeon
• overtone tinnitus?
  • From: Julius Verrel
• Re: overtone tinnitus?
  • From: Andrew Bell
• TEMPORARY LECTURESHIP IN HEARING SCIENCES at UCL
  • From: Stuart Rosen
• Re: overtone tinnitus?
  • From: Richard H.
• Re: cochlear implant rehabilitation
  • From: Catherine Warrier
• Audiometric database software
  • From: David A. Eddins
• Re: Audiometric database software
  • From: Brad Ingrao
• postdoc at IHR (Scottish Section)
  • From: Michael Akeroyd
• Postdoc in auditory brain imaging (IHR, Nottingham, UK)
  • From: Katrin Krumbholz
• Internal Auditory Integrity vs. Hypersonic NeuroMarketing Brain Implants : The Cognitive Liberty Foundation
  • From: leo sullivan
• [no subject]
  • From: Lynne Dearlove
• Student in need...
  • From: Topher Farrell
• searching article, paper or book summarizing recent findings on the active cochlea / OHC
  • From: bert hubert
• KEMAR pinnae
  • From: Henry, Paula (Cont,ARL/HRED)
• Re: KEMAR pinnae
  • From: Freed, Dan
• Re: uncertainty principle + searching article
  • From: Eckard Blumschein
• Auditory test
  • From: Claire Piché
• generating sine waves
  • From: G. Robert Arrabito
• Re: generating sine waves
  • From: Pawel Kusmierek
• Re: AUDITORY Digest - 28 May 2004 to 29 May 2004 (#2004-127)
  • From: ajith kumar
• Re: AUDITORY Digest - 28 May 2004 to 29 May 2004 (#2004-127)
  • From: Scott D. Lipscomb
• software for waveform generation, storage and manipulation
  • From: Stuart Rosen
• Re: generating sine waves
  • From: Jorge Cardoso
• R: Re: generating sine waves
  • From: Andrea Valle
• real-time signal processing
  • From: Stuart Rosen
• Re: real-time signal processing
  • From: Mikael Fernström
• Re: generating sine waves
  • From: Leon van Noorden
• NIPS 2004 Call for Workshops
  • From: John Platt
• International Symposium Psychology and Music Education (PME04)
  • From: Massimo Grassi
• Re: Auditory test
  • From: Vermiglio, Andy
• email crash
  • From: Jim Stevenson
• Your message to STAT-L-request@LISTS.MCGILL.CA
  • From: L-Soft list server at McGill University NCS (1.8d)
• summary to post requesting a sine wave generation program
  • From: G. Robert Arrabito
• checking the acoustical difference
  • From: Daniel Kislyuk
• Re: checking the acoustical difference
  • From: Christian Kaernbach
• checking the acoustical difference
  • From: Denis McKeown
• Re: checking the acoustical difference
  • From: Pallier Christophe
• Thnaks to those who helped me pass the HAC Exams to become a UK hearing aid dispenser!
  • From: Richard H.
• Music Listening Test
  • From: Dan Ellis
• Question about DAT recorders
  • From: David Schwartz
• Re: Gaussian vs uniform noise audibility
  • From: Bob Masta
• How to create a good ear impression .... wot I do ....
  • From: Richard H.
• Position Announcement
  • From: Eric W. Healy
• Meeting on Auditory Scene Analysis and Speech Perception
  • From: Chris Darwin
• signal analysis primitives, and auditory dimensions
  • From: Bruno L. Giordano
• Re: signal analysis primitives, and auditory dimensions
  • From: Toth Laszlo
• FW: Nato Symposium "New Directions for Improving Audio Effectiven ess"
  • From: Brungart Douglas S Civ AFRL/HECB
• Corrected Link For Nato Symposium on Audio Effectiveness
  • From: Brungart Douglas S Civ AFRL/HECB
• Tone language, absolute pitch, and cultural differences
  • From: chen-gia tsai
• Re: Tone language, absolute pitch, and cultural differences
  • From: chen-gia tsai
• Sound Design 04, New Deadline
  • From: Patrick Susini
• A matlab tool for simulating room acoustics
  • From: Kalle Palomäki
• Whispered speech
  • From: C.M. Rankovic
• thresholds, equal loudness and masking
  • From: Sanja Dupor
• Your message to STAT-L-request@LISTS.MCGILL.CA
  • From: L-Soft list server at McGill University NCS (1.8d)
• Your message to STAT-L-request@LISTS.MCGILL.CA
  • From: L-Soft list server at McGill University NCS (1.8d)
• Experiment Creator
  • From: Frank A. Russo
• direct/indirect perception
  • From: Julien Ricard
• Re: direct/indirect perception
  • From: Bruno L. Giordano
• Re: direct/indirect perception
  • From: André Luiz Gonçalves de Oiveira
• Re: direct/indirect perception
  • From: Brian Gygi
• Re: direct/indirect perception
  • From: Paul Lemmens
• Sound Design 04, Deadline Today
  • From: Patrick Susini
• Re: direct/indirect perception
  • From: Bruno L. Giordano
• About the STAT-L messages on AUDITORY
  • From: Dan Ellis
• NIPS 2004 Call for Demonstrations
  • From: John Platt
• formant frequencies of sung German vowels
  • From: Dave Benson
• Re: direct/indirect perception
  • From: Al Bregman
• Re: direct/indirect perception
  • From: Seetharamakrishnan
• Re: direct/indirect perception
  • From: Seetharamakrishnan
• Re: direct/indirect perception
  • From: Al Bregman
• Re: direct/indirect perception
  • From: John Lazzaro
• Direct and indirect perception
  • From: James J. Jenkins
• 135 dbSPL possible from commercial earphones / earpieces?
  • From: Richard H.
• Re: 135 dbSPL possible from commercial earphones / earpieces?
  • From: Freed, Dan
• Re: 135 dbSPL possible from commercial earphones / earpieces?
  • From: Richard H.
• Re: direct/indirect perception
  • From: Peter Lennox
• New Book-- Ecological Psychoacoustics
  • From: John Neuhoff
• Fw: Re: direct/indirect perception
  • From: Al Bregman
• acoustic shielding
  • From: Satrajit Ghosh
• [OT] What salary needed to attract a psychoacoustic expert in the UK?
  • From: Richard H.
• Research vacancy @ University of Manchester
  • From: Richard J Baker
• PhD thesis: "Signal processing methods for the automatic transcription of music"
  • From: Klapuri Anssi
• Binaural Temporal Window
  • From: Bernhard Laback
• the SSQ Spatial Acoustics questionnaire
  • From: Barbara Reynolds
• Re: acoustic shielding
  • From: Paul Brossier
• Re: acoustic shielding
  • From: Densil Cabrera
• Re: acoustic shielding
  • From: Yuvi Kahana
• Spatial Acoustics Correction Nature Neuroscience Sep. 1998 417-421
  • From: Barbara Reynolds
• Re: acoustic shielding
  • From: David Prince
• wave files for an auditory display
  • From: Yuvi Kahana
• specific loudness calculation: ambiguity of excitation
  • From: Rossi Mark (PA-ATMO/EES21) *
• finding repeting sequences in a signal
  • From: baypackbek
• Central auditory processing disorder
  • From: Al Bregman
• Re: Central auditory processing disorder
  • From: neuronet
• David Morris is out of the office.
  • From: David Morris
• Re: AUDITORY Digest - 8 Jul 2004 to 9 Jul 2004 (#2004-157)
  • From: Watson, Charles S
• ISSNIP 2004 Workshop on Biologically Inspired Models
  • From: David GRAYDEN
• Central auditory processing disorder (CAPD)
  • From: Martin Braun
• IEEE Tr Speech/Audio special issue CFP
  • From: Dan Ellis
• Re: Central auditory processing disorder (CAPD)
  • From: Pierre Divenyi
• about separately recorded songs
  • From: Yipeng Li
• Re: about separately recorded songs
  • From: Pawel Kusmierek
• Central auditory processing disorder
  • From: Ifat Yasin
• central auditory processing disorder
  • From: Ifat Yasin
• multi-talker babble
  • From: Patrick Wong
• Re: multi-talker babble
  • From: Topher Farrell
• Re: about separately recorded songs
  • From: Brian Gygi
• Position as lecturer (equivalent to Ass't Professor) in Audiology
  • From: Stuart Rosen
• Call for papers: Plasticity in Speech Perception
  • From: Paul Iverson
• USA: dispensers v audiologists?
  • From: Richard H.
• Job postings for Psychoacousticians/Engineers, Singapore
  • From: Dan Ellis
• Benefit from amplification of high frequencies in hearing impaire d
  • From: Martin Vestergaard
• Re: ISSNIP 2004 Workshop on Biologically Inspired Models
  • From: David GRAYDEN
• increasing / normalizing loudness for large numbers of wav files
  • From: Timothy Justus
• Re: increasing / normalizing loudness for large numbers of wav files
  • From: Bruno Crochet
• Re: increasing / normalizing loudness for large numbers of wav files
  • From: David Robinson
• Re: increasing / normalizing loudness for large numbers of wav files
  • From: Catherine Warrier
• RTA question
  • From: Topher Farrell
• Re: RTA question
  • From: Pawel Kusmierek
• Re: RTA question
  • From: Sam Ferguson
• Re: RTA question
  • From: Pawel Kusmierek
• Job Posting
  • From: Michael J Epstein
• APCAM Deadline Looming
  • From: John Neuhoff
• perceptually relevant error scale for farfield directivity
  • From: Jacob_Cobi _Waxman
• timbre and tonal volume
  • From: Guillaume Potard
• Re: timbre and tonal volume
  • From: John Neuhoff
• Speech and Hearing Bioscience and Technology Program
  • From: Tony Miller
• Re: timbre and tonal volume
  • From: Bruno L. Giordano
• mathematics for signal processing groups
  • From: #ARIJIT BISWAS#
• position at MPI, Nijmegen
  • From: Holger Mitterer
• ISSNIP 2004 Workshop on Biologically Inspired Models
  • From: David GRAYDEN
• The role of threshold in quiet in specific loudness calculation
  • From: Rossi Mark (PA-ATMO/EES21) *
• recording question (mic vs. line)
  • From: rif
• Re: recording question (mic vs. line)
  • From: Bob Masta
• Loudness and Articulation index
  • From: Belisario Nina
• Worskshop on Music Information Processing Systems
  • From: Dan Ellis
• Looking for speech transmission index (STI) program
  • From: Lee,Jong-Hwan
• IFMR - research funding possibility
  • From: Scott D. Lipscomb
• Loudness and AI
  • From: Christine M. Rankovic
• Re: AUDITORY Digest - 22 Aug 2004 to 23 Aug 2004 (#2004-180)
  • From: Scott D. Lipscomb
• PhD position
  • From: joachim.ostwald
• prenatal auditory localization
  • From: Richard Parncutt
• prenatal auditory localization PS
  • From: Richard Parncutt
• Re: prenatal auditory localization PS
  • From: Bob Masta
• Recognition of musical style.
  • From: Pino Buzzanca
• Re: prenatal auditory localization PS
  • From: Erik Larsen
• auditory sequence learning
  • From: Aniruddh Patel
• FW: prenatal auditory localization
  • From: Rahul Shrivastav
• Speech intelligibility tests
  • From: Divya Gupta
• loudness of vowels
  • From: David Schwartz
• Differences between male and female speakers
  • From: Divya Gupta
• Re: RTA question
  • From: Christopher W. Clark
• Postdoctoral Fellow position at MARCS Auditory Labs, Sydney
  • From: Kate Stevens
• UCM 2004 - Understanding and Creating Music - Caserta, Italia, November 2004, 23-27
  • From: Pino Buzzanca
• Spectrogram of formant transition
  • From: Pawel Kusmierek
• Re: Spectrogram of formant transition
  • From: Pierre Divenyi
• Re: Spectrogram of formant transition
  • From: Stuart Rosen
• Sound design symposium / Colloque design sonore
  • From: Patrick Susini
• ACTIVE listening concerns
  • From: Matt Marble
• Re: ACTIVE listening concerns
  • From: Erick Gallun
• Re: ACTIVE listening concerns
  • From: Jeffrey J. Sable
• TDH earphones
  • From: Ferguson, Sarah Hargus
• getting a signal level from a signal+noise measure?
  • From: Rochelle Newman
• reverberation simulations
  • From: Ken Grant
• Re: reverberation simulations
  • From: Pierre Divenyi
• Re: reverberation simulations
  • From: Peter Lennox
• Brain, Mind & Culture, Cyprus, Nov 29-Dec 3 - 2nd Announcement
  • From: Kate Stevens
• Re: getting a signal level from a signal+noise measure?
  • From: Eric Delory
• TDT system 2 users
  • From: McAnally, Ken
• Re: TDT system 2 users
  • From: Marvit, Peter
• male IEEE sentences
  • From: Ken Grant
• Re: AUDITORY Digest - 9 Sep 2004 to 11 Sep 2004 (#2004-191)
  • From: ajith kumar
• Re: AUDITORY Digest - 9 Sep 2004 to 11 Sep 2004 (#2004-191)
  • From: Seetharamakrishnan
• unsubscribe
  • From: esra sahin
• Possible National Acadamy of Science Post-Doc Opportunity at AFRL
  • From: Brungart Douglas S Civ AFRL/HECB
• Audibility of fire alarms
  • From: Brad Ingrao
• Re: Audibility of fire alarms
  • From: Hermann Stemberger
• Re: Audibility of fire alarms
  • From: Maher, Rob
• Re: Audibility of fire alarms
  • From: federico avanzini
• Seeking links
  • From: gandhi ambalam
• call for datasets for psychophysical stationarity study
  • From: Thomas Tanner
• Re: Audibility of fire alarms
  • From: Brad Ingrao
• Re: Audibility of fire alarms
  • From: Guillaume Lemaitre
• Available: IEEE TNN Special Issue on Temporal Coding
  • From: DeLiang Wang
• Musical style recognition.
  • From: Pino Buzzanca
• 'Speak in my right ear and sing in my left'
  • From: hilarleo
• Re: 'Speak in my right ear and sing in my left'
  • From: Chatterjee, Monita
• Re: 'Speak in my right ear and sing in my left'
  • From: John Neuhoff
• Re: 'Speak in my right ear and sing in my left' -- Sininger & Cone-Wesson, Science 2004
  • From: Pierre Divenyi
• Re: 'Speak in my right ear and sing in my left'
  • From: Richard Nance
• PhD thesis on music transcription
  • From: Taylan Cemgil
• origin of 'timbre'
  • From: beaucham
• AM and beats
  • From: =?koi8-r?B?4snCycvP1yDuycvPzMHK?=
• Hilbert envelope bandwidth
  • From: Christof Faller
• Re: origin of 'timbre'
  • From: Claire Piché
• Matlab code request
  • From: Amanda Lauer
• Re: Hilbert envelope bandwidth
  • From: Tarun Pruthi
• Re: Octave code request ... was : Matlab code request
  • From: Matt Flax
• Re: Hilbert envelope bandwidth
  • From: Ramin Pichevar
• Re: Hilbert envelope bandwidth
  • From: Yadong Wang
• Re: origin of 'timbre'
  • From: Harvey Holmes
• Re: origin of 'timbre'
  • From: Eckard Blumschein
• Re: 'Speak in my right ear and sing in my left'
  • From: Martin Braun
• Re: origin of "timbre"
  • From: Eckard Blumschein
• Re: 'Speak in my right ear and sing in my left'
  • From: Barbara Reynolds
• Re: 'Speak in my right ear and sing in my left'
  • From: Martin Braun
• Re: origin of 'timbre'
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